David T. Little (1978-), Haunt of Last Nightfall; Third Coast Percussion, live
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lagniappe
musical thoughts
It’s not hard to imagine a world where the different kinds of music could be counted. Maybe there’d be 49, or 94, or 949. Thank God, or whatever, we don’t live there.
Following up on Friday’s post, here are a couple more early favorites.
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October 15, 2009
How to be both solid and fluid, both fat and delicate. How to make the beat breathe. These are things that, as a child, Philly Joe Jones began to learn while dancing—tap-dancing. Just watch the way Thelonious Monk, listening to this solo, rocks back and forth (1:25-1:50), as if he’s about to break into a little dance himself.
Philly Joe Jones, live (with Thelonious Monk), 1959
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October 3, 2009
Here are two New Orleans drummers who embrace the Muhammad Ali aesthetic: float like a butterfly (0:56-1:58, etc.), sting like a bee (1:59, etc.).
Dwayne Williams (bass drum) and Jason Slack (snare), live (before a gig), Hudson, New York, 2007
Lean Left (Ken Vandermark, reeds [Chicago]; Paal Nilssen-Love, drums [Norway]; Andy Moers & Terrie Hessels, guitars [Netherlands]), live, Belgium (Brussels), 2014
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lagniappe
musical (& other) thoughts
Ken Vandermark has a lot of interesting things to say about improvised music and life as a musician, about politics and movies and journalism and New York, as you can hear in thispodcast-interview.
Albert Collins (1932-1993), “Cold, Cold Feeling,” live, Switzerland (Montreux Jazz Festival), 1979
Nobody sounds like this guy, whose 1978 album Ice Pickin’, recorded at Curtis Mayfield’s studio in Chicago and nominated for a Grammy, I’m happy to say I co-produced.