can’t wait
This weekend they’ll be in Chicago, playing at Constellation.
Vijay Iyer Trio (VI, piano; Stephan Crump, bass; Marcus Gilmore, drums), Break Stuff, 2015
sounds of Chicago
Jack DeJohnette (drums) with MCOTD Hall-of-Famer Henry Threadgill (reeds), Roscoe Mitchell (reeds), Muhal Richard Abrams (piano), and Larry Gray (bass), Made in Chicago, 2015
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lagniappe
art beat: more from the other day at the Art Institute of Chicago
This, too, I never tire of.
Jackson Pollock (1912-1956), Greyed Rainbow, 1953
sounds of Chicago
Matthias Kranebitter (1980-), pack the box (with five dozen of my liquor jugs) (2013)
Mocrep, live, Chicago, 2014
[vimeo 111677932 w=560&h=315]
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lagniappe
reading table
Collage=life.
—Joseph Cornell, diary entry, 1964
More of Cecil T.
Cecil Taylor, live, Switzerland (Montreux), 1974
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lagniappe
reading table
It is a very painful thing, having to part company with what torments you.
—Robert Walser (1878-1956), “Balloon Journey” (translated from German by Christopher Middleton)
never enough
Thelonious Monk Quartet (TM, piano; Charlie Rouse, tenor saxophone; John Ore, bass; Frankie Dunlop, drums), “Nutty,” “Bemsha Swing,” “Epistrophy,” “Crepuscule with Nellie,” “I Mean You,” live (TV show), Netherlands, 1961
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lagniappe
art beat
William Klein (1928-), Baseball Cards, New York 1955
never enough
Only a great artist could play so simply.
Johann Sebastian Bach (1685-1750)/Ferrucio Busoni (1866-1924), Wachet auf, ruft uns die Stimme; Solomon (AKA Solomon Cutner [1902-1988]), recording, 1948
what’s new
Daniel Knox, “Don’t Touch Me” (Daniel Knox, Carrot Top Records, 2/24/15)
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lagniappe
reading table
Some people really are what they seem to be—though not that many.
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Like most explanations, it’s as plausible as anything else.
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Character, to me, is one more lie of history and the dramatic arts. In my view, we have only what we did yesterday, what we do today, and what we might do tomorrow. Plus, whatever we think about all of that. But nothing else—nothing hard or kernel like. I’ve never seen evidence of anything resembling it. In fact I’ve seen the opposite: life as teeming and befuddling, followed by the end.
—Richard Ford, “The New Normal” (Let Me Be Frank With You)
white folks got soul, too
(day three)
J.J. Cale (1938-2013)
“Call Me the Breeze” (J.J. Cale), live, Tulsa, 2004
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“After Midnight” (J.J. Cale), live (with Eric Clapton), Dallas, 2004