Were gospel to be more publicly acclaimed, she [Dorothy Love Coates] might have the stature of a Billie Holiday or a Judy Garland. Instead, for thousands of black people, she is the message carrier.
—Anthony Heilbut, The Gospel Sound: Good News and Bad Times (6th ed. 2002)
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[I]t was obvious that Keith [Richards]and Gram [Parsons] enjoyed spending time together. . . . [W]e just all cared deeply about the same things. We just loved, for instance, to sit and listen to Dorothy Love Coates, the gospel singer.
—Mudd Up! (DJ/Rupture, “new bass and beats”)
—Sinner’s Crossroads(Kevin Nutt, gospel) —Give the Drummer Some (Doug Schulkind, sui generis, Web only)
—Lamin’s Show (sui generis)
Davis Sisters, “On the Right Road,” live (TV Broadcast), c. 1964
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lagniappe
my back pages
Thirty-five years ago tonight—how could I possibly begin a sentence “thirty-five years ago tonight” and be referring to something that happened when I was, at least nominally, an adult? Well, this actually happened that night so I guess it must be possible. On that cold, clear January night, at a small church thirty miles north of Chicago, Suzanne and I were married. Yes, there was music. Tenor saxophonist Von Freemanand pianist John Young (now gone) played before and after the ceremony. The processional was Duke Ellington’s“In a Sentimental Mood,” played by Von alone. What did all this sound like? Thanks to my friend (and ace recording engineer) James C. Moore, these sounds can be heard, thirty-five years later, here (M4A—give it a few seconds).