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Category: reading table

Friday, March 27th

only rock ‘n’ roll

Courtney Barnett, “An Illustration of Loneliness (Sleepless in New York),” live, SXSW (Austin, Tx.), 3/18/15

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lagniappe

reading table

The Job Application
by Robert Walser, 1914 (translated from German by Christopher Middleton)

I am a poor, young, unemployed person in the business field, my name is Wenzel, I am seeking a suitable position, and I take the liberty of asking you, nicely and politely, if perhaps in your airy, bright, amiable rooms such a position might be free. I know that your good firm is large, proud, old, and rich, thus I may yield to the pleasing supposition that a nice, easy, pretty little place would be available, into which, as into a kind of warm cubbyhole, I can slip. I am excellently suited, you should know, to occupy just such a modest haven, for my nature is altogether delicate, and I am essentially a quiet, polite, and dreamy child, who is made to feel cheerful by people thinking of him that he does not ask for much, and allowing him to take possession of a very, very small patch of existence, where he can be useful in his own way and thus feel at ease. A quiet, sweet, small place in the shade has always been the tender substance of all my dreams, and if now the illusions I have about you grow so intense as to make me hope that my dream, young and old, might be transformed into delicious, vivid reality, then you have, in me, the most zealous and most loyal servitor, who will take it as a matter of conscience to discharge precisely and punctually all his duties. Large and difficult tasks I cannot perform, and obligations of a far-ranging sort are too strenuous for my mind. I am not particularly clever, and first and foremost I do not like to strain my intelligence overmuch. I am a dreamer rather than a thinker, a zero rather than a force, dim rather than sharp. Assuredly there exists in your extensive institution, which I imagine to be overflowing with main and subsidiary functions and offices, work of the kind that one can do as in a dream? —I am, to put it frankly, a Chinese; that is to say, a person who deems everything small and modest to be beautiful and pleasing, and to whom all that is big and exacting is fearsome and horrid. I know only the need to feel at my ease, so that each day I can thank God for life’s boon, with all its blessings. The passion to go far in the world is unknown to me. Africa with its deserts is to me not more foreign. Well, so now you know what sort of a person I am. —I write, as you see, a graceful and fluent hand, and you need not imagine me to be entirely without intelligence. My mind is clear, but it refuses to grasp things that are many, or too many by far, shunning them. I am sincere and honest, and I am aware that this signifies precious little in the world in which we live, so I shall be waiting, esteemed gentlemen, to see what it will be your pleasure to reply to your respectful servant, positively drowning in obedience.

Wenzel

Thursday, March 19th

otherworldly

Turgut Ercetin (1983-), String Quartet No. 1 (“December”); The Jack Quartet, live, Stanford University, 2011


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lagniappe

reading table

Lacan said that there was surely something ironic about Christ’s injunction to love thy neighbour as thyself—because actually, of course, people hate themselves.

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We know almost nothing about ourselves because we judge ourselves before we have a chance to see ourselves.

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Self-criticism is an unforbidden pleasure: we seem to relish the way it makes us suffer.

—Adam Phillips, “Against Self-Criticism,” London Review of Books, 3/5/15

Sunday, March 15th

sounds of Chicago

Caravans (feat. Shirley Caesar, lead vocals), “God Don’t Need No Coward Soldier” (J. Herndon), live (TV show), early ’60s


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lagniappe

reading table

You can live three days without bread—without poetry never.

—Charles Baudelaire (1821-1867; quoted in Julian Bell, Van Gogh: A Power Seething)

Thursday, March 12th

never enough

Johann Sebastian Bach (1685-1750), Suite No. 5 in C minor for Unaccompanied Cello; Anner Bylsma, live, 2000

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lagniappe

reading table

I haven’t got a kopeck, but as I see it, it’s not the person with a lot of money who is rich, but rather the one who has the wherewithal to be alive here and now in the lush, bountiful setting bestowed upon us by early spring.

—Anton Chekhov (1860-1904), letter to Lidia Avilova, April 29, 1892 (trans. from Russian by Cathy Popkin [Anton Chekhov’s Selected Stories, Cathy Popkin, ed.])

Wednesday, March 11th

basement jukebox

Edwin Starr, “Twenty-Five Miles,” 1969


Nothing jumps out of speakers like a track mixed for car radio.

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lagniappe

reading table

even poorly planted
rice plants
slowly, slowly . . . green!

—Kobayashi Issa (1763-1827; translated from Japanese by David G. Lanoue)

Tuesday, March 10th

sounds of Chicago

Matthias Kranebitter (1980-), pack the box (with five dozen of my liquor jugs) (2013)
Mocrep, live, Chicago, 2014

[vimeo 111677932 w=560&h=315]

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lagniappe

reading table

Collage=life.

—Joseph Cornell, diary entry, 1964

Sunday, March 8th

back to church

“Heavenly Home (Got to Take a Journey),” live, Langrun Branch Baptist Church, York, South Carolina


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lagniappe

reading table

I died for Beauty — but was scarce
Adjusted in the Tomb
When One who died for Truth, was lain
In an adjoining room —

He questioned softly “Why I failed?”
“For Beauty,” I replied —
“And I — for Truth — Themself are One —
We Brethren, are,” He said —

And so, as Kinsmen, met a Night —
We talked between the Rooms —
Until the Moss had reached our lips —
And covered up — our names —

—Emily Dickinson (1830-1886)

Saturday, March 7th

On this date thirty-eight years ago my father died. When I was a child, he often took me to concerts. In the early sixties, at Chicago’s Arie Crown Theater, we saw two guys with short dark beards and a lady with long blond hair.

Peter, Paul and Mary, live (TV show), England, 1965*


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lagniappe

reading table

To a chemist, nothing on earth is unclean.

—Anton Chekhov (1860-1904), letter to Maria Kiselyova, January 14, 1887 (trans. from Russian by Cathy Popkin [Anton Chekhov’s Selected Stories, Cathy Popkin, ed.])

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*Set list (courtesy of YouTube):

1. When the Ship Comes In (Bob Dylan)
2. The First Time (Ewan MacColl)
3. San Francisco Bay Blues (Jesse Fuller)
4. For Lovin’ Me (Gordon Lightfoot)
5. Jesus Met the Woman at the Well (Traditional)
6. Early Morning Rain (Gordon Lightfoot)
7. Jane Jane (Traditional)/Children Go Where I Send Thee (Traditional) (new words & music by DeCormier/Stookey/Yarrow/Travers)
8. The Whole Wide World Around (Tom Glaser lyrics; J.S. Bach St. Matthew Passion melody)
9. Early in the Mornin’ (Paul Stookey)
10. The Times They Are A’Changing (Bob Dylan)
11. The Hangman (The Gallows Pole) (Traditional)
12. On a Desert Island With You in My Dreams (Paul Stookey & Dick Kniss)
13. Puff the Magic Dragon (Leonard Lipton & Peter Yarrow)
14. The Rising of the Moon (Traditional)
15. Come and Go With Me (Traditional)
16. Blowin’ in the Wind (Bob Dylan)
17. If I Had My Way (Rev. Gary Davis)

Wednesday, March 4th

More of Cecil T.

Cecil Taylor, live, Switzerland (Montreux), 1974


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lagniappe

reading table

It is a very painful thing, having to part company with what torments you.

—Robert Walser (1878-1956), “Balloon Journey” (translated from German by Christopher Middleton)

 

Saturday, February 28th

last night in Chicago

These guys played at Constellation.

James Falzone’s Renga Ensemble,* “Not Seeing” (The Room Is), 2015

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lagniappe

reading table

sweeping the soot
washing the fence . . .
sickle moon

—Kobayashi Issa (1763-1827; translated from Japanese by David G. Lanoue)

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*James Falzone, Bb and Eb clarinets; Ken Vandermark, Bb clarinet, bass clarinet, baritone saxophone; Keefe Jackson, tenor saxophone, bass clarinet, contra Bb bass clarinet; Jason Stein, bass clarinet; Ben Goldberg, Bb clarinet, contra Eb alto clarinet; Ned Rothenberg, Bb clarinet, alto saxophone.