what’s new
Ensemble Musikfabrik (Marco Blaauw, trumpet, curator; Benjamin Kobler, piano), live, Cologne (Germany), yesterday: John Cage, The Perilous Night (1944) for prepared piano; Rebecca Saunders, Blaauw (2004) for double bell trumpet; Rebecca Saunders, Unsaid (2019) for piano; Rebecca Saunders, White (2015, rev. 2016) for double bell trumpet; Morton Feldman, Last Pieces (1959) for piano; Alvin Singleton, Vous Compra (2001) for trumpet and piano
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lagniappe
random sights
yesterday, Oak Park, Ill.

Spare, lyrical, introspective—what better way to end the week?
Abdullah Ibrahim (1934-, piano), live (“Blue Bolero,” “Signal on the Hill,” “Once Upon a Midnight”), Germany (Chiemgau), published 3/9/22
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lagniappe
my back pages
In the digital age, nothing, it seems, ever disappears, including, for instance, a review of his trio that I wrote, for the Chicago Reader, in 1995.
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random sights
a while ago, Ireland (Dingle Peninsula)

like nobody else
In a world of too much—news, suffering, noise—he offers a small, quiet space to inhabit.
Morton Feldman (1926-1987, MCOTD Hall of Fame), For John Cage (1982); Jesse Mills (violin), Rieko Aizawa (piano), live, New York (Bargemusic, Brooklyn), 7/30/21
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lagniappe
random sights
yesterday, Oak Park, Ill.

sounds of Ukraine
Alyona Alyona (1991-), “Open,” 2018
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lagniappe
reading table
Any fence maintains the other / side is “without form.”
—Rae Armantrout (1947-), from “As We’re Told”
sounds of Ukraine
Valentin Silvestrov (1937-), Requiem for Larissa (1997-1998, written in memory of the composer’s wife); Odessa Philharmonic Orchestra (Hobart Earle, cond.) and the National Choir of Ukraine (Yevhen Savchuk, choirmaster ), live, Odessa (Ukraine), 2018
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lagniappe
random sights
this morning, Oak Park, Ill.
