Returning to a record after years away, both you and it are new.
Miles Davis (1926-1991, trumpet), In a Silent Way (with Wayne Shorter [1933-2023], soprano saxophone; John McLaughlin [1942- ], electric guitar; Chick Corea [1941-2021], electric piano; Herbie Hancock [1940-], electric piano; Joe Zawinul [1932-2007], electric piano, organ; Dave Holland [1946-], bass; Tony Williams [1945-1997], drums), 1969
**********
lagniappe
reading table
nothing left of the house I was born in fireflies
—Taneda Santoka (1882-1940), translated from the Japanese by Burton Watson
It was, I recall, a cloudless morning in Chicago, as it was in New York. I had a hearing scheduled in federal court, but then, after the second plane hit, court was cancelled. I sat, with my office mates, in front of the TV, unable to turn away.
William Basinski (1958-), “Disintegration Loop 1.1,” 2001
Photograph from September 11 by Wislawa Szymborska (1923-2012, MCOTD Hall of Fame), translated from the Polish by Clare Cavanagh and Stanislaw Baranczak
They jumped from the burning floors— one, two, a few more, higher, lower.
The photograph halted them in life, and now keeps them above the earth toward the earth.
Each is still complete, with a particular face and blood well hidden.
There’s enough time for hair to come loose, for keys and coins to fall from pockets.
They’re still within the air’s reach, within the compass of places that have just opened.
I can do only two things for them— describe this flight and not add a last line.
Dave Douglas (trumpet) and Elan Mehler (piano) with Dominique Eade (vocals), John Gunther (reeds), et al: “If There Are Mountains” (D. Douglas with words by Santoka Taneda [1882-1950], translated from the Japanese by John Stevens: “If there are mountains, I look at the mountains; / On rainy days I listen to the rain. / Spring, summer, autumn, winter. / Tomorrow too will be good. / Tonight too will be good.”), studio, 2020