Monk
Thelonious Monk Quartet (TM [1917-1982], piano; Charlie Rouse, tenor saxophone; Larry Gales, bass; Ben Riley, drums), 1968
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lagniappe
reading table
opening day . . .
green of the field
through the ticket gates—Randy Brooks (Baseball Haiku, Cor van den Heuvel & Nanae Tamura, eds.)
The other night, as Mitsuko Uchida was performing two of Mozart’s piano concertos (17, 27) with the Chicago Symphony Orchestra, there were moments so pure, so open, I would have liked nothing more than to disappear into one of the spaces between the notes and stay there.
Wolfgang Amadeus Mozart, Piano Concerto No. 20 in D minor, KV. 466; Mitsuko Uchida (piano and conducting), Camerata Salzburg, live, Germany (Salzburg), 2001
I love the way he plays Mozart. Simply. Directly. There’s nothing fussy here. Nothing fey. Melodies unfold with the ease and grace of a bird flying from branch to branch.
Wolfgang Amadeus Mozart (1756-1791), Piano Sonatas & Fantasia,* Friedrich Gulda (1930-2000), live, Germany (Munich), 1981
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*Program (courtesy of YouTube):
0:00 – Nº4 in E flat major, K.282
14:35 – Nº9 in D major, K.311
32:58 – Nº12 in F major, K.332
55:54 – Fantasia nº4 in C minor, K.475
1:06:55 – Nº14 in C minor, K.457
I think I’m in love—with the sister in the middle, that is.
Andy & The Bey Sisters (with Kenny Clarke, drums), “Smooth Sailing” (A. Cobb), live, Paris, c. 1964
the other night
I heard the Chicago Symphony Orchestra, with pianist Yefim Bronfman, perform this piece. In The Human Stain Phillip Roth wrote of Bronfman: “Then Bronfman appears. Bronfman the brontosaur! Mr. Fortissimo. Enter Bronfman to play Prokofiev at such a pace and with such bravado as to knock my morbidity clear out of the ring.” Isn’t that what we want from music, one of the things, anyway—to have our “morbidity” “knock[ed] . . . clear out of the ring,” if only for a while, until it creeps back in?
Bela Bartok (1881-1945), Piano Concerto No. 2; Orchestra Della Svizzera Italiana (Zoltan Pesko, cond.), Zoltan Kocsis, piano; live, 1995
1st Movement
2nd Movement (A)
2nd Movement (B)
3rd Movement
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two takes
It’s spring!
“Spring Can Really Hang You Up The Most” (T. Wolf & F. Landesman)
Betty Carter (1929-1998), Inside Betty Carter, 1964
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Bob Dorough (1923-), Right On My Way Home, 1997
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lagniappe
reading table
spring rain—
the uneaten ducks
are quacking—Kobayashi Issa, 1813 (translated from Japanese by David G. Lanoue)
old school
Arthur Conley (1946-2003), “Nothing Can Change This Love” (S. Cooke), live (TV show), Netherlands (Amsterdam), 2001
two takes
“When Something Is Wrong With My Baby” (I. Hayes & D. Porter)
Sam & Dave, live, Germany (Offenbach), 1967
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Isaac Hayes, TV Show (Top of the Pops), England, 1995
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lagniappe
reading table
“The World Contracted to a Recognizable Image”
by William Carlos Williams (1883-1963)at the small end of an illness
there was a picture
probably Japanese
which filled my eyean idiotic picture
except it was all I recognized
the wall lived for me in that picture
I clung to it as a fly
basement jukebox
Magic Sam (AKA Samuel Maghett, 1937-1969), Cobra Records, Chicago
“All Your Love,” 1957
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“Love Me with a Feeling,” 1957
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“Everything Gonna Be Alright,” 1958
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“21 Days In Jail,” 1958
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taking a break
I’m taking some time off—back soon.
a week in New Orleans: day two
Bon Mardi Gras
Professor Longhair, December 19, 1918-January 30, 1980
“Mardi Gras in New Orleans” (AKA “Go to the Mardi Gras”), 1950
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“Big Chief”
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“Tipitina” (with the Meters)
music clip of the day 