passings
Chuck Berry, October 18, 1926-March 18, 2017, guitar player, singer, songwriter
“Roll Over Beethoven” (C. Berry), live (TV show), France, 1958
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the beat goes on
2,600 posts—and counting.
more
Wolfgang Amadeus Mozart (1756-1791), Piano Concerto No. 26 in D major (“Coronation”); Munich Philharmonic Orchestra with Friedrich Gulda (conducting, piano), live, 1986
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lagniappe
reading table
How I wish I’d been a painter . . . that must really be the best profession—none of this fiddling around with words—there are a couple of Daumiers at the Phillips that make me feel my whole life has been wasted.
—Elizabeth Bishop (1911-1979), letter, 1977
MCOTD Hall of Fame
William Parker’s In Order To Survive (WP, bass, composition; Hamid Drake, drums, MCOTD Hall of Fame;* Lewis Barnes, trumpet; Rob Brown, alto saxophone; Cooper-Moore, piano), “Criminals in the White House,” live, New York, 2013
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lagniappe
radio
Today—his birthday—it’s all Ornette Coleman all day on WKCR-FM (Columbia University).
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*With saxophonists Von Freeman and Henry Threadgill; trumpeter Lester Bowie; gospel singer Dorothy Love Coates; composer Morton Feldman; poets John Berryman, William Bronk, and Wislawa Szymborska; and photographer Helen Levitt.
tonight in Chicago
These guys, from Australia, are playing at Constellation.
The Necks, live, London, 2016
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lagniappe
reading table
The Imaginary Iceberg
by Elizabeth Bishop (1911-1979)We’d rather have the iceberg than the ship,
although it meant the end of travel.
Although it stood stock-still like cloudy rock
and all the sea were moving marble.
We’d rather have the iceberg than the ship;
we’d rather own this breathing plain of snow
though the ship’s sails were laid upon the sea
as the snow lies undissolved upon the water.
O solemn, floating field,
are you aware an iceberg takes repose
with you, and when it wakes may pasture on your snows?This is a scene a sailor’d give his eyes for.
The ship’s ignored. The iceberg rises
and sinks again; its glassy pinnacles
correct elliptics in the sky.
This is a scene where he who treads the boards
is artlessly rhetorical. The curtain
is light enough to rise on finest ropes
that airy twists of snow provide.
The wits of these white peaks
spar with the sun. Its weight the iceberg dares
upon a shifting stage and stands and stares.The iceberg cuts its facets from within.
Like jewelry from a grave
it saves itself perpetually and adorns
only itself, perhaps the snows
which so surprise us lying on the sea.
Good-bye, we say, good-bye, the ship steers off
where waves give in to one another’s waves
and clouds run in a warmer sky.
Icebergs behoove the soul
(both being self-made from elements least visible)
to see them so: fleshed, fair, erected indivisible.
A handful of pieces I never tire of, no matter how many times I hear them. This is one.
Morton Feldman (1926-1987; MCOTD Hall of Fame), For Bunita Marcus (1985); Stephen Drury (piano), live, Boston, 2016
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lagniappe
art beat: other day, Museum of Contemporary Art Chicago
Jasper Johns (1930-), In Memory of My Feelings—Frank O’Hara, 1961