Passed over, again, for a MacArthur “genius” grant? Me, too. This guy, though, has reason—625,000 reasons—to celebrate.
Steve Coleman and Five Elements,* live, Switzerland (Cully Jazz Festival), 2013
Steve Coleman took up the alto saxophone when he was a freshman at South Shore High School and within a few years inevitably was drawn into the orbit of one of Chicago’s greatest jazzmen: Von Freeman.
It was Freeman, a tenor saxophone giant who died two years ago at age 88, who welcomed Coleman into the rigors of the jazz life, setting him on a course that has led to Coleman winning one of America’s most prestigious and lucrative arts awards, a MacArthur Fellowship. Like each recipient, Coleman will receive a total of $625,000, dispensed quarterly over the next five years, from the Chicago-based John D. and Catherine T. MacArthur Foundation.
“I realized that (Freeman) is a major player, and he’s right here in the neighborhood,” recalls Coleman, who lives in Allentown, Pa., but always has considered himself a product of musical Chicago.
“He’s somebody I consider one of my mentors, but the rest of the city too. There were a lot of local players I was into,” adds Coleman, citing especially altoist Bunky Green. “Even the blues scene. I’d go to Theresa’s and the Checkerboard — everything about the city influenced me, but mainly the South Side.”
*SC (1957-), alto saxophone; Jonathan Finlayson, trumpet; Anthony Tidd, bass; Sean Rickman, drums.
tonight in Chicago
These guys will be at the Hideout, as will I.
Survival Unit III (Joe McPhee, tenor saxophone, pocket trumpet; Fred Lonberg-Holm, cello; Michael Zerang, drums), live, Denmark (Copenhagen), 2013
I could live a thousand years and never tire of going out in the dark to hear music.
**********
lagniappe
art beat: Monday at the Art Institute of Chicago (brief stop after lunch)
Josef Koudelka (1938-), Slovakia, 1963 (from Gypsies)
Nationality Doubtful, through September 21st
passings
Joe Sample, keyboard player, composer, February 1, 1939-September 12, 2014
Digable Planets with guests Lester Bowie (trumpet), Melvin “Wah Wah Watson” Ragin (guitar), Joe Sample (keyboards), “Flyin’ High in the Brooklyn Sky,” live, New York, 1990s
As much as I love Lester, a MCOTD Hall-of-Famer, this performance could get along without him. Same with Wah Wah Watson. Not Joe—he makes everybody sound better.
**********
lagniappe
random thoughts
Life doesn’t end; it stops.
David T. Little (1978-), Haunt of Last Nightfall; Third Coast Percussion, live
**********
lagniappe
musical thoughts
It’s not hard to imagine a world where the different kinds of music could be counted. Maybe there’d be 49, or 94, or 949. Thank God, or whatever, we don’t live there.
Following up on Friday’s post, here are a couple more early favorites.
*****
October 15, 2009
How to be both solid and fluid, both fat and delicate. How to make the beat breathe. These are things that, as a child, Philly Joe Jones began to learn while dancing—tap-dancing. Just watch the way Thelonious Monk, listening to this solo, rocks back and forth (1:25-1:50), as if he’s about to break into a little dance himself.
Philly Joe Jones, live (with Thelonious Monk), 1959
*****
October 3, 2009
Here are two New Orleans drummers who embrace the Muhammad Ali aesthetic: float like a butterfly (0:56-1:58, etc.), sting like a bee (1:59, etc.).
Dwayne Williams (bass drum) and Jason Slack (snare), live (before a gig), Hudson, New York, 2007
composer, n. somebody who wants to hear sounds nobody’s ever heard before.
Mario Diaz de León (1979-), Prism Path; International Contemporary Ensemble (ICE),* live, New York, 2011
*****
*Claire Chase, flutes; Eric Lamb, flutes; Joshua Rubin, clarinets; Cory Smythe, piano; Nathan Davis, percussion; Mario Diaz de León, electronics.
summer in the (small) city
Tom Harrell Colors of a Dream,* live, Iowa City, 7/5/14
*****
*Tom Harrell, trumpet; Jaleel Shaw, alto saxophone; Wayne Escoffery, tenor saxophone; Esperanza Spalding, bass, vocals; Uganna Okegwo, bass; Jonathan Blake, drums.
Drums, voice, piano—who needs more?
Fiona Apple, “Hot Knife,” 2013 (video)
sounds of Chicago & Norway & the Netherlands
Who needs coffee?
Lean Left (Ken Vandermark, reeds [Chicago]; Paal Nilssen-Love, drums [Norway]; Andy Moers & Terrie Hessels, guitars [Netherlands]), live, Belgium (Brussels), 2014
#1
#2
#3
#4
**********
lagniappe
musical (& other) thoughts
Ken Vandermark has a lot of interesting things to say about improvised music and life as a musician, about politics and movies and journalism and New York, as you can hear in this podcast-interview.