Friday, June 19th
what’s new
Björk, “Stonemilker” (360 degree virtual reality), 2015
what’s new
Björk, “Stonemilker” (360 degree virtual reality), 2015
not like this, not like that
Nate Wooley, “Polychoral for trumpets and 8-channel audio”; Nate Wooley & Peter Evans (trumpets), live, New York (Knockdown Center), 2015
*****
lagniappe
musical thoughts
In 1915 no one had heard an electric guitar. In 2065 sounds we’ve never heard will be commonplace. What will they be?
Some sounds seem as though they’ve always been there—you just didn’t notice them until now.
Tim Hecker (right) & Daniel Lopatin (left), live, Belgium (Leuven), 2013
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lagniappe
art beat: yesterday at the Art Institute of Chicago
Claude Monet (1840-1926), Waterloo Bridge Sunlight Effect (1903)
In response to Monday’s post on Dylan covers, a reader commented:
Fairport Convention’s “Si tu dois partir” (a French-language version of “If You Gotta Go, Go Now”) comes to mind.
Fairport Convention, “Si tu dois partir” (B. Dylan), recording, 1969
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lagniappe
random sights
Tuesday morning
Louisville, Kentucky
Great Dylan covers? The list is surprisingly short. There’s Jimi Hendrix’s “All Along the Watchtower.” And Johnny Winter’s “Highway 61 Revisited.” And this.
Antony and the Johnsons, “Knockin’ on Heaven’s Door” (B. Dylan)
sounds of New Orleans
Why would anyone want to live anywhere else?
To Be Continued (TBC) Brass Band, live, New Orleans, 2012
MCOTD Hall of Fame
Henry Threadgill’s Zooid,* live, Washington, D.C., 2013
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lagniappe
reading table
Nothings’s a Gift
by Wislawa Szymborska (1923-2012; translated from Polish by Clare Cavanagh and Stanislaw Baranczak)Nothing’s a gift, it’s all on loan.
I’m drowning in debts up to my ears.
I’ll have to pay for myself
with my self,
give up my life for my life.Here’s how it’s arranged:
The heart can be repossessed,
the liver, too,
and each single finger and toe.Too late to tear up the terms,
my debts will be repaid,
and I’ll be fleeced,
or, more precisely, flayed.I move about the planet
in a crush of other debtors.
Some are saddled with the burden
of paying off their wings.
Others must, willy-nilly,
account for every leaf.Every tissue in us lies
on the debit side.
Not a tentacle or tendril
is for keeps.The inventory, infinitely detailed,
implies we’ll be left
not just empty-handed
but handless too.I can’t remember
where, when, and why
I let someone open
this account in my name.We call the protest against this
the soul.
And it’s the only item
not included on the list.
*****
the beat goes on
Two thousand posts—and counting.
*****
*HT (flute, alto saxophone), Liberty Ellman (guitar), Jose Davila (tuba, trombone), Christopher Hoffman (cello), Elliot Humberto Kavee (drums).
sounds of New York
Meredith Monk, “Last Song”
Live, New York (Joe’s Pub), 2005
***
Recording (Impermanence), 2008
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lagniappe
random thoughts
Who is this guy who keeps talking, talking, talking inside my head?
sounds of Mali
Bassekou Kouyaté & Ngoni Ba, “Siran Fen,” 2015
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lagniappe
reading table
my rice field too
song by song
is planted—Kobayashi Issa (1763-1827; translated from Japanese by David G. Lanoue)
*****
The Beatles (Comiskey Park). The Who (Kinetic Playground). The Velvet Underground (Kinetic Playground). The MC5 (Lincoln Park). Bob Marley (Quiet Knight). The list goes on and on. My musical life is unimaginable without the experiences I’ve had with my brother Don, who turns 65 today. Happy Birthday!