music clip of the day

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Category: miscellaneous percussion

Monday, 6/4/12

passings

Pete Cosey, guitar player, October 9, 1943-May 30, 2012

Miles Davis, “Ife,” live, Austria (Vienna), 1973
With Pete Cosey, guitar (solo begins at 5:30) and percussion; Dave Liebman, flute, soprano and tenor saxophones; Reggie Lucas, guitar; Michael Henderson, bass; Al Foster, drums; James Mtume Forman, conga and percussion

*****

Here’s an earlier post (12/31/09):

In the public imagination, the guitar’s associated with freedom and individuality. The musical reality’s different. Guitarists travel in herds; few stray from the pack. One who has gone his own way is this man, who’s played with everyone from Muddy Waters (as a session musician for Chicago-based Chess Records) to Miles Davis (as a member of his group [1973-1975]). He employs a variety of unusual tunings and effects. He sounds like no one else.

Pete Cosey, guitar

“Calypso Frelimo” (excerpt), Pete Cosey’s Children of Agharta (JT Lewis, drums; Gary Bartz and John Stubblefield, saxophones & flute; Matt Rubano, bass; Johnny Juice, turntables; Baba Israel, words and beats; Kyle Jason, voice; Bern Pizzitola, guitar; Wendy Oxenhorn, harmonica), live, 2002, New York

*****

Live (with Melvin Gibbs, bass; JT Lewis, drums; Johnny Juice, congas and turntables)

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lagniappe

. . . the guy who, after Hendrix, showed you how ‘out’ you could go with guitar playing, particularly in the improvised context.

Greg Tate

Monday, 5/21/12

sounds of Haiti

Rara music, live, Leogane

Wednesday, 4/25/12

two takes 

“Run Joe” (L. Jordan, et al.)

Chuck Brown and the Soul Searchers, live
Capital Centre, Landover, Md., 1987

*****

Louis Jordan and his Tympany Five, recording, 1948

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lagniappe

random thoughts

Last night, sitting at Wrigley Field with my brother Don (something we’ve been doing together for over 50 years), I thought of a line my younger son Luke, who turns 21 next month, wrote in elementary school in response to a prompt: “When I am 100 I will not be able to play baseball with my brother.” (P.S. Cubs 3, Cards 2—their second straight walk-off victory.)

Wednesday, 4/18/12

Peter Brötzmann, reed player, composer, bandleader
German Blues, performances 1999-2002, interview 2000

You can have the blues even if you’re German . . .

—Peter Brötzmann

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lagniappe

found words: AOL Headlines

Autistic Cheerleader Inspires Her Squad

*****

Kayaker Drowns After Swan Attack

Wednesday, 4/11/12

only rock ’n’ roll

The Ex, live, Russia (Moscow), 2011

More? Here.

Wednesday, 4/4/12

Welcome to the maelstrom.

Miles Davis Group,* live, Berlin, 1973

Part 1: Turnaroundphrase

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Part 2: Turnaroundphrase, cont.; Tune in 5

*MD, trumpet; David Liebman, saxophone; Pete Cosey, guitar, percussion; Reggie Lucas, guitar; Michael Henderson, bass; Al Foster, drums; Mtume, percussion.

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lagniappe

reading table

Last night as I was sleeping,
I dreamt—marvelous error!—
that a spring was breaking
out in my heart.
I said: Along which secret aqueduct,
Oh water, are you coming to me,
water of a new life
that I have never drunk?

Last night as I was sleeping,
I dreamt—marvelous error!—
that I had a beehive
here inside my heart.
And the golden bees
were making white combs
and sweet honey
from my old failures.

Last night as I was sleeping,
I dreamt—marvelous error!—
that a fiery sun was giving
light inside my heart.
It was fiery because I felt
warmth as from a hearth,
and sun because it gave light
and brought tears to my eyes.

Last night as I slept,
I dreamt—marvelous error!—
that it was God I had
here inside my heart.

—Antonio Mochado (1875-1939), “Last Night As I Was Sleeping” (translated from Spanish by Robert Bly)

Wednesday, 3/21/12

career plans for the next life

If none of the other things I’ve mentioned pan out (tap dancer, rubboard player, reggae bassist), I might take a stab at playing guitar in a Malian band.

Salif Keita & Band, live, Germany (Leverkusener), 2010

Part 1

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Part 2

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Part 3

More? Here. And here.

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lagniappe

reading table

a glimpse of moon
over my home village . . .
then clouds

—Kobayashi Issa, 1807 (translated from Japanese by David G. Lanoue)

*****

taking a break

I’m going to take a little break—back soon.

Tuesday, 3/13/12

Music doesn’t care who you are, where you come from, what you know. It asks only that you pay attention.

Stefan Wolpe (1902-1972), Piece in Three Parts for Piano and Sixteen Instruments (1961), Peter Serkin (piano), Chamber Music Society of Lincoln Center (Oliver Knussen, cond.)

More? Here.

Tuesday, 3/6/12

These folks I could listen to all day—tomorrow too.

Afel Bocoum & Alkibar, live, Netherlands (Hertme), 2010

Part 1

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Part 2

Thursday, 2/16/12

Some music creates a space so mysterious—so different from what you ordinarily inhabit—that the moment it ends you feel bereft.

Toru Takemitsu (1930-1996), Rain Tree, Line C3, New York, 2011

Vodpod videos no longer available.