music clip of the day

jazz/blues/rock/classical/gospel/more

Category: R&B

Monday, March 18th

James Carr (1942-2001), “The Dark End of the Street” (D. Penn, C. Moman), 1967

 

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lagniappe

reading table

Counting the Mad
by Donald Justice (1925-2004)

This one was put in a jacket,
This one was sent home,
This one was given bread and meat
But would eat none,
And this one cried No No No No
All day long.

This one looked at the window
As though it were a wall,
This one saw things that were not there,
This one things that were,
And this one cried No No No No
All day long.

This one thought himself a bird,
This one a dog,
And this one thought himself a man,
An ordinary man,
And cried and cried No No No No
All day long.

Saturday, March 16th

basement jukebox

James Carr (1942-2001), “To Love Somebody” (B. Gibb, R. Gibb), 1969

 

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lagniappe

reading table

Variations on a Text by Vallejo
by Donald Justice (1925-2004)

Me moriré en Paris con aguacero …

I will die in Miami in the sun,
On a day when the sun is very bright,
A day like the days I remember, a day like other days,
A day that nobody knows or remembers yet,
And the sun will be bright then on the dark glasses of strangers
And in the eyes of a few friends from my childhood
And of the surviving cousins by the graveside,
While the diggers, standing apart, in the still shade of the palms,
Rest on their shovels, and smoke,
Speaking in Spanish softly, out of respect.

I think it will be on a Sunday like today,
Except that the sun will be out, the rain will have stopped,
And the wind that today made all the little shrubs kneel down;
And I think it will be a Sunday because today,
When I took out this paper and began to write,
Never before had anything looked so blank,
My life, these words, the paper, the gray Sunday;
And my dog, quivering under a table because of the storm,
Looked up at me, not understanding,
And my son read on without speaking, and my wife slept.

Donald Justice is dead. One Sunday the sun came out,
It shone on the bay, it shone on the white buildings,
The cars moved down the street slowly as always, so many,
Some with their headlights on in spite of the sun,
And after awhile the diggers with their shovels
Walked back to the graveside through the sunlight,
And one of them put his blade into the earth
To lift a few clods of dirt, the black marl of Miami,
And scattered the dirt, and spat,
Turning away abruptly, out of respect.

Tuesday, March 12th

basement jukebox

Jackie (AKA Jacqui) Verdell (1937-1991), “Why Not Give Me a Chance” (J. Verdell), 1962

 

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musical thoughts

I also considered Jackie Verdell of the Davis Sisters one of the best and most underrated female soul singers of all time.

—Aretha Franklin (1942-2018), Aretha: From These Roots, 1999

Thursday, February 28th

sounds of New York

Louie Vega (DJ), live, New York, 12/18/18

 

Saturday, February 23rd

three takes

“Hello Stranger” (B. Lewis)

Julia Holter

Live (soundcheck), 2013

 

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Recording, 2013

 

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Barbara Lewis, 1963 (The Dells, background vocals; recorded at Chess Studios, Chicago; Billboard R&B #1, Pop #3)

 

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lagniappe

random sights

other day, Oak Park, Ill.

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reading table

Winter solitude—
in a world of one color
the sound of wind.

—Matsuo Basho, 1644-1694 (translated from Japanese by Robert Hass)

Friday, December 14th

what’s new

Wu-Tang Clan, live, Washington, D.C., 12/5/18

 

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lagniappe

reading table

in the silver dew
one sleeve cold . . .
morning sun

—Kobayashi Issa, 1763-1827 (translated from Japanese by David G. Lanoue)

Friday, December 7th

This is Jimmy’s brother.

Syl Johnson, “Take Me to the River” (A. Green, M. Hodges), 1974

 

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Another take.

Live (with Howard Grimes [drums], Leroy Hodges [bass], et al.), Memphis

 

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lagniappe

random sights

other day, Oak Park, Ill.

Tuesday, December 4th

timeless

This guy, whom I worked with in the 1970s, co-producing this track and a few others for Alligator Records (Living Chicago Blues, Vol. 1), just turned ninety. One of my sons, now older than I was then, heard him the other night at a Chicago club, where, he said, his guitar playing was “robust.” How wonderful to be ninety years old and robust. How wonderful, too, to be able to share music with a son.

“Breaking up Somebody’s Home” (T. Matthews, A. Jackson), 1978

 

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Here he is forty years later.

“People Get Ready” (C. Mayfield), “That’s All Right,” Chicago, 2018

 

Friday, November 30th

off the hook

Erykah Badu, live (TV show), 2015

 

Monday, November 26th

what’s new

Lil Wayne (feat. Post Malone), “What About Me,” 11/9/18

 

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lagniappe

random sights

this morning, Oak Park, Ill.