Tuesday, July 28th
tonight in Chicago
These guys are playing at Elastic Arts.
Vox Arcana (Tim Daisy, percussion; James Falzone, clarinet; Fred Lonberg-Holm, cello, guitar), live, South Carolina (West Columbia), 2012
tonight in Chicago
These guys are playing at Elastic Arts.
Vox Arcana (Tim Daisy, percussion; James Falzone, clarinet; Fred Lonberg-Holm, cello, guitar), live, South Carolina (West Columbia), 2012
Morton Feldman (1926-1987), Rothko Chapel (1971); Seattle Modern Orchestra (with Julia Tai, conductor; Melia Watras, viola; Stephen Olsen, celesta; Brian Yarkovsky, percussion; Sarah Marroquin, soprano), live, Seattle, 2012
Today Morton Feldman enters the MCOTD Hall of Fame, joining saxophonists Von Freeman and Henry Threadgill, trumpeter Lester Bowie, poets William Bronk and Wislawa Szymborska, photographer Helen Levitt, and gospel singer Dorothy Love Coates.
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lagniappe
reading table
This performance reminds me at times of Emily Dickinson:
The Stillness in the Room
Was like the Stillness in the Air—
Between the Heaves of Storm——No. 591 (Johnson), “I heard a Fly buzz”
*****
art beat: yesterday at the Art Institute of Chicago
Jean-Luc Mylayne (1946-), No. 560, 2008 (Mutual Regard, through August 23rd)
sounds of New Orleans
Why would anyone want to live anywhere else?
To Be Continued (TBC) Brass Band, live, New Orleans, 2012
sounds of Mali
Bassekou Kouyaté & Ngoni Ba, “Siran Fen,” 2015
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lagniappe
reading table
my rice field too
song by song
is planted—Kobayashi Issa (1763-1827; translated from Japanese by David G. Lanoue)
*****
The Beatles (Comiskey Park). The Who (Kinetic Playground). The Velvet Underground (Kinetic Playground). The MC5 (Lincoln Park). Bob Marley (Quiet Knight). The list goes on and on. My musical life is unimaginable without the experiences I’ve had with my brother Don, who turns 65 today. Happy Birthday!
testify!
Anointed Brown Sisters, “Hold On,” live, LaFayette, Alabama (Mt. Sellers Baptist Church), 2011
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lagniappe
random thoughts
Each day I know less.
Whether you live for 50 years, 500 years, or 5,000 years, it makes no difference: always there are new things to hear.
Dieter Ammann (1962-), Violation (1999); Lemanic Modern Ensemble (William Blank, cond.) with Karolina Öhman, cello; live, Russia (St. Petersburg), 2014
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lagniappe
reading table
The old pond—
a frog jumps in,
sound of water.—Matsuo Basho (1644-1694; translated from Japanese by Robert Hass)
career plans for the next life
Maybe, instead of those other things (tap dancer, rubboard player in a zydeco band, bass player in a reggae band, guitar player in a Malian band, cellist in a string quartet), I’ll be a bird.
John Luther Adams (1953-), songbirdsongs (1974-80), Callithumpian Consort (Stephen Drury, dir.), recording (2012)
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art beat
Tony Fitzpatrick (1958-), Lunch Drawing #48: A Bird for Bruce Lee
Of sounds there is no end.
Harry Bertoia (1915-1978), sound sculptures, Bally, Pennsylvania
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lagniappe
reading table
I found a bird this morning, down—down—on a little bush at the foot of the garden, and wherefore sing, I said, since nobody hears?
One sob in the throat, one flutter of bosom—’My business is to sing‘—and away she rose!
—Emily Dickinson (1830-1886), letter to Dr. and Mrs. J. G. Holland, c. 1862
Sometimes nothing is more enlivening than to hear something that sounds like nothing you’ve ever heard before.
Rebecca Saunders (1967-), Fury II (2009); Remix Ensemble (Emilio Pomarico, cond.; Antonio Augusto Aguiar, bass), live, Portugal (Porto), 2011
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lagniappe
reading table
after the dance
right away, cutting
the morning grass—Kobayashi Issa (1763-1827; translated from Japanese by David G. Lanoue)
yesterday in Chicago
He played a version of this, wonderfully, along with Steve Reich’s “New York Counterpoint” and Duke Ellington’s “Come Sunday,” at the Chicago Cultural Center.
James Falzone, “Sighs Too Deep For Words,” live (studio performance), 2011
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lagniappe
random thoughts
Why settle for a mirror when you could have a window?