music clip of the day

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Category: hard-to-peg

Thursday, 5/10/12

two takes

“Spring Can Really Hang You Up The Most” (T. Wolf & F. Landesman)

Bob Dorough, vocals & piano (Right On My Way Home, 1997)

*****

Betty Carter, vocals (Inside Betty Carter, 1964)

**********

lagniappe

reading table

Alcove
by John Ashbery
(Planisphere, 2009)

Is it possible that spring could be
once more approaching? We forget each time
what a mindless business it is, porous like sleep,
adrift on the horizon, refusing to take sides, “mugwump
of the final hour,” lest an agenda—horrors!—be imputed to it,
and the whole point of its being spring collapse
like a hole dug in sand. It’s breathy, though,
you have to say that for it.

And should further seasons coagulate
into years, like spilled, dried paint, why,
who’s to say we weren’t provident? We indeed
looked out for others as though they mattered, and they,
catching the spirit, came home with us, spent the night
in an alcove from which their breathing could be heard clearly.
But it’s not over yet. Terrible incidents happen
daily. That’s how we get around obstacles.

Friday, 5/4/12

three takes

“Dream Baby Dream” (A. Vega [Suicide])

Neneh Cherry & The Thing, The Cherry Thing, 6/12

*****

Bruce Springsteen, live (encore), 2005

*****

Suicide (long version), 1980

**********

lagniappe

random thoughts

Who says sports are frivolous? Baseball offers a veritable Ph.D. program in life’s hardest lessons. Good fortune is fleeting. Nothing can be taken for granted—ever. No matter how smooth the sailing, the shoals of despair are never far away. Yesterday, going into the bottom of the ninth, the Cubs were beating the Reds 3-0. Exit starter Ryan Dempster; enter closer Carlos Marmol. He gives up a walk. Then another. The next batter reaches on an error. Then there’s a line drive. The next batter? He walks, too. By the time Marmol crawls back to the dugout, the bases are loaded, there are no outs, and two runs are in. If nothing else, the pain would have come and gone more swiftly if the Reds had finished things right there. But they don’t. They add just one more run, tying the game. The Cubs come to bat. Nothing. The Reds score again and, finally, it’s over. Reds 4, Cubs 3. No tale from Greek mythology could have made the point more emphatically: fate is pitiless.

Wednesday, 5/2/12

Nothing hits the spot, sometimes, like a homicidal love song.

The Handsome Family, “My Beautiful Bride”
Live, Australia (Sydney), 2010

More? Here.

**********

lagniappe

art beat: Monday at the Art Institute of Chicago

Utagawe Hiroshige, Autumn Moon over Tama River (from the series Eight Views of the Environs of Edo), 1837-38

Tuesday, 5/1/12

ready to levitate?

Peter Brötzmann  Chicago Tentet,* “Aziz” (M. Zerang), recorded live in Chicago (Empty Bottle), 9/17/97 (Okka Disk OD-12022)

**********

lagniappe

art beat: yesterday at the Art Institute of Chicago (after meeting with a client at the nearby federal jail)

Utagawe Hiroshige, Suijin Shrine and Massaki on the Sumida River (from the series One Hundred Famous Views of Edo), c. 1856

*****

reading table

Were I to choose an auspicious image for the new millennium, I would choose . . . the sudden agile leap of the poet-philosopher who raises himself above the weight of the world, showing that with all his gravity he has the secret of lightness, and that what many consider to be the vitality of the times—noisy, aggressive, revving and roaring—belongs to the realm of death, like a cemetery for rusty old cars.

—Italo Calvino, “Lightness,” in Six Memos for the New Millenium (1988, translated from Italian by Patrick Creagh)

*****

*PB, tenor sax/clarinet/tarogato; Mars Williams, tenor/alto/soprano sax/clarinet; Ken Vandermark, tenor sax/clarinet/bass clarinet; Mats Gustafsson, baritone sax/fluteophone; Joe McPhee, pocket cornet/valve trombone/soprano sax; Jeb Bishop, trombone; Fred Lonberg-Holm, cello; Kent Kessler, bass; Michael Zerang, drums/percussion; Hamid Drake, drums/percussion.

Saturday, 4/28/12

James Blood Ulmer, “Are You Glad to Be in America?”
Live, 2008

Imagine this with bass and drums. Can’t? Me, neither. That’s one sign of a great solo performance: accompaniment is unimaginable.

Friday, 4/27/12

what’s new

The Very Best, “Yoshua Alikuti” (Nairobi, Kenya), 2012

Any resemblance to this is purely intentional.

Lil Wayne, “A Milli,” 2008

*****

Here’s a big shout-out to my son Alex, who just finished his last week of classes, graduates from Harvard next month, and introduced me to The Very Best in the first place.

Wednesday, 4/25/12

two takes 

“Run Joe” (L. Jordan, et al.)

Chuck Brown and the Soul Searchers, live
Capital Centre, Landover, Md., 1987

*****

Louis Jordan and his Tympany Five, recording, 1948

**********

lagniappe

random thoughts

Last night, sitting at Wrigley Field with my brother Don (something we’ve been doing together for over 50 years), I thought of a line my younger son Luke, who turns 21 next month, wrote in elementary school in response to a prompt: “When I am 100 I will not be able to play baseball with my brother.” (P.S. Cubs 3, Cards 2—their second straight walk-off victory.)

Tuesday, 4/24/12

not for the faint of heart

Phil Minton (vocals), Mats Gustafsson (baritone saxophone), John Russell (guitar), live, London (Cafe Oto), 2010

**********

lagniappe

art beat: Sunday at the Art Institute of Chicago

Pierre-Auguste Renoir, Seascape, 1879

Sometimes, when posting an image of a painting, I wonder: “Why bother?” No art form resists reproduction more successfully.

Sunday, 4/22/12

two takes

“Feel Like Going Home” (C. Rich)

Charlie Rich (vocals & piano), demo, 1973

*****

Tom Jones with Mark Knopfler (guitar), TV performance, 1996

**********

lagniappe

musical thoughts

I don’t think I ever recorded anyone who was better as a singer, writer, and player than Charlie Rich. It is all so effortless, the way he moves from rock to country to blues to jazz.

Sam Phillips (Sun Records)

*****

radio

Happy Birthday, Charles!

All Mingus, all day: WKCR-FM.

*****

reading table

I thought that you were an anchor in the drift of the world;
but no: there isn’t an anchor anywhere.
There isn’t an anchor in the drift of the world. Oh no.
I thought you were. Oh no. The drift of the world.

—William Bronk,* “The World” (mp3 [Hudson Falls, NY, 1978], Selected Poems [1995])

***

*Bronk, who died in 1999, was recently inducted, posthumously, into the ultra-exclusive MCOTD Hall of Fame, joining tenor saxophonist Von Freeman and poet Wislawa Szymborska.

Friday, 4/20/12

passings

Levon Helm, drummer, singer, songwriter, actor, etc.
May 26, 1940-April 19, 2012

Live,  2/12, Woodstock, NY (Levon’s home)

“Ophelia”

***

“The Weight”

*****

“When I Go Away,” recording (Electric Dirt, 2009)

**********

lagniappe

Levon Helm will always hold a special place in my heart. He was as great of an actor as a musician. For me watching him play the role of my daddy in Coal Miner’s Daughter is a memory I will always treasure.

Loretta Lynn

*** 

When I heard The Band’s Music from Big Pink, their music changed my life. And Levon was a big part of that band. Nigel Olson, my drummer, will tell you that every drummer that heard him was influenced by him. He was the greatest drummer and a wonderful singer and just a part of my life that was magical. They once flew down to see me in Philadelphia and I couldn’t believe it. They were one of the greatest bands of all time. They really changed the face of music when their records came out. I had no idea he was sick so I’m very dismayed and shocked that he died so quickly. But now my son [Zachary Jackson Levon Furnish-John] has his name.

Elton John

***

He was my bosom buddy friend to the end, one of the last true great spirits of my or any other generation. This is just so sad to talk about. I still can remember the first day I met him and the last day I saw him. We go back pretty far and had been through some trials together. I’m going to miss him, as I’m sure a whole lot of others will too.

Bob Dylan