Glenn Branca Ensemble, Symphony No. 5, live, New York (The Kitchen), 1984
Part 1
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Part 2
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lagniappe
Born . . . in 1949, [Glenn Branca] . . . ignored rock until attracted to the repetitiveness of certain songs by the Kinks and Paul Revere and the Raiders. He claims to have taught himself composition by listening to guitar feedback at point-blank range for forty-five minutes at a time.
—Kyle Gann, American Music in the Twentieth Century (1997)
Someday Quine will be recognized for the pivotal figure that he is on his instrument—he is the first guitarist to take the breakthroughs of early Lou Reed and James Williamson and work through them to a new, individual vocabulary, driven into odd places by obsessive attention to On the Corner-era Miles Davis.
[Gregory Isaacs’ friend and former manager Don Hewitt] said of Keith Richards of the Rolling Stones that when he was introduced to Mr. Isaacs, “he carried on like he’d met Jesus.”
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In a 2001 interview, Mr. Isaacs reflected on his legacy. “Look at me as a man who performed works musically,” he said. “Who uplift people who need upliftment, mentally, physically, economically—all forms. Who told the people to live with love ’cause only love can conquer war, and to understand themselves so that they can understand others.”
[T]he video . . . is one of the funniest, warmest, and most socially accurate (the way the geeky kid looks at a row of the coolest girls in school as if they’re from another planet) high-school movies ever made.