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Category: reading table

Sunday, November 3rd

back to church

Swanee Quintet, live, 2017

 

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lagniappe

random sights

this morning, Oak Park, Ill.

*****

reading table

In the summer of 1948, chance deposited my wife and me in the bleachers of a tiny one-ring circus playing under a tent on the outskirts of Florence.

—William Maxwell (1908-2000), The Outermost Dream

Friday, November 1st

sounds of Ukraine

When you live in a country where words seem to mean less and less, what a relief it can be to listen to a language you know not at all.

Alyona Alyona, live (acoustic session), Slovakia (Pohoda Festival), 2019

 

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lagniappe

random sights

yesterday, Oak Park, Ill.

IMG_8169-2

Thursday, October 31st

never enough

Bela Bartok (1881-1945), String Quartet No. 4 in C major (1928); Quatuor Ebène, live, France (Wissembourg), 2013

 

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lagniappe

random sights

yesterday, Oak Park, Ill.

*****

reading table

Domestic as
an empty shopping cart
parked on a ledge
above a freeway.

—Rae Armantrout (1947-), from “Hang On” (New Yorker, 10/21/19)

Tuesday, October 22nd

sounds of New York

Jason Kao Hwang (1957-), If We Live in Forgetfulness, We Die in a Dream (2011); Momenta Quartet, live, New York, 2012

 

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lagniappe

random sights

yesterday, Chicago (Columbus Park)

*****

reading table

If you have some photos of yourself when you were four or eight or twelve or fifteen, hold them up against the mirror. Are you the four-year-old, the eight-year-old, the fifteen-year-old, the twenty-five-year-old, or the one who is looking into the mirror, or all of them? If you are all of them, then by now you must be thousands of different people.

—Ayya Khema (1923-1997)Being Nobody, Going Nowhere: Meditations on the Buddhist Path (1987)

Friday, October 18th

sounds of Jamaica

Koffee (2000-), “Haffi Make It,” “Under Pressure,” live, Germany (Cologne), 7/5/19

 

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lagniappe

reading table

at evening tide
clinging to the flotsam . . .
a katydid

—Kobayashi Issa (1763-1827), translated from Japanese by David G. Lanoue

*****

random sights

other day, Chicago

Wednesday, October 9th

sounds of the 14th century

Guillaume de Machaut (c. 1300-1377), Messe de Notre Dame (begins at 6:15; preceded by Introit [polyphonic chant]); Ensemble Gilles Binchois, live, France (Le Thoronet Abbey, Provence), published 2011

 

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lagniappe

reading table

Identity is made
of select experiences.

***

If you are genuinely sick,
the leaves recede

and the flickering holes between them
come forward—

not angels, but
unnamed objects

—Rae Armantrout (1947-), from “Vultures” (Poetry, 10/19)

Saturday, October 5th

sounds of New York

Jaimie Branch’s Fly or Die (JB, trumpet, compositions; Lester St. Louis, cello; Anton Hatwich, bass; Chad Taylor, drums), live, New York, 2018

 

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lagniappe

random sights

other day, Oak Park, Ill.

Thursday, October 3rd

sounds of Ukraine
day four

How about something quiet, delicate, beautiful?

Valentin Silvestrov (1937-), Post-scriptum (1990); Movses Pogossian (violin), Alexei Lubimov (piano), live, Los Angeles, 2016

 

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lagniappe

reading table

Floating on a Marsh
by Wang Wei (701-61), translated from Chinese by David Young

Autumn
the sky huge and clear
the marsh miles from farms and houses

overjoyed by the cranes
standing around the sandbars

the mountains above the clouds in the distance

this water
utterly still
in the dusk

the white moon overhead

I let my boat drift free tonight
I can’t go home.

Sunday, September 22nd

back to church

Pastor Marlon Lock, “Heavenly Choir,” live (grandfather’s homegoing celebration)

 

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lagniappe

reading table

[H]ope has nothing to do with mood or objective facts, but is rather a form of hospitality offered by those who are tired to those who are exhausted.

—Teju Cole (1975-), website for Go Down Moses (photography exhibit curated by Cole and on display through September 29th at the Museum of Contemporary Photography, Chicago)

Thursday, September 19th

sounds of New York
day four

Nicolas Jaar (1990-, DJ), live, New York, 2013

 

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lagniappe

reading table

What is the language using us for?

—W. S. Graham (1918-1986), from the poem so titled