music clip of the day

jazz/blues/rock/classical/gospel/more

Category: hard-to-peg

Monday, June 3rd

alone

Matthew Shipp, piano, “Greensleeves,” “Symbol Systems,” 2012

Friday, May 31st

Some voices wrap themselves around you and hold you. And you don’t want them to let go.

Ted Hawkins (1936-1995), singer, songwriter, street performer

“Happy Hour” (T. Hawkins)


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“Long As I Can See The Light” (J. Fogerty)


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lagniappe

musical thoughts

For some of us, music isn’t life or death, it’s much more important than that.

Doug Schulkind

Friday, May 24th

what’s new

Dirty Beaches, “Casino Lisboa,” 5/13


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lagniappe

found words

trap-music phenomenon

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the moombahton sound

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prolific chiptune band

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technical death metal

Chicago Reader, 5/23/13, music listings

Thursday, May 23rd

Some singers are so distinctive that when you’re in the mood for them no one else will do.

Blossom Dearie (1924-2009), “They Say It’s Spring,” 1958*

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lagniappe

reading table: Albion Beatnik Bookstore, Oxford, England

0531_7eac

*****

*BD, vocals, piano; Herb Ellis, guitar; Ray Brown, bass; Jo Jones, drums.

Wednesday, May 22nd

sounds of Chicago

Want to hear a great solo? You’ve come to the wrong place. This isn’t about solos; it’s about interplay.

The Rempis Percussion Quartet,* live, Chicago (Hideout), 2010

#1

#2

*Dave Rempis, saxophones; Ingebrigt Håker Flaten, bass; Tim Daisy, drums; Frank Rosaly, drums.

Monday, May 20th

two takes

“Take Five” (P. Desmond)

Ceramic Dog (Marc Ribot, guitar; Shahzad Ismaily, bass & percussion; Ches Smith, drums), live, Netherlands (Amsterdam), 2013


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Dave Brubeck Quartet (DB, piano; Paul Desmond, alto saxophone; Eugene Wright, bass; Joe Morello, drums), live, Germany, 1966


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lagniappe

art beat: yesterday at the Art Institute of Chicago

Katsushika Hokusai (1760-1849), Bullfinch and Weeping Cherry Tree, 1834

0032_s

Saturday, May 18th

soundtrack for a dream I’d like to have

Four Tet (AKA Kiernan Hebden), live (Boiler Room), 2012


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lagniappe

reading table

I don’t regard my life
as insufficient.
Inside the brushwood gate
there is a moon;
there are flowers.

—Ryokan, 1758-1831 (translated from Japanese by Kazuaki Tanahashi [Sky Above, Great Wind: The Life and Poetry of Zen Master Ryokan])

Friday, May 17th

what’s new

Chris Hadfield (Canadian astronaut), “Space Oddity” (D. Bowie)
International Space Station, 5/12/13 (released)


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lagniappe

reading table

I never saw any human being who was of sound mind.

—John Haslam (1764-1844), English physician, quoted in the Times Literary Supplement, 3/29/13 (review of Inconvenient People: Lunacy, Liberty, and the Mad-Doctors in Victorian England)

Thursday, May 16th

keep on dancing

Charlie Parker (alto saxophone) with Ray Malone (tap dance), “Donna Lee,” TV show (Broadway Open House*), 1950

*Broadway Open House is network television’s first late-night comedy-variety series. It was telecast live on NBC from May 29, 1950 to August 24, 1951, airing weeknights from 11pm to midnight. One of the pioneering TV creations of NBC president Pat Weaver, it demonstrated the potential for late-night programming and led to the later development of The Tonight Show.

Wikipedia

Tuesday, May 14th

There is, it appears, a new addition to the list of activities that threaten national security—channeling Whitney Houston, badly.

An American Airlines pilot was forced to make an emergency landing after a passenger refused to stop singing Whitney Houston’s hit song I Will Always Love You.

The solo performance began shortly into the flight from Los Angeles to New York and her crooning quickly became too much for passengers and staff on the domestic flight last Thursday.

The pilot was forced to change course halfway through the six hour flight and make an unscheduled stop at Kansas City so officers could escort the woman from the plane.

Daily Mail, 5/13/13

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lagniappe

reading table

“Pastoral Harpsichord”
by Charles Simic

A house with a screened-in porch
On the road to nowhere.
The missus topless because of the heat,
A bag of Frito Banditos in her lap.
President Bush on TV
Watching her every bite.

Poor reception, that’s the one
Advantage we have here,
I said to the mutt lying at my feet
And sighing in sympathy.
On another channel the preacher
Came chaperoned by his ghost
When he shut his eyes full of tears
To pray for dollars.

“Bring me another beer,” I said to her ladyship,
And when she wouldn’t oblige,
I went out to make chamber music
Against the sunflowers in the yard.