music clip of the day

jazz/blues/rock/classical/gospel/more

Category: miscellaneous electronics

Wednesday, 10/31/12

Happy Halloween

Robin The Fog, Haunted Homes Under The Hammer, 2012

http://vimeo.com/51992869

Thursday, 10/25/12

serendipity

Cyrus, “Inversion” (Basic Channel), 1994

Last night, making dinner, I bumped into this on the radio (WFMU-FM). Television I could live without in a heartbeat. Radio? Never.

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lagniappe

found words

Better things will come or worse things, but they will come.

—Ozzie Guillen (Twitter, 10/23/12, after being fired by the Marlins)

Tuesday, 9/18/12

Kaija Saariaho, Fall (1991, from the ballet Maa); Nuiko Wadden (harp), Ryan Streber (electronics); Mount Holyoke College (South Hadley, Mass.), 2010

One of the joys of having grown children is going out with them to hear live music, as I did the other night, meeting my older son Alex after work at a Chicago art gallery (Corbett vs. Dempsey) for a solo performance by this harpist.

Tuesday, 9/11/12

Her stuff, I’ve found, can be habit-forming.

Grimes, live (studio performance), 2012

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lagniappe

reading table

washing my laundry
with my clothes on . . .
summer rain

—Kobayashi Issa, 1821 (translated from Japanese by David G. Lanoue)

Thursday, 9/6/12

love it or hate it

Fire Room (Ken Vandermark, reeds; Lasse Marhaug, electronics; Paal Nilssen-Love, percussion), live, Poland (Poznań), 2011

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lagniappe

musical thoughts

What Emily Dickinson says of poetry applies to music too: “If I feel physically as if the top of my head were taken off, I know that is poetry.”

Tuesday, 8/21/12

Neneh Cherry & The Thing (Mats Gustafsson, baritone saxophone, electronics; Ingebrigt Håker Flaten, bass; Paal Nilssen-Love, drums)

Live, Austria (Konfrontationen 2012, Nickelsdorf),  7/21/12

“Cashback” (N. Cherry)

***

“Dirt” (J. Osterburg, R. Asheton, S. Asheton, D. Alexander)

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lagniappe

musical thoughts

More and more, it seems, boundaries—race, gender, country, era, genre—mean less and less.

Wednesday, 8/8/12

summer in the city

Grimes, “Circumambient”
Pitchfork Music Festival, Chicago (Union Park), 7/14/12

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Here’s another take (Visions, 2012).

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lagniappe

Grimes goes record shopping (Amoeba Music, Los Angeles [Hollywood], 2012).

There’s a reason, I’m coming to realize, why so many pop musicians these days look young enough to be my children—they are.

Monday, 6/4/12

passings

Pete Cosey, guitar player, October 9, 1943-May 30, 2012

Miles Davis, “Ife,” live, Austria (Vienna), 1973
With Pete Cosey, guitar (solo begins at 5:30) and percussion; Dave Liebman, flute, soprano and tenor saxophones; Reggie Lucas, guitar; Michael Henderson, bass; Al Foster, drums; James Mtume Forman, conga and percussion

*****

Here’s an earlier post (12/31/09):

In the public imagination, the guitar’s associated with freedom and individuality. The musical reality’s different. Guitarists travel in herds; few stray from the pack. One who has gone his own way is this man, who’s played with everyone from Muddy Waters (as a session musician for Chicago-based Chess Records) to Miles Davis (as a member of his group [1973-1975]). He employs a variety of unusual tunings and effects. He sounds like no one else.

Pete Cosey, guitar

“Calypso Frelimo” (excerpt), Pete Cosey’s Children of Agharta (JT Lewis, drums; Gary Bartz and John Stubblefield, saxophones & flute; Matt Rubano, bass; Johnny Juice, turntables; Baba Israel, words and beats; Kyle Jason, voice; Bern Pizzitola, guitar; Wendy Oxenhorn, harmonica), live, 2002, New York

*****

Live (with Melvin Gibbs, bass; JT Lewis, drums; Johnny Juice, congas and turntables)

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lagniappe

. . . the guy who, after Hendrix, showed you how ‘out’ you could go with guitar playing, particularly in the improvised context.

—Greg Tate

Saturday, 5/26/12

John Luther Adams, “Red Arc/Blue Veil” (excerpt)
Live, University of Kentucky, 2008
Clint Davis, piano
Charlie Olvera, vibraphone, crotales
Jason Corder, Jordan Munson, video

(Originally posted on 2/10/11.)

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lagniappe

musical thoughts

One of the functions of music is to remind us how much more beautiful the world is than it needs to be.

Wednesday, 5/16/12

It’s easy to play a lot of notes; what’s hard is to play a few.

Jon Hassell (trumpet), “Last Night The Moon Came,” live, Switzerland (Lausanne), 2009

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lagniappe

reading table

Barn’s burnt down—
now
I can see the moon.

—Mitzuta Masahide, 1657-1723 (translated from Japanese by Lucien Stryk and Takashi Ikemoto)