music clip of the day

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Category: piano

Tuesday, June 4th

alone

Cecil Taylor, piano, live, Germany (Nürnberg), 1984

Monday, June 3rd

alone

Matthew Shipp, piano, “Greensleeves,” “Symbol Systems,” 2012

Thursday, May 23rd

Some singers are so distinctive that when you’re in the mood for them no one else will do.

Blossom Dearie (1924-2009), “They Say It’s Spring,” 1958*

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lagniappe

reading table: Albion Beatnik Bookstore, Oxford, England

0531_7eac

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*BD, vocals, piano; Herb Ellis, guitar; Ray Brown, bass; Jo Jones, drums.

Monday, May 20th

two takes

“Take Five” (P. Desmond)

Ceramic Dog (Marc Ribot, guitar; Shahzad Ismaily, bass & percussion; Ches Smith, drums), live, Netherlands (Amsterdam), 2013


***

Dave Brubeck Quartet (DB, piano; Paul Desmond, alto saxophone; Eugene Wright, bass; Joe Morello, drums), live, Germany, 1966


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lagniappe

art beat: yesterday at the Art Institute of Chicago

Katsushika Hokusai (1760-1849), Bullfinch and Weeping Cherry Tree, 1834

0032_s

Saturday, May 11th

Here, following Hélène Grimaud’s the other day and Rudolf Serkin’s a while back, is another take.

Ludwig van Beethoven (1770-1827), Piano Sonata No. 31 in A flat major, Op. 110, third movement, Maurizio Pollini (1942-), live


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lagniappe

reading table

I stepped from Plank to Plank
A slow and cautious way
The Stars about my Head I felt
About my Feet the Sea.

I knew not but the next
Would be my final inch —
This gave me that precarious Gait
Some call Experience.

—Emily Dickinson (1830-1886)

Wednesday, May 8th

Yesterday, listening to WKCR-FM (Columbia University), I bumped into this, a track I never tired of hearing when, in the ’70s, I was in college.

Bill Evans (1929-1980), piano, “Never Let Me Go” (Alone, 1968)

Tuesday, May 7th

Only a world this noisy could produce music this quiet.

Evan Parker (soprano saxophone), et al.,* live, London (Freedom of the City festival), 2011


*Heledd Francis Wright (flute), John Russell (guitar), Augusti Fernandez (piano), Adam Linson (bass), Toma Gouband (percussion), Lawrence Casserley (electronics), Matt Wright (electronics).

Monday, May 6th

Ludwig van Beethoven (1770-1827), Piano Sonata No. 31 in A flat major, Op. 110; Hélène Grimaud (1969-), live, Germany (Berlin), c. 2001


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lagniappe

musical thoughts

Each performer plays this piece differently, and each performance is different. Each listener hears it differently, and each listen is different. This isn’t one piece; it’s many.

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random thoughts

Two sons, two fathers. Saturday evening, as we were driving back to Bloomington from Indianapolis, where we’d celebrated his graduation from Indiana University at a grand old steakhouse, Luke got a call from a friend. A guy he knew, who grew up in the town right next to us and was a couple years behind him at IU, had just been in a terrible car accident—north of Indianapolis, on the highway to Chicago. He was on his way home for the summer. Now all I could think of was his father, whom I had never met. He would be getting into his car. He would be driving into Chicago on the Eisenhower Expressway, then going south on the Dan Ryan. He would be taking the Skyway into Indiana, then heading toward Indianapolis on Interstate 65. He would be going to get his son. For the last time.

Tuesday, April 30th

one thing after

another after another 

after another after another after . . . 

John Cage (1912-1992), Concert for Piano and Orchestra (1958); Variable Geometry (Jean-Phillippe Calvin, director), live, London, 2011

A performance like this can go wrong in so many ways. This one, to these ears, works wonderfully. Momentum, tautness, immediacy—it has them all.

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lagniappe

musical thoughts

Everything we do is music.

John Cage

Monday, April 22nd

Let’s listen, after a week of bombings and explosions and earthquakes, to something spare, something quiet.

Erik Satie (1866-1925), Sonneries de la Rose + Croix – Air du Grand Prieur (1892); Reinbert de Leeuw, piano


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lagniappe

radio

Happy Birthday, Charles Mingus!

Today it’s all Mingus, all day at WKCR-FM (Columbia University).