what’s new
Anouar Brahem (oud, vocal) with Django Bates (piano), Dave Holland (bass), Jack DeJohnette (drums), “Blue Maqams,” 2017
drum festival
day one
Dafnis Prieto Sextet (DP, drums; Peter Apfelbaum, tenor saxophone; Alex Sipiagin, trumpet; Roman Filiu, alto saxophone; Manuel Valera , piano; Johannes Weidenmueller, bass), “Back and Forth” (D. Prieto), live, East Lansing, Mich., 2017
like nobody else
Ran Blake (1935-), Above the Sadness, trailer
Bumping into something wonderful you never heard before—something you didn’t even know existed—can lift up your entire week, as this did mine when I encountered it the other day (WFMU, Sinner’s Crossroads, 9/21/17 [archived]).
Theotis Taylor, “If I Could Just Hold out until Tomorrow,” live, Atlanta, c. 1976
never enough
Johann Sebastian Bach (1685-1750), The Well-Tempered Clavier, Book 1
András Schiff (piano), live, London, 9/7/17
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lagniappe
reading table
Cold night: the wild duck,
sick, falls from the sky
and sleeps awhile.—Matsuo Basho (1644-1694), translated from Japanese by Robert Hass
never enough
Frederic Chopin (1810-1849), Prelude No. 15 in D flat major (“Raindrop”); Friedrich Gulda (1930-2000), piano
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lagniappe
reading table
dragonfly—
flying two feet,
then two feet more—Kobayashi Issa, 1763-1827 (translated from Japanese by David G. Lanoue)