Tuesday, August 27th
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O.V. Wright (1939-1980)
“God Blessed Our Love,” “When A Man Loves A Woman,” live, Japan, 1979
*****
“I’d Rather Be Blind, Crippled, And Crazy” (Back Beat, 1973)
*****
“A Nickel And A Nail” (Back Beat, 1975)
more
O.V. Wright (1939-1980)
“God Blessed Our Love,” “When A Man Loves A Woman,” live, Japan, 1979
*****
“I’d Rather Be Blind, Crippled, And Crazy” (Back Beat, 1973)
*****
“A Nickel And A Nail” (Back Beat, 1975)
old school
O.V. Wright (1939-1980), “Into Something (Can’t Shake Loose)”
Live, Japan, 1979
*****
No other soul singer—not Otis Redding, not Al Green, no one—gives me such chills.
Stevie Wonder with Prince, “Superstition” (S. Wonder), live, Paris, 2010
Not many stars would handle this the way Prince does. Actually, what’s most impressive is what he doesn’t do. Given a guitar solo, he doesn’t try to steal the show—or even draw attention. Instead, he feeds the groove.
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lagniappe
reading table
Sophistication is upscale conformity.
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What is more yours than what always holds you back?
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The heart is a small, cracked cup, easy to fill, impossible to keep full.
—James Richardson, “Even More Aphorisms and Ten-Second Essays from Vectors 3.0” (excerpts)
can’t wait: Chicago Jazz Festival, 8/29-9/1
Wadada Leo Smith, trumpet (8/30), Louis Moholo, drums, Steve Noble, drums, live, London, 2010
#1
#2
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lagniappe
reading table
What a glut of books! Who can read them?
—Robert Burton, The Anatomy of Melancholy (1621)
can’t wait: Chicago Jazz Festival, 8/29-9/1
Hamid Drake, drums (artist-in-residence at this year’s festival) and Pasquale Mirra, vibraphone, live, Sardinia (Osilo), 2012
#1
#2
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lagniappe
reading table
In this mortal frame of mine, which is made of a hundred bones and nine orifices, there is something, and this something can be called, for lack of a better name, a wind-swept spirit, for it is much like thin drapery that is torn and swept away by the slightest stirring of the wind.
—Matsuo Basho (1644-1694), “The Records of a Travel-Worn Satchel” (excerpt, translated from Japanese by Noboyuki Yuasa)
sounds of Mali
Tired of having your feet on the ground?
Salif Keita, live, Netherlands (Hertme), July 6th
“A Demain”
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“Yamore”
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“Madan”
There are all kinds of blues, too.
Joe McPhee Survival Unit 3 (JM, alto saxophone; Fred Lonberg-Holm, cello; Michael Zerang, drums), live, London, 2010
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lagniappe
reading table
Dream Song 40
By John Berryman (1914-1972)I’m scared a lonely. Never see my son,
easy be not to see anyone,
combers out to sea
know they’re goin somewhere but not me.
Got a little poison, got a little gun,
I’m scared a lonely.I’m scared a only one thing, which is me,
from othering I don’t take nothin, see,
for any hound dog’s sake.
But this is where I livin, where I rake
my leaves and cop my promise, this’ where we
cry oursel’s awake.Wishin was dyin but I gotta make
it all this way to that bed on these feet
where peoples said to meet.
Maybe but even if I see my son
forever never, get back on the take,
free, black & forty-one.
Back in the ’70s, when I was in college, I heard John Berryman read his poetry, an experience that opened my ears and mind in all kinds of ways. He moved so swiftly, and gracefully, from one register to another, leaping back and forth between high and low as if nothing could be more natural. Today he joins a select group—tenor saxophonist Von Freeman, trumpeter Lester Bowie, singer Dorothy Love Coates, poets Wislawa Szymborska and William Bronk—in the MCOTD Hall of Fame.
old school
Stevie Wonder, live (TV show), Germany, 1974
It doesn’t take long, sometimes, to realize how strong something is. With this, for instance, I could listen all day, happily, to a loop of the first ninety seconds.
last night
I heard these guys at a small Chicago club (Hideout)—what a storm.
Peter Brötzmann (reeds), Ken Vandermark (reeds), Hamid Drake (drums), Chad Taylor (drums), live, Slovenia (Ljubljana), 7/3/13
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lagniappe
musical thoughts
When our minds are filled with music, they’re free of everything else.
passings
J.J. Cale, singer, songwriter, guitarist, December 5, 1938-July 26, 2013
Today, remembering him, we revisit an earlier post.
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What was it like growing up in the 1950s in the lonesome state of Oklahoma?
Leon Russell knows.
So does this guy.
J.J. Cale (with Eric Clapton), “After Midnight” (J. Cale), live, Dallas, 2004
Who supplies the juice here?
It ain’t the guitar god from England.
It’s the grizzled guitar player from the state with the funny shape (:38-1:12, 1:41-44, 2:14-48, 3:36-50, 4:20-44).
(Originally posted 11/1/10.)