Only a world this noisy could produce music this quiet.
Evan Parker (soprano saxophone), et al.,* live, London (Freedom of the City festival), 2011
*Heledd Francis Wright (flute), John Russell (guitar), Augusti Fernandez (piano), Adam Linson (bass), Toma Gouband (percussion), Lawrence Casserley (electronics), Matt Wright (electronics).
Yeah, I love Mozart and Chopin, but I don’t want to listen to them every day. I don’t want to listen to anything every day. This stuff, to these ears, is utterly exhilarating.
Nels Cline (guitar), Dave Rempis (saxophones), Devin Hoff (bass), Frank Rosaly (drums), live, Chicago (Hideout), 2011
#1
#2
**********
lagniappe
musical thoughts
I discovered that there’s a kind of a hidden connection between R&B and free jazz: the need for that kind of visceral connection with the audience and for something to happen that moves people. I think that beyond R&B, it’s a feature of black music — the moment the solo builds and builds and at a certain point, it hits that cry. Knowing when that needs to happen is something that players from that tradition seem to have.
Who better to sing about a ghost town than a band that’s survived not only Katrina but three—yes, three—homicides?*
Hot 8 Brass Band, “Ghost Town,” New Orleans, 2012
*As detailed in Wikipedia, in 1996 “seventeen-year-old trumpet player Jacob Johnson was found shot execution-style in his home”; in 2004 “trombone player Joseph ‘Shotgun Joe’ Williams was shot dead by police in controversial circumstances”; and in 2006 “drummer Dinerral “Dick” Shavers was shot and killed while driving with his family,” with a bullet intended for his fifteen-year-old stepson.
After a court hearing and a client meeting, I stopped at the Chicago Cultural Center, where this piece—on a scale many times larger than this—is installed through May 5th. One-word review: go.
Shawn Decker, Prairie
*****
As with an outdoor prairie, what the current installation looks like—and sounds like—depends on where you’re situated. Here’s one view: