music clip of the day

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Category: jazz

Sunday, 1/22/12

With voices like these who needs microphones?

Davis Sisters, “On the Right Road,” live (TV Broadcast), c. 1964

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lagniappe

my back pages

Thirty-five years ago tonight—how could I possibly begin a sentence “thirty-five years ago tonight” and be referring to something that happened when I was, at least nominally, an adult? Well, this actually happened that night so I guess it must be possible. On that cold, clear January night, at a small church thirty miles north of Chicago, Suzanne and I were married. Yes, there was music. Tenor saxophonist Von Freeman and pianist John Young (now gone) played before and after the ceremony. The processional was Duke Ellington’s “In a Sentimental Mood,” played by Von alone. What did all this sound like? Thanks to my friend (and ace recording engineer) James C. Moore, these sounds can be heard, thirty-five years later, here (M4A—give it a few seconds).

Wednesday, 1/11/12

Imagine what life would be like if people talked the way he played. Clear. Coherent. Concise. No wasted words. Or even syllables.

Hank Jones, “Willow Weep For Me,” live, New York (Carnegie Hall), 1994

Monday, 1/9/12

What do you get when you combine a pianist who plays with the percussive intensity of a drummer and a drummer who plays with the melodic buoyancy of a pianist?

Cecil Taylor (piano), Max Roach (drums), live
New York (Columbia University), 2000

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lagniappe

art beat: more from Thursday’s stop at the Art Institute of Chicago (after a hearing at the nearby federal court building)

Mark Rothko, Painting (1953-54)

Saturday, 1/7/12

Roy Hargrove Quintet,* “Strasbourg/Saint Denis,” live, Paris, 2008

What better way to begin the new year than with live music, which is what I did last Sunday (with my wife Suzanne and older son Alex), catching these guys at Chicago’s Jazz Showcase, where they played an ebullient set for the overflow crowd.

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lagniappe

reading table

In January baseball lives in the imagination.

Now he was stuck at this ramshackle ballpark between a junkyard and an adult bookstore on the interstate outside Peoria.

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“The shortstop is a source of stillness at the center of the defense. He projects this stillness and his teammates respond.”

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When your moment came, you had to be ready, because if you fucked up, everyone would know whose fault it was. What other sport not only kept a stat as cruel as the error but posted it on the scoreboard for everyone to see?

—Chad Harbach, The Art of Fielding (2011)

*****

*RH, trumpet; Justin Robinson, alto saxophone; Gerald Clayton, piano; Danton Boller, bass; Montez Coleman, drums

Tuesday, 1/3/12

the other night

Just a week after hearing vibist Jason Adasiewicz’s Sun Rooms trio there, my older son Alex (home for the holidays) and I went back to the Hideout, a small club on Chicago’s north side, to hear these guys.

DKV Trio (Hamid Drake, drums; Kent Kessler, bass; Ken Vandermark, reeds), live, Chicago (Hideout), 12/28/11

Wednesday, 12/28/11

more favorites from the past year

passings

*****

Is any drummer more lyrical?

Paul Motian, drummer, composer, collaborator, bandleader
March 25, 1931-November 22, 2011

Paul Motian Trio (PM, drums; Joe Lovano, saxophone; Bill Frisell, guitar), “It Should’ve Happened a Long Time Ago” (P. Motian), live, New York (Village Vanguard), 2005

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lagniappe

Sometimes he would strip a beat to absolute basics, the sound of brushes on a dark-toned ride cymbal and the abrupt thump of his low-tuned kick drum. Generally, a listener could locate the form, even when Mr. Motian didn’t state it explicitly.

“With Paul, there was always that ground rhythm, that ancient jazz beat lurking in the background,” said the pianist Ethan Iverson, one of the younger bandleaders who played with and learned from him toward the end.

Mr. Motian’s final week at the [Village] Vanguard was with Mr. Osby and Mr. Kikuchi, in September. “He was an economist: every note and phrase and utterance counted,” Mr. Osby said on Tuesday. “There was nothing disposable.”

—Ben Ratliff, New York Times11/22/11

(Originally posted 11/23/11.)

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You’re never too young to die.

 Amy Winehouse, September 14, 1983-July 23, 2011

“Tears Dry On Their Own”

Take 1: original recording and video (2006)

Vodpod videos no longer available.

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Take 2: remix by Organized Noize Dungeon Family (Big Boi)
(released 7/24/11)

Vodpod videos no longer available.

(Originally posted 7/26/11.)

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Today we remember him with a mix of new clips and old favorites.

Gil Scott-Heron, April 1, 1949-May 27, 2011

“The Bottle,” live, Jamaica (Montego Bay, Reggae Sunsplash), 1983
Cool Runnings: The Reggae Movie (1983)

*****

I’m New Here (2010)

“Where Did The Night Go”

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“Me And The Devil” (Robert Johnson)

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It’s a remix world.

“New York Is Killing Me” (2010), Chris Cunningham remix

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Here’s the original track, followed by a couple more remixes.

Vodpod videos no longer available.

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With Nas

Vodpod videos no longer available.

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With Mos Def

Vodpod videos no longer available.

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langiappe

musical thoughts

In the dark times, will there also be singing? Yes, there will be singing. About the dark times.

—Bertolt Brecht

(Originally posted 5/30/11.)

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Lloyd Knibb, drummer (Skatalites, et al.)
March 8, 1931-May 12, 2011

Lloyd Knibb’s importance to Jamaican music can’t be overstated. The inventor of the ska beat at Coxson Dodd’s Studio One, Knibb created a sound that spread like wildfire the world over.

—Carter Van Pelt, host, Eastern Standard Time, WKCR-FM

“Freedom Sound,” live, Belgium (Lokerse Festival), 1997

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Live, Los Angeles, 2007

#1

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#2

(Originally posted 5/18/11.)

Monday, 12/26/11

This week we revisit a few favorites from the past year.

*****

[D]ance first and think afterwards . . . . It’s the natural order.

—Samuel Beckett, Waiting for Godot (1953, 1955 [English-language premiere])

Al Minns & Leon James, New York (Savoy Ballroom, Harlem), 1950s

Vodpod videos no longer available.

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lagniappe

art beat

Helen Levitt, New York, c. 1940

(Originally posted 1/11/11.)

Saturday, 12/24/11

When I was little, I would go into Chicago to hear live music—Peter, Paul & Mary, Kingston Trio, Beach Boys—with my father. Then, as a teenager, I’d go into the city with my brother Don to hear the Velvet Underground and the MC5, the Who, Tim Hardin and Tim Buckley, Muddy Waters. Now I make these trips with my sons. The other night, for instance, my older son Alex (now 24 and home for the holidays) and I went to the Hideout, a small club on Chicago’s north side, not far from where I once went with my father (now gone) and my brother (now hundreds of miles away), to hear this guy.

Jason Adasiewicz’s Rolldown (JA, vibraphone; Josh Berman, cornet; Aram Shelton, alto saxophone; Jason Roebke, bass; Frank Rosaly, drums), “Hide,” live, c. 2008

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lagniappe

reading table

No, the human heart
Is unknowable.
But in my birthplace
The flowers still smell
The same as always.

—Ki no Tsurayuki (872-945; trans. Kenneth Rexroth)

Monday, 12/19/11

Rebirth Brass Band, Treme Sidewalk Steppers Parade, New Orleans, 2/6/11

If there’s a God, He loves parades.

More? Here. And here. And here. And here. And here.

Wednesday, 12/7/11

What a treat to hear a guitar-led group that sounds so fresh.

Nels Cline (guitar) and Friends play the music of Andrew Hill

Live, New York (Jazz Standard), 2007

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lagniappe

musical thoughts

The more one studies the harmony of music, and then studies human nature, how people agree and how they disagree, how there is attraction and repulsion, the more one will see that it is all music.

Hazrat Inayat Khan (quoted at Nels Cline’s website)