music clip of the day

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Category: hard-to-peg

Wednesday, September 10th

Following up on Friday’s post, here are a couple more early favorites.

*****

October 15, 2009

How to be both solid and fluid, both fat and delicate. How to make the beat breathe. These are things that, as a child, Philly Joe Jones began to learn while dancing—tap-dancing. Just watch the way Thelonious Monk, listening to this solo, rocks back and forth (1:25-1:50), as if he’s about to break into a little dance himself.

Philly Joe Jones, live (with Thelonious Monk), 1959


*****

October 3, 2009

Here are two New Orleans drummers who embrace the Muhammad Ali aesthetic: float like a butterfly (0:56-1:58, etc.), sting like a bee (1:59, etc.).

Dwayne Williams (bass drum) and Jason Slack (snare), live (before a gig), Hudson, New York, 2007

 

Tuesday, September 9th

What to make of this?

Why make anything of it?

Why not let it make something of you?

John Cage (1912-1992), Music for Amplified Toy Pianos (1960); Pestova/Meyer Piano Duo, live (recording session), Luxembourg, 2012

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lagniappe

reading table

Falling blossoms.
Blossoms in bloom are also
falling blossoms.

—Ryokan (1758-1831; translated from Japanese by Kazuaki Tanahashi)

Monday, September 8th

alone

One-word review: Wow!

Matthew Shipp (piano), live (music starts at 5:00), Chicago, 8/27/14

Thursday, September 4th

composer, n. somebody who wants to hear sounds nobody’s ever heard before.

Mario Diaz de León (1979-), Prism Path; International Contemporary Ensemble (ICE),* live, New York, 2011

*****

*Claire Chase, flutes; Eric Lamb, flutes; Joshua Rubin, clarinets; Cory Smythe, piano; Nathan Davis, percussion; Mario Diaz de León, electronics.

Wednesday, September 3rd

sounds of Mali

Salif Keita, “Mandjou,” live, Senegal (Dakar), 2005

Monday, September 1st

last night in Chicago

He played this piece, among others, at Constellation.

Steve Reich (1936-), New York Counterpoint (1985), excerpts; James Falzone (clarinet), recording, 2014

***

Here’s another take.

Evan Ziporyn (clarinet), live, London, 2012

Saturday, August 30th

alone

Crazy what you happen upon in the middle of the night.

King Buzzo (AKA Buzz Osborne), “Boris,” “Ballad of Dwight Fry,” “Suicide In Progress,” live, Baltimore (Ottobar), 7/17/14

What I’m doing, it’s not folk music, it’s not heavy metal. It’s ‘molk,’ how ’bout that?

King Buzzo

Wednesday, August 27th

sounds of Chicago & Norway & the Netherlands

Who needs coffee?

Lean Left (Ken Vandermark, reeds [Chicago]; Paal Nilssen-Love, drums [Norway]; Andy Moers & Terrie Hessels, guitars [Netherlands]), live, Belgium (Brussels), 2014

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lagniappe

musical (& other) thoughts

Ken Vandermark has a lot of interesting things to say about improvised music and life as a musician, about politics and movies and journalism and New York, as you can hear in this podcast-interview.

Tuesday, August 26th

sounds of Norway

Maja S. K. Ratkje, live (music begins at 1:40), Norway (Punkt Festival, Kristiansand), 2013


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lagniappe

reading table

A Prison gets to be a friend —
Between its Ponderous face
And Ours — a Kinsmanship express —
And in its narrow Eyes —

We come to look with gratitude
For the appointed Beam
It deal us — stated as Our food —
And hungered for — the same —

We learn to know the Planks —
That answer to Our feet —
So miserable a sound — at first —
Nor ever now — so sweet —

As plashing in the Pools —
When Memory was a Boy —
But a Demurer Circuit —
A Geometric Joy —

The Posture of the Key
That interrupt the Day
To Our Endeavor — Not so real
The Check of Liberty —

As this Phantasm Steel —
Whose features — Day and Night —
Are present to us — as Our Own —
And as escapeless — quite —

The narrow Round — the Stint —
The slow exchange of Hope —
For something passiver — Content
Too steep for looking up —

The Liberty we knew
Avoided — like a Dream —
Too wide for any night but Heaven —
If That — indeed — redeem —

—Emily Dickinson (1830-1886; Franklin #456)

Thursday, August 21st

sounds of Chicago

Marcos Balter (1974-), Dark Rooms (2007); Third Coast Percussion, 2014

If someone asked me to describe this, I wouldn’t know how to begin—which I mean as a compliment.

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lagniappe

musical thoughts

[Y]oung musicians need Balter as much as Bach.

—Zachary Woolfe, New York Times, 12/3/13