Five hours?
As far as I’m concerned, this could go on forever.
Morton Feldman (1926-1987), For Philip Guston (1984); Claire Chase (flute, alto flute, piccolo), Steven Schick (percussion), Sarah Rothenberg (piano, celesta), live (3:50-), Houston (Rothko Chapel), 11/2/14
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lagniappe
random thoughts: New Year’s resolution #1
Quit thinking other people should be more like me—if anything, be thankful they aren’t.
sounds of New Orleans
Henry Butler (piano, vocals), Steven Bernstein (trumpet), Herlin Riley (drums), et al., “Some Iko,” recording session (Viper’s Drag, 2014)
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lagniappe
reading table
One must always fight back, not in the hope of winning but just to delay the moment of losing.
—Samantha Harvey, The Wilderness
Merry Christmas
Bessie Smith (with Joe Smith, cornet; Charlie Green, trombone; Fletcher Henderson, piano), “At the Christmas Ball,” 1925
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Blind Lemon Jefferson, “Christmas Eve Blues,” 1928
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Victoria Spivey (with Lonnie Johnson, guitar), “Christmas Morning Blues,” 1928
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Leroy Carr, “Christmas In Jail—Ain’t That A Pain,” 1929
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Johnny Moore’s Three Blazers (feat. Charles Brown, vocals, keyboards), “Merry Christmas, Baby,” 1947
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Lowell Fulson, “Lonesome Christmas (I & II),” 1950
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Sonny Boy Williamson II, “Sonny Boy’s Christmas Blues,” 1951
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John Lee Hooker, “Blues For Christmas,” 1959
passings
Joe Cocker, singer, May 20, 1944-December 22, 2014
“The Letter,” live (with Leon Russell, piano, et al.), 1970
Ever feel you can’t find a foothold?
Arnold Schoenberg (1874-1951), Piano Concerto (1942); Rotterdam Philharmonic Orchestra (Jeffrey Tate, cond.) with Mitsuko Uchida (piano), live
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lagniappe
reading table
Aspen tree, your leaves glance white into the dark.
My mother’s hair was never white.Dandelion, so green is the Ukraine.
My yellow-haired mother did not come home.Rain cloud, above the well do you hover?
My quiet mother weeps for everyone.Round star, you wind the golden loop.
My mother’s heart was ripped by lead.Oaken door, who lifted you off your hinges?
My gentle mother cannot return.—Paul Celan (1920-1970; translated from German by Michael Hamburger)
two takes
Need a lift?
Charles Ives (1874-1954), Ragtime Dance No. 4 (1904)
Alarm Will Sound, live, New York, 2013
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Orchestra New England, recording, 1990
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lagniappe
musical thoughts
As I remember some of the dances as a boy, and also from father’s description of some of the old dancing and fiddle playing, there was more variety of tempo than in the present-day dances. In some parts of the hall a group would be dancing in polka, while in another, a waltz. Some of the players in the band would, in an impromptu way, pick up with the polka, and some with the waltz, and some with a march. Often the piccolo or cornet would throw in asides. Sometimes a change in tempo, or a mixed rhythm would be caused by a fiddler who, after playing three or four hours steadily, was getting a little sleepy. Or maybe another player was seated too near the hard cider barrel. Whatever the reason for these changes and simultaneous playing of things, I remember distinctly catching a kind of music that was natural and interesting and which was decidedly missed when everybody came down ‘blimp’ on the same beat again.
—Charles Ives
sounds of New York (day two)
Here, as in the city itself, density and spaciousness coexist.
Tim Berne’s Cornered,* “Embraceable Me,” live, New York, 10/12/14
*TB, alto saxophone; Oscar Noriega, clarinets; Ryan Ferreira, guitar; Matt Mitchell, piano; Michael Formanek, bass; Ches Smith, drums, vibraphone.
passings
Bunny Briggs, tap dancer, February 26, 1922-November 15, 2014
Duke Ellington Orchestra with Bunny Briggs (dance) and Jon Hendricks (vocal), “David Danced Before the Lord with All His Might,” live (A Concert of Sacred Music), San Francisco (Grace Cathedral), 1965
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And David danced before the Lord with all his might . . .
—2 Samuel 6:14 (King James)
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lagniappe
art beat
Robert Frank (1924-), Funeral—St. Helena, South Carolina, 1955
And thankful I am for the sounds of New Orleans, a city both real and unimaginable.
James Booker (1939-1983), “Classified” (J. Booker), live
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lagniappe
art beat
Michael P. Smith (1937-2008), Funeral of Emile Victor Clay, New Orleans, 1996
Why not begin the week with something beautiful?
John Cage (1912-1992), In a Landscape (1948); Shira Legmann (piano), live, Boston
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lagniappe
reading table
Winter garden,
the moon thinned to a thread,
insects singing.—Matsuo Basho (1644-1694; translated from Japanese by Robert Hass)
music clip of the day 