Friday, February 6th
sounds of Mali (day four)
Tinariwen, live, Paris, 2011
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lagniappe
reading table
It was what it might have been to be alive, but tenderly.
—Lucie Brock-Broido, “A Meadow” (Stay, Illusion)
sounds of Mali (day four)
Tinariwen, live, Paris, 2011
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lagniappe
reading table
It was what it might have been to be alive, but tenderly.
—Lucie Brock-Broido, “A Meadow” (Stay, Illusion)
sounds of Mali (day one)
Africa Express, “Terry Riley’s in C Mali,” 2013-15
I am overwhelmed and delighted by this CD. I was not quite prepared for such an incredible journey, hearing the soul of Africa in joyous flight over those 53 patterns of ‘In C’. This ensemble feeds the piece with ancient threads of musical wisdom and humanity indicating to me that this work is a vessel ready to receive and be shaped by the spontaneous feelings and colours of the magician/musician. I could not ask for a greater gift for this daughter’s 50th birthday.
—Terry Riley (1935-)
sounds of Chicago (day two)
Sometimes encountering a new piece of music can turn your whole day around, which is what happened to me the other day when I bumped into this.
Georg Friedrich Haas (1953-), In Vain (2000)
Ensemble Dal Niente, live, Chicago, 2013
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lagniappe
art beat: yesterday at the Art Institute of Chicago
Claude Monet (1840-1926), Cliff Walk at Pourville (1882)
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Pierre-Auguste Renoir (1841-1919), Seascape (1879)
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random thoughts
Eyes taste paintings no less than mouths taste food.
One-word review: Wow!
Paul Dresher (1951-), et al., Schick Machine (excerpts), with Steven Schick (percussion, voice, etc.), live, Davis, California (UC Davis), 2009
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lagniappe
musical thoughts
The first musician—a percussionist?
Five hours?
As far as I’m concerned, this could go on forever.
Morton Feldman (1926-1987), For Philip Guston (1984); Claire Chase (flute, alto flute, piccolo), Steven Schick (percussion), Sarah Rothenberg (piano, celesta), live (3:50-), Houston (Rothko Chapel), 11/2/14
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lagniappe
random thoughts: New Year’s resolution #1
Quit thinking other people should be more like me—if anything, be thankful they aren’t.
If I wanted to listen in on a conversation in a language I already know, I could go to Starbucks.
Christian Wolff (1934-), Pulse (1998); Jens Bracher (trumpet) & Julian Belli (percussion), live, Germany (Mannheim), 2011
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lagniappe
reading table
The Idea
by Mark Strand (April 11, 1934-November 29, 2014)For us, too, there was a wish to possess
Something beyond the world we knew, beyond ourselves,
Beyond our power to imagine, something nevertheless
In which we might see ourselves; and this desire
Came always in passing, in waning light, and in such cold
That ice on the valley’s lakes cracked and rolled,
And blowing snow covered what earth we saw,
And scenes from the past, when they surfaced again,
Looked not as they had, but ghostly and white
Among false curves and hidden erasures;
And never once did we feel we were close
Until the night wind said, “Why do this,
Especially now? Go back to the place you belong;”
And there appeared , with its windows glowing, small,
In the distance, in the frozen reaches, a cabin;
And we stood before it, amazed at its being there,
And would have gone forward and opened the door,
And stepped into the glow and warmed ourselves there,
But that it was ours by not being ours,
And should remain empty. That was the idea.
sounds of Argentina
Juana Molina, live, Paris, 2013*
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lagniappe
musical thoughts
Tempo, rhythm, improvisation—baseball, too, is music.
Mike Moustakas (third base), Kansas City Royals, 10/14/14
*Set list (courtesy of YouTube):
– Wed 21 00:50
– Eras 04:06
– Lo decidi yo 10:11
– Ay, no se ofendan 14:41
– Un dia 21:20
– Las edades 29:03
– Sin guia, no 34:59
– Final feliz 41:15