three takes
Salif Keita (with Cesaria Evora, takes 1 & 2), “Yamore”
Luciano remix, 2006
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Original recording & video, 2002
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Live, London, 2002
More? Here.
Chrome, “Meet You In The Subway” (1979, record; 1984, video)
So much of our musical experience resists explanation. Take this track, for instance. As soon as it’s over, I want to hear it again. Why? No idea.
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lagniappe
mail: two posts, two messages, same correspondent
Last Monday (Koko Taylor/Louis Jordan):
Great boost!
Yesterday (Brother Anthony Wynn/Sensimo):
what the fuck!?!
only rock ’n roll
Animal Collective, Unitled/“Brothersport”
Live, Chicago (Pitchfork Festival), 7/15/11
*****
Want to hear the entire set?
Jazz, classical, gospel, rock: the names may be different, but what they offer is the same—a way, pleasurably, to lose your mind.
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lagniappe
In the evening darkness at a place outside New York, an outlook where/you can perceive eight million people’s homes in a single glance. . . ./Schubert’s being played in some room/there and for someone the tones at this moment are more real than everything else.
—Tomas Transtromer, “Schubertiana” (excerpt), trans. Samuel Charters
Here, in an undated audio clip, Transtromer, winner of the 2011 Nobel Prize in Literature, talks about this poem and reads it in this English translation.
*****
Transtromer suffered a stroke in 1990, at the age of fifty-nine, which robbed him of speech and impaired the use of his right arm. Rather than delivering the customary [Nobel] laureate’s address when he accepts the award, on December 10th, he will play a piece on the piano using only his left hand.
—Dan Chiasson, “Night Thoughts: The poetry of Tomas Transtromer,” New Yorker, 10/31/11
No one could convince me, when I’m listening to the clarinet, that any instrument is more beautiful.
Shabaka Hutchings, clarinet, with Kit Downes, keyboards; John Edwards, bass; Mark Sanders, drums; Leafcutter John, electronics; live, London (St. Sepulchre-without-Newgate), 7/14/11
Vodpod videos no longer available.Melody?
Just little fragments now and then.
Harmony?
None in the usual sense.
Rhythm?
Ditto.
What is there?
A sonic space you inhabit the way you would a dream.
Olivia Block, composer, sound artist, performer; “field recordings on damaged cassette tapes,” “controlled feedback from small speakers/contact mic,” “amplified autoharp” (YouTube post); Chicago (Saki Records), 2010
Vodpod videos no longer available.You’ve got to be bold, or nuts, or both to do what these Saki folks did last year in Chicago’s Logan Square neighborhood—open a new record store.
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lagniappe
reading table
summer moon—
there is no such thing
as a flawless night—Kobayashi Issa, 1812 (trans. David G. Lanoue)
serendipity
The other day, while I was listening to the radio,* this popped out.
Derek Bailey (guitar) & Tony Oxley (percussion, electronics)
“Sheffield Phantoms,” The Advocate, Tzadik, 2007 (rec. 1975)
Rarely do you hear something that’s both this “out” and this intimate.
*Afternoon New Music, WKCR-FM (broadcasting from Columbia University), Mon.-Wed., 3-6 p.m. (EST)
Dub shows aren’t an everyday thing in Chicago, so last night, despite the weather (rain) and weariness (from traveling to see a client in prison), I ventured out to a club to catch this guy. A show like this isn’t just an aural experience: each beat of the bass vibrates your ribcage.
Mad Professor (AKA Neil Fraser, born 1955, Guyana)
Live, London, 2011
Vodpod videos no longer available.******
Live remix, Bob Marley and the Wailers, “Lively Up Yourself,” c. 2008
Vodpod videos no longer available.one man’s meat, etc.
(an occasional series)
The other night I happened upon a live set by this guy on WKCR-FM’s Live Constructions—after a few minutes, it felt as though someone had poured a bottle of Drano down my ears (which, actually, I mean as a compliment).
Rust Worship (Paul Haney), live, New York, 2009
Music? Noise? What’s the difference?
music clip of the day 