Hamid Drake, drums (artist-in-residence at this year’s festival) and Pasquale Mirra, vibraphone, live, Sardinia (Osilo), 2012
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lagniappe
reading table
In this mortal frame of mine, which is made of a hundred bones and nine orifices, there is something, and this something can be called, for lack of a better name, a wind-swept spirit, for it is much like thin drapery that is torn and swept away by the slightest stirring of the wind.
—Matsuo Basho (1644-1694), “The Records of a Travel-Worn Satchel” (excerpt, translated from Japanese by Noboyuki Yuasa)
Joe McPhee Survival Unit 3 (JM, alto saxophone; Fred Lonberg-Holm, cello; Michael Zerang, drums), live, London, 2010
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lagniappe
reading table
Dream Song 40
By John Berryman (1914-1972)
I’m scared a lonely. Never see my son,
easy be not to see anyone,
combers out to sea
know they’re goin somewhere but not me.
Got a little poison, got a little gun,
I’m scared a lonely.
I’m scared a only one thing, which is me,
from othering I don’t take nothin, see,
for any hound dog’s sake.
But this is where I livin, where I rake
my leaves and cop my promise, this’ where we
cry oursel’s awake.
Wishin was dyin but I gotta make
it all this way to that bed on these feet
where peoples said to meet.
Maybe but even if I see my son
forever never, get back on the take,
free, black & forty-one.
Back in the ’70s, when I was in college, I heard John Berryman read his poetry, an experience that opened my ears and mind in all kinds of ways. He moved so swiftly, and gracefully, from one register to another, leaping back and forth between high and low as if nothing could be more natural. Today he joins a select group—tenor saxophonist Von Freeman, trumpeter Lester Bowie, singer Dorothy Love Coates, poets Wislawa Szymborska and William Bronk—in the MCOTD Hall of Fame.
It doesn’t take long, sometimes, to realize how strong something is. With this, for instance, I could listen all day, happily, to a loop of the first ninety seconds.
Yesterday, a perfect summer day, walking in the woods with my son’s dog Roscoe, I was reminded, repeatedly, that the thing about nature—the thing that makes an experience like this fundamentally different from, say, sitting in my living room reading a book—is this: it’s buggy.
D’Angelo (with Questlove, drums; Pino Palladino, bass; Kuumba Frank Lacy, trombone, trumpet; Chalmers “Spanky” Alford, guitar; Anthony Hamilton, vocals, et al.), live, Switzerland (Montreux Jazz Festival), 2000
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lagniappe
musical thoughts
No stage anywhere in the world can compare with the one that exists in the imagination. Where else can you find Jimi Hendrix jamming with Miles Davis? Sam Cooke singing with Smokey Robinson? Sly Stone taking everybody higher with Sun Ra?