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Category: hard-to-peg

Tuesday, January 20th

Need a jolt?

Brandon Lopez (bass), Tyshawn Sorey (drums), Chris Pitsiokos (alto saxophone), live, New York, 11/10/14

Talk about range. The piece we heard Saturday—the one with flute, violin, bass clarinet, and piano? It was composed by the drummer.

Monday, January 19th

He didn’t just speak—he sang.

Martin Luther King Jr., “I Have a Dream” (excerpt)
Washington, D.C., August 28, 1963

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Interview with MLK adviser and speechwriter Clarence B. Jones, 2013

Saturday, January 17th

If your appetite for new music is insatiable, what better time to be alive?

Tyshawn Sorey (1980-), Quartet for Butch Morris (2012); International Contemporary Ensemble (ICE), featuring Erik Carlson (violin); Joshua Rubin (bass clarinet), Eric Lamb (flute), Cory Smythe (piano); live, New York, 2012

Six decades of listening and, until yesterday, I’d never heard this particular combination of instruments. You?

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lagniappe

art beat: yesterday at the Art Institute of Chicago

James Ensor (1860-1949), Rooftops of Ostend, 1884 (Temptation: The Demons of James Ensor, through January 25th)

1884-James-Ensor-Acoperisurile-din-Ostend-1

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reading table

Nature, the sky above us, is conducting no mean politics when it presents beauty to all, without discrimination, and nothing old and defective, but fresh and most tasty.

—Robert Walser (1878-1956), “Snowdrops,” excerpt (translated from German by Tom Whalen and Trudi Anderegg)

Tuesday, January 13th

sounds of Chicago (day one)

Art Ensemble of Chicago (Roscoe Mitchell, reeds; MCOTD Hall-of-Famer Lester Bowie [1941-1999], trumpet; Malachi Favors [1927-2004], bass; Don Moye, drums), live, Hungary (Budapest), 1995

 

Friday, January 9th

two takes

Rebirth Brass Band, “A. P. Tureaud,” live, New Orleans

Treme Sidewalk Steppers Second Line, 2011


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Revolution Social Aid and Pleasure Club Second Line Parade, 2012

 

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art beat

Lee Friedlander (1934-), Second Liners at Mardi Gras, New Orleans, 1957

Second_Liners_at_Mardi_Gras_1957

Thursday, January 8th

voices I miss

Lester Bowie’s From the Root to the Source (MCOTD Hall-of-Famer Lester Bowie [1941-1999], trumpet; Fontella Bass, vocals, piano; Martha Bass, vocals; Malachi Favors, bass, et al.), live, 1983


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reading table

I walked through the mountains today. The weather was damp, and the entire region was grey. But the road was soft and in places very clean. At first I had my coat on; soon, however, I pulled it off, folded it together, and laid it upon my arm. The walk on the wonderful road gave me more and even more pleasure; first it went up and then descended again. The mountainous world appeared to me like an enormous theatre. The road snuggled up splendidly to the mountainsides. Then I came down into a deep ravine, a river roared at my feet, a train rushed past me with magnificent white smoke. The road went through the ravine like a smooth white stream, and as I walked on, to me it was as if the narrow valley were bending and winding around itself. Grey clouds lay on the mountains as though that were their resting place. I met a young traveller with a rucksack on his back, who asked if I had seen two other young fellows. No, I said. Had I come here from very far? Yes, I said, and went farther on my way. Not a long time, and I saw and heard the two young wanderers pass by with music. A village was especially beautiful with humble dwellings set thickly under the white cliffs. I encountered a few carts, otherwise nothing, and I had seen some children on the highway. We don’t need to see anything out of the ordinary. We already see so much.

—Robert Walser (1878-1956), “A Little Ramble” (translated from German by Tom Whalen)

Wednesday, January 7th

One-word review: Wow!

Paul Dresher (1951-), et al., Schick Machine (excerpts), with Steven Schick (percussion, voice, etc.), live, Davis, California (UC Davis), 2009


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musical thoughts

The first musician—a percussionist?

Wednesday, December 31st

Morton Feldman (1926-1987), Patterns in a Chromatic Field (1981)

Arne Deforce (cello) & Yutaka Oya (piano)
Live (excerpts), Belgium (Kortrijk), 2013

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Charles Curtis (cello) & Aleck Karis (piano)
Recording, 2004


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random thoughts: New Year’s resolution #4

No matter how much I get out, it never fails. Whenever I experience live music, as I did Sunday when I heard this otherworldly piece played, wonderfully, by cellist Mira Luxion and pianist Andy Costello (Constellation, Chicago), I leave with the same thought—you really ought to do this more often. 

Monday, December 29th

what’s new

Dirty Beaches, “Time Washes Everything Away,” 12/14 (video)

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random thoughts: New Year’s resolution #3

Give up the wish to live in a world where making New Year’s resolutions would be something more than a reminder of how laughably little is within our control.

Saturday, December 27th

Five hours?

As far as I’m concerned, this could go on forever.

Morton Feldman (1926-1987), For Philip Guston (1984); Claire Chase (flute, alto flute, piccolo), Steven Schick (percussion), Sarah Rothenberg (piano, celesta), live (3:50-), Houston (Rothko Chapel), 11/2/14

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random thoughts: New Year’s resolution #1

Quit thinking other people should be more like me—if anything, be thankful they aren’t.