Sounds echo across generations. Here, on the 88th birthday of my long-gone father, are sounds I first heard through my sons.
TV on the Radio, live (studio performance), Santa Monica, 2014
otherworldly
Turgut Ercetin (1983-), String Quartet No. 1 (“December”); The Jack Quartet, live, Stanford University, 2011
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lagniappe
reading table
Lacan said that there was surely something ironic about Christ’s injunction to love thy neighbour as thyself—because actually, of course, people hate themselves.
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We know almost nothing about ourselves because we judge ourselves before we have a chance to see ourselves.
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Self-criticism is an unforbidden pleasure: we seem to relish the way it makes us suffer.
—Adam Phillips, “Against Self-Criticism,” London Review of Books, 3/5/15
Feeling glum?
Not for long.
Jim Campilongo & Honeyfingers,* live, New York, 2013
*JC, guitar; Luca Benedetti, guitar; Jonny Lam, lap steel guitar; Catherine Popper, bass; Shawn Pelton, drums.
sounds of Chicago
Jack DeJohnette (drums) with MCOTD Hall-of-Famer Henry Threadgill (reeds), Roscoe Mitchell (reeds), Muhal Richard Abrams (piano), and Larry Gray (bass), Made in Chicago, 2015
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lagniappe
art beat: more from the other day at the Art Institute of Chicago
This, too, I never tire of.
Jackson Pollock (1912-1956), Greyed Rainbow, 1953
sounds of Chicago
Matthias Kranebitter (1980-), pack the box (with five dozen of my liquor jugs) (2013)
Mocrep, live, Chicago, 2014
[vimeo 111677932 w=560&h=315]
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lagniappe
reading table
Collage=life.
—Joseph Cornell, diary entry, 1964
Need a jolt?
Ballet mecanique (1924) by Fernand Leger and Dudley Murphy (cinematography by Man Ray), with original score by George Anthiel (1900-1959), as performed in 1989 by the New Palais Royale Orchestra and Percussion Ensemble (Maurice Peress, cond.)
This I bumped into Friday at the Art Institute of Chicago, where it’s playing, continuously, in the exhibit Shatter Rupture Break, which runs through May 3rd.
More of Cecil T.
Cecil Taylor, live, Switzerland (Montreux), 1974
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lagniappe
reading table
It is a very painful thing, having to part company with what torments you.
—Robert Walser (1878-1956), “Balloon Journey” (translated from German by Christopher Middleton)