Soundtrack for your day?
Peter Brotzmann Tentet,* live, Atlanta, 2002
*PB, reeds; Ken Vandermark, reeds; Mats Gustafsson, reeds; Mars Williams, reeds; Joe McPhee, trumpet; Jeb Bishop, trombone; Fred Longberg-Holm, cello; Kent Kessler, bass; Hamid Drake, drums; Michael Zerang, drums.
Float like a butterfly, sting like a bee.
—Muhammad Ali
Cecil Taylor Quintet (CT, piano; Harri Sjostrom, soprano saxophone; Tristan Honsinger, cello; Thurman Barker, marimba, percussion; Paul Lovens, drums), live, Germany (Hamburg), 1995
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lagniappe
art beat
William Klein (1928-), Blacks + Pepsi (AKA Moves + Pepsi)
Harlem, New York, 1955
More of Daniel K.
Daniel Knox, “Blue Car,” 2014
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lagniappe
art beat
William Klein (1928-), Candy Store, Amsterdam Avenue, New York, 1955
what’s new
Daniel Knox, “Don’t Touch Me” (Daniel Knox, Carrot Top Records, 2/24/15)
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lagniappe
reading table
Some people really are what they seem to be—though not that many.
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Like most explanations, it’s as plausible as anything else.
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Character, to me, is one more lie of history and the dramatic arts. In my view, we have only what we did yesterday, what we do today, and what we might do tomorrow. Plus, whatever we think about all of that. But nothing else—nothing hard or kernel like. I’ve never seen evidence of anything resembling it. In fact I’ve seen the opposite: life as teeming and befuddling, followed by the end.
—Richard Ford, “The New Normal” (Let Me Be Frank With You)
white folks got soul, too
(day two)
Tony Joe White & Shelby Lynne, live, Nashville, 2010
“Rainy Night in Georgia” (T. J. White)
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“Can’t Go Back Home” (T. J. White)
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lagniappe
reading table
“Did I forget to mention that when you’re dead
You’re dead a long time.
My uncle, dying, told me this when asked, Why stay here for such suffering.”
—Lucie Brock-Broido, “Currying the Fallow-Colored Horse” (Stay, Illusion)
Something cheery to start the weekend.
Lucinda Williams, “It’s Gonna Rain” (L. Williams), live (studio performance), Seattle, 2/11/15
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lagniappe
reading table
How can you give orders when nobody is listening?
—John Ashbery, “Be Careful What You Wish For” (New York Review of Books, 3/5/15)
more sounds of Mali
Toumani Diabate (kora), live, India (New Delhi), 2011
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lagniappe
random thoughts
If today is the answer, what is the question?
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taking a break
I’m taking some time off—back in a while.
Why start the week with the same old stuff?
Derek Bailey (1930-2005, guitar), Min Tanaka (1945-, dance), Japan, 1993
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lagniappe
reading table
For you fleas too,
The night must be long,
It must be lonely.—Kobayashi Issa (1763-1828; translated from Japanese by R. H. Blyth)
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the beat goes on
Nineteen hundred posts—and counting.
sounds of Mali (day four)
Tinariwen, live, Paris, 2011
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lagniappe
reading table
It was what it might have been to be alive, but tenderly.
—Lucie Brock-Broido, “A Meadow” (Stay, Illusion)
sounds of Mali (day three)
Ballake Sissoko (kora) and Vincent Segal (cello), live, Washington D.C., 2011
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lagniappe
random thoughts
Perpetual astonishment is one plausible response to being alive in this world. Abject despair is another. The list goes on.
music clip of the day 