Gospel groups are hard to beat when it comes to longevity. This one got started, in Canton, Mississippi, in 1943. One of the founding members, Harvey Watkins, Sr., is featured here. He passed away in 1994; his son, lead singer Harvey Watkins, Jr., carries on today.
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lagniappe
reading table
my child’s rice cakes
my child’s rice cakes . . .
all in a row
—Kobayashi Issa, 1813 (translated from Japanese by David G. Lanoue)
“Until I Die,” Pilgrim Rest Baptist Church, Winston-Salem, N.C., 2001
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lagniappe
reading table
On the Death of Friends in Childhood
We shall not ever meet them bearded in heaven,
Nor sunning themselves among the bald of hell;
If anywhere, in the deserted schoolyard at twilight,
Forming a ring, perhaps, or joining hands
In games whose very names we have forgotten.
Come, memory, let us seek them there in the shadows.
—Donald Justice (Collected Poems, 2004)
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“[We find] it impossible, when we have to analyze death, to imagine it in terms other than those of life.”
—Marcel Proust, The Fugitive (translated from French by Peter Collier)
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listening room: (some of) what’s playing
• The Dirtbombs, Ultraglide In Black (In the Red Records)
• Wild Flag (Merge Records)
• That’s What They Want: The Best of Jerry McCain (Excello)
• The Best of Slim Harpo (Hip-O)
• Ambrose Akinmusire, When the Heart Emerges Glistening (Blue Note)
• Lester Bowie’s Brass Fantasy, I Only Have Eyes For You (ECM)
• Anthony Braxton, 9 Compositions (Iridium)
• Chicago Tentet, American Landscapes 1 & 2 (Okka)
• Steve Lehman Octet, Travail, Transformation, and Flow (Pi Recordings)
• Joe McPhee, Nation Time (Unheard Music Series)
• Weasel Walter, Mary Halvorson, Peter Evans, Electric Fruit (Thirsty Ear)
• J. Berg’s Royal Rarities Vols. 2-3; A Cappella Archives, Vol. 3; Gospel Goldies, Vol. 2 (Rare Gospel)
• The Fisk Jubilee Quartet, There Breathes A Hope (Archeophone)
• This May Be My Last Time Singing: Raw African-American Gospel On 45 RPM 1957-1982 (Tompkins Square)
• Bach, Suites for Unaccompanied Cello, Pierre Fournier, (Archiv Production/DG)
• Mozart, Piano Sonatas Nos. 16 and 17, Peter Serkin, piano (Pro Arte)
• Arnold Schoenberg, Das Klavierwerk, Peter Serkin, piano (Arcana)
• The Art of Joseph Szigeti (Biddulph Recordings)
• Anton Webern, Five Movements For String Quartet, Op. 5; Six Bagatelles For String Quartet, Op. 9; String Quartet, Op. 28; Quartetto Italiano (Philips)
• Anton Webern, Complete Works for String Quartet and String Trio, Artis Quartet Wien (Nimbus)
• Music of Stefan Wolpe, Vol. 6, David Holzman, piano (Bridge)
—Bird Flight (Phil Schaap, jazz [Charlie Parker])
—Traditions in Swing (Phil Schaap, jazz)
—Eastern Standard Time (Carter Van Pelt, Jamaican music)
—Rag Aur Taal (various, Indian)
Tom Jones with Mark Knopfler (guitar), TV performance, 1996
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lagniappe
musical thoughts
I don’t think I ever recorded anyone who was better as a singer, writer, and player than Charlie Rich. It is all so effortless, the way he moves from rock to country to blues to jazz.
I thought that you were an anchor in the drift of the world;
but no: there isn’t an anchor anywhere.
There isn’t an anchor in the drift of the world. Oh no.
I thought you were. Oh no. The drift of the world.
—William Bronk,* “The World” (mp3 [Hudson Falls, NY, 1978], Selected Poems [1995])
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*Bronk, who died in 1999, was recently inducted, posthumously, into the ultra-exclusive MCOTD Hall of Fame, joining tenor saxophonist Von Freeman and poet Wislawa Szymborska.
Deep River Choir, Amiri Baraka (spoken words), David Murray (tenor saxophone), “Oh Freedom,” live
One reason this works so well is that none of the participants—not the singers, not Amiri Baraka, not David Murray—tries to take the performance over. How refreshing, and inspiring, in an age whose motto seems to be “look at me,” to come across folks so intent on serving—not dominating—a performance.
random thoughts: Marcel Proust (or is it Samuel Beckett?) on Opening Day
You look forward to it like a birthday party when you’re a kid. You think something wonderful is going to happen.
Actually, it’s Joe DiMaggio. But for Joltin’ Joe, like Marvelous Marcel and Slammin’ Sammy, life consists largely of “look[ing] forward” to things, “wonderful” things—things that seldom, if ever, actually “happen.” Just ask the Cubs: going into the eighth inning of Thursday’s opener, they were winning 1-0; they lost 2-1.
Willie Neal Johnson & The Gospel Keynotes
“Just For Me,” live
“Well, all right?” Gospel singers often follow a song, immediately, with a question. This opens a performance up, welcoming anyone who wants to come in, believer or not.
Slim and the Victory Aries, live, Paducah, Kentucky, c. 2008
“Alright Now”
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“Shoes”
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lagniappe
musical thoughts
[I]n the African-American gospel tradition, the music is the liturgy. . . . If Jesus spoke in parables because it was hard, otherwise, for him to make clear what he intended, gospel music has a similar form, a parabolic form, as if to suggest: what we want you to know about God is in the shape of this statement, in the experience of singing this music and listening to this music. If you can be transported here, inside the church, by this music, you can be transported out there.