Tuesday, October 24th
what’s new
Anouar Brahem (oud, vocal) with Django Bates (piano), Dave Holland (bass), Jack DeJohnette (drums), “Blue Maqams,” 2017
what’s new
Anouar Brahem (oud, vocal) with Django Bates (piano), Dave Holland (bass), Jack DeJohnette (drums), “Blue Maqams,” 2017
drum festival
day one
Dafnis Prieto Sextet (DP, drums; Peter Apfelbaum, tenor saxophone; Alex Sipiagin, trumpet; Roman Filiu, alto saxophone; Manuel Valera , piano; Johannes Weidenmueller, bass), “Back and Forth” (D. Prieto), live, East Lansing, Mich., 2017
like nobody else
Ran Blake (1935-), Above the Sadness, trailer
Bumping into something wonderful you never heard before—something you didn’t even know existed—can lift up your entire week, as this did mine when I encountered it the other day (WFMU, Sinner’s Crossroads, 9/21/17 [archived]).
Theotis Taylor, “If I Could Just Hold out until Tomorrow,” live, Atlanta, c. 1976
never enough
Johann Sebastian Bach (1685-1750), The Well-Tempered Clavier, Book 1
András Schiff (piano), live, London, 9/7/17
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lagniappe
reading table
Cold night: the wild duck,
sick, falls from the sky
and sleeps awhile.—Matsuo Basho (1644-1694), translated from Japanese by Robert Hass
never enough
Frederic Chopin (1810-1849), Prelude No. 15 in D flat major (“Raindrop”); Friedrich Gulda (1930-2000), piano
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lagniappe
reading table
dragonfly—
flying two feet,
then two feet more—Kobayashi Issa, 1763-1827 (translated from Japanese by David G. Lanoue)