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Category: piano

Wednesday, January 18th

sounds of New York

Aaron Burnett’s Big Machine (AB, tenor saxophone, compositions; Peter Evans, trumpet, Carlos Homs, piano; Nicholas Joswiak, bass; Tyshawn Sorey, drums), live, New York, 11/30/16


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lagniappe

art beat: other day, The Guggenheim (New York)

Vasily Kandinsky (1866-1944), Painting with White Border, 1913

painting-with-white-border

Saturday, January 7th

two takes

“What a Wonderful World” (B. Thiele & G.D. Weiss)

George Adams (1940-1992; tenor saxophone) & Don Pullen (1941-1995; piano), live, Japan (Mt. Fuji Jazz Festival), 1989


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Louis Armstrong (1901-1971), live (TV show), England, 1967


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lagniappe

random sights

this morning, Chicago (Columbus Park)

fullsizerender

 

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what we’re about to lose

Michelle Obama, speaking to a gathering of school counselors at the White House (excerpt), yesterday

 

Our glorious diversity—our diversities of faiths, and colors, and creeds—that is not a threat to who we are; it makes us who we are.

Tuesday, January 3rd

sounds of New York

This guy’s one of my favorite alto players and composers.

Tim Berne’s Almost Human (TB, alto saxophone, composition; Matt Mitchell, piano; Dan Weiss, drums), live, New York, 12/14/16

#1


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#2

Wednesday, December 28th

more

Johann Sebastian Bach (1685-1750), Goldberg Variations (excerpt); Glenn Gould (1932-1982), piano, live (studio performance), 1981

 

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lagniappe

radio

Bach Festival, WKCR-FM (see 12/22/16 post): Day Six.

Thursday, December 15th

Chicago blues
day three

Otis Rush (1935-; vocal, guitar) with Fred Below (1926-1988; drums), et al., “I Can’t Quit You Baby,” live, East Berlin, 1966


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Here’s the original 1956 recording.


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lagniappe

reading table

On the first page of the course syllabus [for the class, taught at Columbia, on “The American Radical Tradition”], I always included the words of Max Weber, a rebuke to those who believe that critics of society should set their sights only on “practical” measures: “What is possible would never have been achieved if, in this world, people had not repeatedly reached for the impossible.”

—Eric Foner, “American Radicals and the Change We Could Believe In,” The Nation, January 2-9, 2017 issue

Wednesday, December 7th

Sometimes I want to hear something that will quicken my pulse; sometimes I want something that will slow it—like this, for instance, which I heard the other night in Chicago, played by the group for whom it was written (a.pe.ri.od.ic). One sound . . . another . . . another . . .

Jürg Frey (1953-), Fragile Balance (2014), excerpt; Ensemble Grizzana (Jürg Frey, clarinet; Mira Benjamin, violin; Richard Craig, flute; Emma Richards, viola; Philip Thomas, piano; Seth Woods, cello); 2015


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lagniappe

reading table

Winter seclusion—
sitting propped against
the same worn post

—Matsuo Basho (1644-1694), translated from Japanese by Sam Hamill (The Sound of Water: Haiku by Basho, Buson, Issa, and Other Poets)

Thursday, November 24th

Happy Thanksgiving!

What am I thankful for?

That I live in a world of sound.

Franz Schubert (1797-1828), Piano Sonata in B-flat major, 2nd movt.; Ivan Moravec (1930-2015), live, Princeton, N.J., 1993

 

Sunday, November 20th

passings

Leon Russell, singer, songwriter, piano player, April 2, 1942-November 13, 2016

“His Eye Is on the Sparrow” (C. Martin, C. Gabriel), 2013*


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*Recorded in tribute to Sherman Halsey (video director and producer, artist manager).

Saturday, November 19th

passings

Mose Allison, singer, songwriter, piano player, November 11, 1927-November 15, 2016

Talking, singing, playing (Mississippi Blues Commission, 2015)

 

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Pete Townsend, Georgie Fame, Elvis Costello talking about “Parchman Farm”


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“Parchman Farm” (M. Allison), 1957


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NEA Jazz Masters Tribute, 2013

 

Thursday, November 17th

never enough

Frederic Chopin (1810-1849), 24 Preludes; Ivan Moravec (1930-2015), piano

 

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lagniappe

art beat: yesterday, Art Institute of Chicago

Utagawa Hiroshige (1797-1858), The Monkey Bridge in Winter

74762_1160623

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*Tracklist (courtesy of YouTube):

00:00 1 Agitato – C major
00:53 2 Lento – A minor
02:53 3 Vivace – G major
03:59 4 Largo – E minor
06:36 5 Molto allegro – D major
07:15 6 Lento assai – B minor
09:42 7 Andantino – A major
10:44 8 Molto agitato – F-sharp minor
12:51 9 Largo – E major
14:05 10 Molto allegro – C-sharp minor
14:42 11 Vivace – B major
15:32 12 Presto – G-sharp minor
16:47 13 Lento – F-sharp major
20:23 14 Allegro – E-flat minor
20:47 15 Sostenuto – D-flat major (“Raindrop”)
26:48 16 Presto con fuoco – B-flat minor
27:58 17 Allegretto – A-flat major
31:35 18 Molto allegro – F minor
32:28 19 Vivace – E-flat major
33:51 20 Largo – C minor
35:24 21 Cantabile – B-flat major
37:22 22 Molto agitato – G minor
38:12 23 Moderato – F major
39:10 24 Allegro appassionato – D minor