alone
There are all kinds of lullabies.
Tamio Shiraishi (alto saxophone), live, New York, 1/26/14, 1 a.m.
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lagniappe
random thoughts
Yesterday, while I was shopping at Trader Joe’s, a youthful Mick Jagger jumped out of the speakers. “I can’t get no . . . satisfaction . . .” In 1965, when I was twelve years old, if someone had said that in 2014 this would be the soundtrack to buying grapefruit, I would have thought they were nuts. “When I’m drivin’ in my car and that man comes on the radio . . .” Sometimes I wish my generation would just get the hell off the stage.
Happy (99th) Birthday, Billie!
Billie Holiday, singer, April 7, 1915-July 17, 1959
“All of Me” (G. Marks, S. Simons),* New York, March 21, 1941
Yesterday, I listened to this. Then I listened again. And again.
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lagniappe
radio
WKCR-FM (Columbia University): all Billie, all day.
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reading table
The Day Lady Died
By Frank O’Hara (1926-1966)It is 12:20 in New York a Friday
three days after Bastille day, yes
it is 1959 and I go get a shoeshine
because I will get off the 4:19 in Easthampton
at 7:15 and then go straight to dinner
and I don’t know the people who will feed meI walk up the muggy street beginning to sun
and have a hamburger and a malted and buy
an ugly NEW WORLD WRITING to see what the poets
in Ghana are doing these days
I go on to the bank
and Miss Stillwagon (first name Linda I once heard)
doesn’t even look up my balance for once in her life
and in the GOLDEN GRIFFIN I get a little Verlaine
for Patsy with drawings by Bonnard although I do
think of Hesiod, trans. Richmond Lattimore or
Brendan Behan’s new play or Le Balcon or Les Nègres
of Genet, but I don’t, I stick with Verlaine
after practically going to sleep with quandarinessand for Mike I just stroll into the PARK LANE
Liquor Store and ask for a bottle of Strega and
then I go back where I came from to 6th Avenue
and the tobacconist in the Ziegfeld Theatre and
casually ask for a carton of Gauloises and a carton
of Picayunes, and a NEW YORK POST with her face on itand I am sweating a lot by now and thinking of
leaning on the john door in the 5 SPOT
while she whispered a song along the keyboard
to Mal Waldron and everyone and I stopped breathing
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*With Lester Young (tenor saxophone), Kenny Clarke (drums), et al.
sounds of New York
Peter Evans’ Zebulon Trio (PE, trumpet; John Hebert, bass; Kassa Overall, drums), “Air Train,” live, New York (Jazz Gallery), 2013
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lagniappe
random thoughts
Note to self: cultivate lightness.
like nobody else
Nina Simone (“Black Is the Color of My True Love’s Hair” [Trad.], “To Love Somebody” [B. Gibb, R. Gibb], “Suzanne” [L. Cohen], “Save Me” [A. Franklin], “Porgy, I Is Your Woman Now”/”Today Is A Killer”/”I Loves You Porgy” [G. Gershwin, D. Heyward]), live, Rome, 1969
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lagniappe
art beat
Helen Levitt (1913-2009), New York, 1940s
sounds of New York
William Parker (bass), Christian McBride (bass), Cooper-Moore (drums), Charles Gayle (tenor saxophone), Hamiett Bluiett (baritone saxophone), Jason Kao Hwang (violin), live (benefit concert), New York, 2012
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lagniappe
musical thoughts
Q: What would you do if you were not a composer?
Augusta Read Thomas (1964-): . . . I would spend all day listening. I could listen all day long until the day I die to music I’ve never heard and only begin to scratch the surface. There’s so much new. . . .
Henry Theadgill’s Zooid,* live, New York (Roulette), 2012
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lagniappe
radio
Today WKCR-FM (Columbia University) is featuring Threadgill and a host of other musicians who came out of Chicago in the ’60s and ’70s.
In May of 1977, members of the Association for the Advancement of Creative Musicians (AACM) collaborated with students at WKCR to present “Chicago Comes to New York,” a four-day music festival at Columbia University’s Wollman Auditorium. Join us starting midnight on January 7, 2014 as we revisit this momentous event with a 24-hour marathon broadcast featuring music and interviews by the AACM.
Thirty members of the AACM came to New York with their families and friends for the festival, many for the first time. The festival also included an on-air component in the form of a ninety-hour broadcast of music and interviews with AACM artists. Over the last year, two recent WKCR alums restored and digitized the entire collection of reel-to-reel tapes from the festival, hearing the music for the first time since it was recorded.
Celebrate the incredibly important work that members of the AACM have been doing to promote artistic freedom and self-determination for nearly half a century. Help us revitalize and share these unique pieces of recorded history that WKCR is so privileged to have regained access to.
*****
*Henry Threadgill (alto saxophone, flute), Liberty Ellman (acoustic guitar), Jose Davila (tuba), Elliot Humberto Kavee (drums), Zachary Lober (bass), Christopher Hoffman (cello), Ben Gerstein (trombone), Jacob Garchik (trombone), Stephanie Richards (trumpet), Jonathan Finlayson (trumpet).
Last night this woman, who died of cancer in 2006, was very much alive, singing Bach on the radio.*
Johann Sebastian Bach, “Ich Habe Genug” (“I Have Enough,” church cantata), Lorraine Hunt Lieberson (1954-2006), 2003
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lagniappe
Christmas, 1948
Charlie Parker (alto saxophone), Kenny Dorham (trumpet), Al Haig (piano), Tommy Porter (bass), Max Roach (drums), “White Christmas,” live, New York (Royal Roost), 12/25/48
*****
*WKCR-FM (Columbia University), Bach Festival, through New Year’s Eve.
Merce Cunningham Dance Company, Second Hand (1970),* New York (Brooklyn Academy of Music), 2011
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lagniappe
random thoughts
What if your entire life—every thought, every movement, every word—were actually a work of art, only pretending to be something ordinary?
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*Merce Cunningham, choreography; John Cage, music; Jasper Johns, costumes.