serendipity
Cyrus, “Inversion” (Basic Channel), 1994
Last night, making dinner, I bumped into this on the radio (WFMU-FM). Television I could live without in a heartbeat. Radio? Never.
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lagniappe
found words
Better things will come or worse things, but they will come.
—Ozzie Guillen (Twitter, 10/23/12, after being fired by the Marlins)
Kaija Saariaho, Fall (1991, from the ballet Maa); Nuiko Wadden (harp), Ryan Streber (electronics); Mount Holyoke College (South Hadley, Mass.), 2010
One of the joys of having grown children is going out with them to hear live music, as I did the other night, meeting my older son Alex after work at a Chicago art gallery (Corbett vs. Dempsey) for a solo performance by this harpist.
Her stuff, I’ve found, can be habit-forming.
Grimes, live (studio performance), 2012
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lagniappe
reading table
washing my laundry
with my clothes on . . .
summer rain—Kobayashi Issa, 1821 (translated from Japanese by David G. Lanoue)
love it or hate it
Fire Room (Ken Vandermark, reeds; Lasse Marhaug, electronics; Paal Nilssen-Love, percussion), live, Poland (Poznań), 2011
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lagniappe
musical thoughts
What Emily Dickinson says of poetry applies to music too: “If I feel physically as if the top of my head were taken off, I know that is poetry.”
Neneh Cherry & The Thing (Mats Gustafsson, baritone saxophone, electronics; Ingebrigt Håker Flaten, bass; Paal Nilssen-Love, drums)
Live, Austria (Konfrontationen 2012, Nickelsdorf), 7/21/12
“Cashback” (N. Cherry)
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“Dirt” (J. Osterburg, R. Asheton, S. Asheton, D. Alexander)
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lagniappe
musical thoughts
More and more, it seems, boundaries—race, gender, country, era, genre—mean less and less.
summer in the city
Grimes, “Circumambient”
Pitchfork Music Festival, Chicago (Union Park), 7/14/12
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Here’s another take (Visions, 2012).
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lagniappe
Grimes goes record shopping (Amoeba Music, Los Angeles [Hollywood], 2012).
There’s a reason, I’m coming to realize, why so many pop musicians these days look young enough to be my children—they are.
John Luther Adams, “Red Arc/Blue Veil” (excerpt)
Live, University of Kentucky, 2008
Clint Davis, piano
Charlie Olvera, vibraphone, crotales
Jason Corder, Jordan Munson, video
(Originally posted on 2/10/11.)
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lagniappe
musical thoughts
One of the functions of music is to remind us how much more beautiful the world is than it needs to be.
It’s easy to play a lot of notes; what’s hard is to play a few.
Jon Hassell (trumpet), “Last Night The Moon Came,” live, Switzerland (Lausanne), 2009
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lagniappe
reading table
Barn’s burnt down—
now
I can see the moon.—Mitzuta Masahide, 1657-1723 (translated from Japanese by Lucien Stryk and Takashi Ikemoto)