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Category: reading table

Tuesday, 11/9/10

Gregory Isaacs, July 15, 1951-October 25, 2010

[Gregory Isaacs’ friend and former manager Don Hewitt] said of Keith Richards of the Rolling Stones that when he was introduced to Mr. Isaacs, “he carried on like he’d met Jesus.”

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In a 2001 interview, Mr. Isaacs reflected on his legacy. “Look at me as a man who performed works musically,” he said. “Who uplift people who need upliftment, mentally, physically, economically—all forms. Who told the people to live with love ’cause only love can conquer war, and to understand themselves so that they can understand others.”

—Rob Kenner, New York Times (obituary, 10/25/10)

Live, London (Brixton Academy), 1984

“Number One”

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“Night Nurse”

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“Border”

*****

“Sad Mood Tonight” (1994)

*****

“Kingston 14” (Made in Jamaica, 2006)

*****

Want more? Here: “Gregory Isaacs Memorial Broadcast,” Eastern Standard Time, WKCR-FM (broadcasting from Columbia University), 11/6/10.

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reading table

No battle that can be won is worth fighting.

—T Bone Burnett (blog comment, 10/9/10)

Monday, 11/8/10

What makes this guy such a great guitarist?

He doesn’t show off.

“Lead”? “Rhythm”? To him it’s all one.

He doesn’t play over the drummer—he plays with him.

Keith Richards (with Willie Nelson, Ryan Adams, Hank Williams III), “Dead Flowers,” live (TV broadcast), 2002

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I’m not here just to make records and money. I’m here to say something and to touch other people, sometimes in a cry of desperation: ‘Do you know this feeling?’

—Keith Richards, Life (2010)

*****

reading table

As the fiftieth birthday approaches, you get the sense that your life is thinning out, and will continue to thin out, until it thins out into nothing . . . . Then fifty comes and goes, and fifty-one, and fifty-two. And life thickens out again. Because there is now an enormous and unsuspected presence within your being like an undiscovered continent. This is the past.

—Martin Amis, The Pregnant Widow (2010)

Friday, 11/5/10

Time travel’s easy on the net. With this guy we started, the other day, with music he made just last month. Then we headed back to the ’70s. Today we go back even farther—to the ’60s.

Leon Russell, Shindig! (TV)

“Hi-Heel Sneakers,” 10/28/1964

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“Roll Over Beethoven,” 11/18/1964

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“Jambalaya,” 2/3/1965

(Yeah, the guy in front with the banjo—that’s Glen Campbell.)

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reading table

Gregory Corso, “Marriage”

Want to read this yourself? Here.

Wednesday, 10/27/10

1961

Newton Minow, Chair of the FCC, proclaims TV a “vast wasteland.”

1964

CBS News asks, with a straight face, what jazz “reveals” about “the nature of man” (God, too).

Lennie Tristano Quintet (Lennie Tristano, piano; Lee Konitz, alto saxophone; Warne Marsh, tenor saxophone; Sonny Dallas, bass; Nick Stabulas, drums), “Subconscious Lee,” live, New York (The Half Note), 1964, CBS TV Broadcast: Look Up and Live

Want more of Lennie Tristano? Here.

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reading table

Frank O’Hara (in his NYC apartment), “Having a Coke with You,” 1966

Tuesday, 10/19/10

recipe

3 strings

~20 hands

~10 voices

2 feet

Mix lightly; let rise.

Malem Mustafa Bakbou, gimbri; live; Gnawa lila; Morocco (Marrekech), 1990

Want more music from Morocco? Here.

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reading table

Ever tried. Ever failed. No matter. Try again. Fail again. Fail better.

—Samuel Beckett, Worstword Ho (1983)

Sunday, 9/26/10

two takes

I’m too close to heaven, I just can’t turn around . . .

“Too Close To Heaven”

Brooklyn All-Stars (featuring Hardie Clifton), live, 1989

***

Bessie Griffin, live

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radio gems: gospel

Sinner’s Crossroads
WFMU-FM
Jersey City, New Jersey; Mt. Hope, New York
Thursday, 8-9 p.m. (EST) (archived shows)
One of my all-time favorite radio shows.

*****

reading table

Shelby had been fooled about Florida, but that was okay. She wasn’t the first. She’d imagined a place that was warm and inviting and she’d gotten a place that was without seasons and sickeningly hot. She’d wanted palm trees and she’d gotten grizzly, low oaks. She’d wanted surfers instead of rednecks. She’d thought Florida would make her feel glamorous or something, and there was a region of Florida that might’ve done just that, but it wasn’t this part. It was okay, though. It was something different. It wasn’t the Midwest. It wasn’t a place where you could look around and plainly see, for miles, that nothing worthwhile was going on.

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“Everybody calls this the real Florida . . . . I don’t understand an expression like that. Is part of the state imaginary?”

—John Brandon, Citrus County (2010)

Sunday, 9/19/10

The Reverend Al Green

Memphis (Full Gospel Tabernacle Church), Sunday, 6/15/08

Want more? Here. Here.

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reading table

your rice field
my rice field
the same green

—Kobayashi Issa, 1815

*****

art beat: closing today

The Jazz Loft Project, W. Eugene Smith in NYC, 1957-1965 (Chicago Cultural Center)


Saturday, 9/11/10

To these ears, this is just inches shy of insufferable—too cute, too precious, too fey. But those inches make all the difference. As it is, I find it beguiling.

Clare and the Reasons, “Wake Up (You Sleepyhead),” 2009

For those who’re interested in such genealogical details (and are old enough to remember), Clare is the daughter of Geoff Muldaur.

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reading table

Utterly unbelievable, incontrovertibly real: his poems, at their best, have the associative logic of a dream.

Russell Edson, “Let Us Consider”

Sunday, 8/15/10

three takes

“Milky White Way”

The Trumpeteers (1947, Baltimore)

*****

Elvis Presley (1960, Nashville)

*****

The Trumpeteers, live (TV broadcast, with “I John Saw the Number”), 1960s

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all roads lead (on Friday, anyway) to Bay City, Michigan

Friday morning: I post ? and the Mysterians’ “96 Tears,” which was recorded in 1966 in, yep, Bay City, a town of about 35,000 on Lake Huron that also gave the world Madonna (she was born there) and the Bay City Rollers their name (the first dart landed on Arkansas but “Arkansas Rollers” lacked pizazz).

Friday afternoon: I stop by a book fair in Chicago, where I buy one of the most beautiful books I’ve ever seen—a rare one by a favorite poet (William Bronk, Careless Love And Its Apostrophes, Red Ozier Press, 1985, limited edition [175 copies])—from a dealer (Jett W. Whitehead) based in, where else, Bay City.

Saturday, 8/7/10

Let’s lift the bandstand.

—Thelonious Monk

Woody Shaw/Johnny Griffin Quintet (Woody Shaw, trumpet; Johnny Griffin, tenor saxophone; John Hicks, piano; Reggie Johnson, bass; Alvin Queens, drums), “Night in Tunisia,” live, Germany (Koln), 1986

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Now there’s a great trumpet player. He [Woody Shaw] can play different from all of them.

—Miles Davis

*****

Anthony Braxton on playing with Woody Shaw.

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reading table

Look after the sound and the sense will take care of itself.

—Adam Phillips, London Review of Books, 7/22/10 (reviewing Christopher Ricks’ True Friendship: Geoffrey Hill, Anthony Hecht and Robert Lowell Under The Sign Of Eliot And Pound)