like nobody else
In a world of too much—news, suffering, noise—he offers a small, quiet space to inhabit.
Morton Feldman (1926-1987, MCOTD Hall of Fame), For John Cage (1982); Jesse Mills (violin), Rieko Aizawa (piano), live, New York (Bargemusic, Brooklyn), 7/30/21
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lagniappe
random sights
yesterday, Oak Park, Ill.

sounds of Ukraine
Alyona Alyona (1991-), “Open,” 2018
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lagniappe
reading table
Any fence maintains the other / side is “without form.”
—Rae Armantrout (1947-), from “As We’re Told”
sounds of Ukraine
Valentin Silvestrov (1937-), Requiem for Larissa (1997-1998, written in memory of the composer’s wife); Odessa Philharmonic Orchestra (Hobart Earle, cond.) and the National Choir of Ukraine (Yevhen Savchuk, choirmaster ), live, Odessa (Ukraine), 2018
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lagniappe
random sights
this morning, Oak Park, Ill.

sounds of Ukraine
Alyona Alyona (1991-)
“Рими на бітах,” 12/6/21
*****
“Стержень” (feat. KALUSH, et al.), 2020
*****
“Голови,” 2018
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lagniappe
reading table
. . . all news feels foreign today . . .
—Mike McCormack, Solar Bones (2016)
timeless
Morton Feldman (1926-1987, MCOTD Hall of Fame), Rothko Chapel (1971); Nikola Kachanov Singers and Russian Chamber Singers of New York (Nikolai Kachanov, direction) with Jessica Meyer (viola), Zen Wu (soprano), Issei Herr (cello), Jeffrey Irving (percussion), Roberta Michel (flute), Mikhail Zeiger (celesta), live, Cathedral of St. John the Divine, New York, 6/2/19
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lagniappe
art beat: other day, Art Institute of Chicago
Mark Rothko (1903-1970), detail from Untitled (Purple, White, and Red), 1953
