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Category: hard-to-peg

Monday, 6/18/12

Happy (Day After) Father’s Day 

Nas (son) with Olu Dara (father), “Bridging the Gap” (2004)
(sampling Muddy Waters’ “Mannish Boy”)

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lagniappe

Here’s more from the old man.

David Murray Octet, “Dewey’s Circle” (DM, tenor saxophone; Olu Dara, trumpet; Butch Morris, cornet; George Lewis, trombone; Henry Threadgill, alto saxophone; Anthony Davis, piano; Wilber Morris, bass; Steve McCall, drums), Ming (Black Saint, 1980)

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Muddy Waters, “Mannish Boy” (Chess, 1955)

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lagniappe

reading table

People are mysterious, unfathomable—like divinities: natural objects for reverence. But our habits of thought turn the people around us into objects, the means for our self-protection.

—Lama John Makransky, “Family Practice,”
Tricycle, Summer 2001

Saturday, 6/16/12

two takes

Santigold, “Disparate Youth”

Recording & video, 2012

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Live (studio performance), BBC, 2012

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lagniappe

reading table

After a certain age our memories are so interwoven with each other that the object of our thoughts or the book which we are reading has practically no importance. We have left traces of ourselves everywhere, everything is fertile, everything is dangerous, and we can make discoveries every bit as precious in an advertisement for soap as Pascal’s Pensées.

—Marcel Proust, The Fugitive (translated from French by Peter Collier)

Saturday, 6/9/12

Spirits need a lift?

Consider this: how much wonderful music—more than a lifetime’s worth—waits to be heard for the first time.

Morton Feldman, For Philip Guston (1984)*

Part 1

Part 2

Part 3

Part 4

More Feldman?

Here.

Here. 

And here.

Here. 

And here. And here. And here.

Here. 

And here.

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lagniappe

musical thoughts

Q. This is a tough question, but what would be your five Desert Island disks?

John Luther Adams: I’d want music I could live inside for a long time; music that’s complex and enigmatic enough that there’s always something new to discover. Off the top of my head, my choices might be . . .

One of Morton Feldman’s major works, probably the Second String Quartet. Or maybe For Philip Guston.

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*For piano, celesta, piccolo, flute, alto flute, glockenspiel, vibraphone, marimba, chimes.

Thursday, 6/7/12

Ken Vandermark (saxophone) & Paal Nilssen-Love (drums)
Live, Romania (Bucharest), 2010

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lagniappe

musical thoughts

Last night, while I was listening to these guys at a little club on Chicago’s near northwest side (The Hideout), a thought kept running through my head: there’s nothing like live music; there’s nothing at all like live music; there’s nothing at all in this world even remotely like live music.

Monday, 6/4/12

passings

Pete Cosey, guitar player, October 9, 1943-May 30, 2012

Miles Davis, “Ife,” live, Austria (Vienna), 1973
With Pete Cosey, guitar (solo begins at 5:30) and percussion; Dave Liebman, flute, soprano and tenor saxophones; Reggie Lucas, guitar; Michael Henderson, bass; Al Foster, drums; James Mtume Forman, conga and percussion

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Here’s an earlier post (12/31/09):

In the public imagination, the guitar’s associated with freedom and individuality. The musical reality’s different. Guitarists travel in herds; few stray from the pack. One who has gone his own way is this man, who’s played with everyone from Muddy Waters (as a session musician for Chicago-based Chess Records) to Miles Davis (as a member of his group [1973-1975]). He employs a variety of unusual tunings and effects. He sounds like no one else.

Pete Cosey, guitar

“Calypso Frelimo” (excerpt), Pete Cosey’s Children of Agharta (JT Lewis, drums; Gary Bartz and John Stubblefield, saxophones & flute; Matt Rubano, bass; Johnny Juice, turntables; Baba Israel, words and beats; Kyle Jason, voice; Bern Pizzitola, guitar; Wendy Oxenhorn, harmonica), live, 2002, New York

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Live (with Melvin Gibbs, bass; JT Lewis, drums; Johnny Juice, congas and turntables)

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. . . the guy who, after Hendrix, showed you how ‘out’ you could go with guitar playing, particularly in the improvised context.

Greg Tate

Friday, 6/1/12

keep on dancing

Robyn, live, Belgium (Werchter), 7/3/11

“We Dance to the Beat”/”Don’t Fucking Tell Me What To Do”

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“Indestructible”

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“With Every Heartbeat”

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lagniappe

art beat: yesterday at the Art Institute of Chicago (between court hearings at the nearby federal court building)

Dawoud Bey, Harlem, U.S.A. (late 1970s), through 9/9/12

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Wednesday, 5/30/12

old stuff

Fred Astaire (with Ginger Rogers), “I Won’t Dance”
Roberta, 1935

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lagniappe

radio

Driving around yesterday afternoon, I happened upon a new series on NPR’s All Things Considered, “Mom and Dad’s Record Collection.” “[M]usicians, writers, even politicians” talk about a “song they discovered through a parent and how it shaped them.” First up was singer and actress Audra McDonald, who can be heard here.

Tuesday, 5/29/12

two takes

“Human Nature” (S. Porcaro & J. Bettis)

Vijay Iyer Trio (VI, piano; Stephan Crump, bass; Marcus Gilmore, drums), live (studio performance [KPLU-FM]), 2011

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Michael Jackson, recording (Thriller), 1982

Monday, 5/28/12

Sometimes a drought lasts so long it ceases to be noticed.

What’s missing from our world?

Elegance.

Gene Kelly, Singin’ in the Rain (1952)

Saturday, 5/26/12

John Luther Adams, “Red Arc/Blue Veil” (excerpt)
Live, University of Kentucky, 2008
Clint Davis, piano
Charlie Olvera, vibraphone, crotales
Jason Corder, Jordan Munson, video

(Originally posted on 2/10/11.)

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lagniappe

musical thoughts

One of the functions of music is to remind us how much more beautiful the world is than it needs to be.