Ornette, at 84, still plays some of the most haunting blues I’ve ever heard.
Ornette Coleman (alto saxophone), with Henry Threadgill (alto saxophone), David Murray (tenor saxophone), Savion Glover (tap dance), et al., live, New York (Prospect Park), 6/12/14
*****
With Don Cherry (trumpet), Charlie Haden (bass), Billy Higgins (drums), The Shape Of Jazz To Come, 1959
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lagniappe
art beat
Bruce Davidson (1933-), East 100th St., New York, 1966
Nate Wooley’s Seven Storey Mountain,* live, New York, 2014
#1
#2
#3
#4
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lagniappe
art beat: more from Thursday at the Art Institute of Chicago
Christopher Wool (1955-)
*****
*Nate Wooley, trumpet; Chris Dingman, vibraphone; Matt Moran, vibraphone; C. Spencer Yeh, violin; Ben Vida, electronics; Chris Corsano and Ryan Sawyer, drums; Gareth Flowers, Tim Leopold, and Chris DeMeglio, trumpets; Chris McIntyre, Jen Baker, and Will Baker, trombones.
Tamio Shiraishi (alto saxophone), live, New York, 1/26/14, 1 a.m.
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lagniappe
random thoughts
Yesterday, while I was shopping at Trader Joe’s, a youthful Mick Jagger jumped out of the speakers. “I can’t get no . . . satisfaction . . .” In 1965, when I was twelve years old, if someone had said that in 2014 this would be the soundtrack to buying grapefruit, I would have thought they were nuts. “When I’m drivin’ in my car and that man comes on the radio . . .” Sometimes I wish my generation would just get the hell off the stage.
Billie Holiday, singer, April 7, 1915-July 17, 1959
“All of Me” (G. Marks, S. Simons),* New York, March 21, 1941
Yesterday, I listened to this. Then I listened again. And again.
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lagniappe
radio
WKCR-FM (Columbia University): all Billie, all day.
*****
reading table
The Day Lady Died
By Frank O’Hara (1926-1966)
It is 12:20 in New York a Friday
three days after Bastille day, yes
it is 1959 and I go get a shoeshine
because I will get off the 4:19 in Easthampton
at 7:15 and then go straight to dinner
and I don’t know the people who will feed me
I walk up the muggy street beginning to sun
and have a hamburger and a malted and buy
an ugly NEW WORLD WRITING to see what the poets
in Ghana are doing these days
I go on to the bank
and Miss Stillwagon (first name Linda I once heard)
doesn’t even look up my balance for once in her life
and in the GOLDEN GRIFFIN I get a little Verlaine
for Patsy with drawings by Bonnard although I do
think of Hesiod, trans. Richmond Lattimore or
Brendan Behan’s new play or Le Balcon or Les Nègres
of Genet, but I don’t, I stick with Verlaine
after practically going to sleep with quandariness
and for Mike I just stroll into the PARK LANE
Liquor Store and ask for a bottle of Strega and
then I go back where I came from to 6th Avenue
and the tobacconist in the Ziegfeld Theatre and
casually ask for a carton of Gauloises and a carton
of Picayunes, and a NEW YORK POST with her face on it
and I am sweating a lot by now and thinking of
leaning on the john door in the 5 SPOT
while she whispered a song along the keyboard
to Mal Waldron and everyone and I stopped breathing
*****
*With Lester Young (tenor saxophone), Kenny Clarke (drums), et al.
Nina Simone (“Black Is the Color of My True Love’s Hair” [Trad.], “To Love Somebody” [B. Gibb, R. Gibb], “Suzanne” [L. Cohen], “Save Me” [A. Franklin], “Porgy, I Is Your Woman Now”/”Today Is A Killer”/”I Loves You Porgy” [G. Gershwin, D. Heyward]), live, Rome, 1969
William Parker (bass), Christian McBride (bass), Cooper-Moore (drums), Charles Gayle (tenor saxophone), Hamiett Bluiett (baritone saxophone), Jason Kao Hwang (violin), live (benefit concert), New York, 2012
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lagniappe
musical thoughts
Q: What would you do if you were not a composer?
Augusta Read Thomas (1964-): . . . I would spend all day listening. I could listen all day long until the day I die to music I’ve never heard and only begin to scratch the surface. There’s so much new. . . .