Friday, December 5th
only rock ‘n’ roll
Ajax, live, Boston, 2014
only rock ‘n’ roll
Ajax, live, Boston, 2014
sounds of New York (day two)
Here, as in the city itself, density and spaciousness coexist.
Tim Berne’s Cornered,* “Embraceable Me,” live, New York, 10/12/14
*TB, alto saxophone; Oscar Noriega, clarinets; Ryan Ferreira, guitar; Matt Mitchell, piano; Michael Formanek, bass; Ches Smith, drums, vibraphone.
If I wanted to listen in on a conversation in a language I already know, I could go to Starbucks.
Christian Wolff (1934-), Pulse (1998); Jens Bracher (trumpet) & Julian Belli (percussion), live, Germany (Mannheim), 2011
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lagniappe
reading table
The Idea
by Mark Strand (April 11, 1934-November 29, 2014)For us, too, there was a wish to possess
Something beyond the world we knew, beyond ourselves,
Beyond our power to imagine, something nevertheless
In which we might see ourselves; and this desire
Came always in passing, in waning light, and in such cold
That ice on the valley’s lakes cracked and rolled,
And blowing snow covered what earth we saw,
And scenes from the past, when they surfaced again,
Looked not as they had, but ghostly and white
Among false curves and hidden erasures;
And never once did we feel we were close
Until the night wind said, “Why do this,
Especially now? Go back to the place you belong;”
And there appeared , with its windows glowing, small,
In the distance, in the frozen reaches, a cabin;
And we stood before it, amazed at its being there,
And would have gone forward and opened the door,
And stepped into the glow and warmed ourselves there,
But that it was ours by not being ours,
And should remain empty. That was the idea.
passings
Bunny Briggs, tap dancer, February 26, 1922-November 15, 2014
Duke Ellington Orchestra with Bunny Briggs (dance) and Jon Hendricks (vocal), “David Danced Before the Lord with All His Might,” live (A Concert of Sacred Music), San Francisco (Grace Cathedral), 1965
*****
And David danced before the Lord with all his might . . .
—2 Samuel 6:14 (King James)
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lagniappe
art beat
Robert Frank (1924-), Funeral—St. Helena, South Carolina, 1955
only rock ‘n’ roll
Couldn’t make it to Paris? (Me neither.)
St. Vincent, live, Paris, 10/31/14
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lagniappe
reading table
Most of the time I think of the self as a snare, and I don’t like being trapped in it. I try to reach out beyond my pittance of experience and connect to the world, but it turns out one way to do that is to be honest and accurate about my own life. I’m not convinced the personal is all that unique, anyway. It sometimes seems immoderate to claim really exceptional personal experiences, even though some of those experiences, particularly the painful ones, leave you with the worst feelings of isolation, feelings that have all the character of an absolutely individual, completely unprecedented experience—but you always find out that you aren’t alone. There are others, lots of others.
—Charles D’Ambrosio, email interview, New Yorker blog, 11/26/14
Thankful I am, too, for the unruly pleasures of rock ‘n’ roll.
Flamin’ Groovies, “Shake Some Action,” 1976
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lagniappe
musical thoughts
The story told in “Shake Some Action” is complete in its title—though in the song it’s a wish, not a fact, a desperate wish the singer doesn’t expect to come true. The words hardly matter: “Need” “Speed” “Say” “Away” are enough. It starts fast, as if in the middle of some greater song. A bright, trebly guitar counts off a theme, a beat is set, a bass note seems to explode, sending a shower of light over all the notes around it. The rhythm is pushing, but somehow it’s falling behind the singer. He slows down to let it catch up, and then the sound the guitar is making, a bell chiming through the day, has shot past both sides. Every beat is pulling back against every other; the whole song is a backbeat, every swing a backhand, every player his own free country, discovering the real free county in the song as it rises up in front of him, glimpsing that golden land, losing it as the mirage fades, blinking his eyes, getting it back, losing it again—that is its reckless abandon, the willingness of the music, in pursuit of where it needs to go, where it must go, to abandon itself.
—Greil Marcus, The History of Rock ‘n’ Roll in Ten Songs (2014)
tonight in Chicago
These guys will be playing at Constellation.
Frode Gjerstad Trio (FG, reeds; Jon Rune Strøm, bass; Paal Nilssen-Love, drums)
Live, Poland (Poznan), 2012
***
Live, New York, 2012
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lagniappe
random thoughts
What’s surprising isn’t that we die: it’s that we live.
four takes
“Lulu’s Back In Town” (A. Dubin, H. Warren)
Fats Waller (studio recording), 1935
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Art Tatum (live), 1935
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Thelonious Monk (live, Paris; Charlie Rouse [tenor saxophone], Larry Gales [bass], Ben Riley [drums]), 1966
***
Jason Moran (live, New York [East Village apt.]), 2011
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lagniappe
art beat
Helen Levitt (1913-2009), New York, c. 1940
sounds of Niger
Group Inerane, live, Scotland (Glasgow), 2011
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lagniappe
art beat: yesterday afternoon, Rito y Recuerdo: Day of the Dead, National Museum of Mexican Art (1852 W. 19th St., Chicago; through December 14th)
*****
onstage: last night, Happy Days (Samuel Beckett), Theatre Y (2649 N. Francisco Ave., Chicago; through November 23rd)
Sometimes I hear sounds. But not often. They are a boon, sounds are a boon, they help me . . . through the day. The old style! Yes, those are happy days, when there are sounds. When I hear sounds.
—Winnie