They’re playing through Sunday at the Jazz Showcase.
Miguel Zenón (1976-, alto saxophone, composition) with Luis Perdomo (piano), Hans Glawischnig (bass), Henry Cole, (drums), “Taínos y Caribes” (M. Zenón), live (studio), 2022
Ahmad Jamal, pianist, composer, July 2, 1930-April 18, 2023
With Israel Crosby (1919-1962, bass), Vernel Fournier (1928-2000, drums), live (TV show), 1959
“Darn That Dream” (J. Van Heusen, E. DeLange)
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“Ahmad’s Blues” (A. Jamal)
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From the New York Times obituary (4/16/23):
Bebop pianists, following the lead of Bud Powell, became known for their virtuosic flurries of notes. Mr. Jamal chose a different path, which proved equally influential.
The critic Stanley Crouch wrote that bebop’s founding father, Charlie Parker, was the only musician “more important to the development of fresh form in jazz than Ahmad Jamal.”
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In his early years, Mr. Jamal listened not just to jazz, which he preferred to call “American classical music,” but also to classical music of the non-American variety.
“We didn’t separate the two schools,” he told The New York Times in 2001. “We studied Bach and Ellington, Mozart and Art Tatum. When you start at 3, what you hear you play. I heard all these things.”
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Probably the best-known musician to cite Mr. Jamal as an influence was not a pianist but a trumpeter and bandleader: Miles Davis, who became close friends with Mr. Jamal, recorded his compositions and arrangements and would bring his sidemen to see Mr. Jamal perform. He once said, “All my inspiration comes from Ahmad Jamal.”
Dave Douglas (trumpet) and Elan Mehler (piano) with Dominique Eade (vocals), John Gunther (reeds), et al: “If There Are Mountains” (D. Douglas with words by Santoka Taneda [1882-1950], translated from the Japanese by John Stevens: “If there are mountains, I look at the mountains; / On rainy days I listen to the rain. / Spring, summer, autumn, winter. / Tomorrow too will be good. / Tonight too will be good.”), studio, 2020
Wayne Shorter, saxophonist, composer, August 25, 1933–March 2, 2023
With Art Blakey and the Jazz Messengers (AB, drums; WS, tenor saxophone; Lee Morgan, trumpet; Bobby Timmons, piano; Jymie Merritt, bass), “The Summit” (W. Shorter), live, Tokyo, 1961
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With the Miles Davis Quintet (MD, trumpet; WS, tenor saxophone; Herbie Hancock, piano; Ron Carter, bass; Tony Williams, drums), “Footprints” (W. Shorter), live, Sweden, 1967
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With his quartet (WS, tenor saxophone; Danilo Perez, piano; John Patitucci, bass; Brian Blade, drums), “Masqualero” (W. Shorter), live, Montreal, 2003
Today, after more than a decade of near-daily blogging (and tens of thousands of views from people in over 175 countries), I’m adopting a new format. No longer will I be here every day. Instead, I’ll be stopping by now and then, as the spirit moves me. Enjoy!
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Simeon Ten Holt (1923-2012), Canto Ostinato (1976): pianists Elizabeth Bergmann, Marcel Bergmann, Sandra van Veen and Jeroen van Veen, live, Netherlands (Eindhoven), 4/2/2011