music clip of the day

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Category: drums

Saturday, 2/25/12

only rock ’n’ roll

flashback, n. 1. An unexpected recurrence of the effects of a hallucinogenic drug long after its original use. 2A vivid memory that arises spontaneously or is provoked by an experience. 3An experience that has characteristics of an earlier experience. 

Rubble, live, Austin (Room 710), c. 2005

Thursday, 2/23/12

street music

Hypnotic Brass Ensemble, New York, 2007

#1 (“Ballicki Bone”)

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#2

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#3

The horn players—all eight of them—are sons of Sun Ra Arkestra trumpeter and AACM (Association for the Advancement of Creative Musicians) cofounder Phil Cohran.

Wednesday, 2/22/12

old stuff

Jimmie Lunceford and his Dance Orchestra, “Rhythm Coming to Life Again,” “Rhythm Is Our Business,” “You Can’t Pull the Wool Over My Eyes,” “Moonlight on the Ganges,” “Nagasaki,” “Jazznochracy,” 1936

More? Here.

Tuesday, 2/21/12

Some places actually exist because they could never be imagined.

Treme Sidewalk Steppers Second Line, Rebirth Brass Band (with guest Troy “Trombone Shorty” Andrews, trumpet), New Orleans, 2/1/09

Happy Mardi Gras!

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lagniappe

Mardi Gras in New Orleans (with Arthur Hardy)

Saturday, 2/18/12

 passings

In?

Out?

No matter—he played it all.

Jodie Christian, February 2, 1932-February 13, 2012, Chicago-based pianist; cofounder, AACM (Association for the Advancement of Creative Musicians)

With Eddie Harris, tenor saxophone (Melvin Jackson, bass; Billy Hart drums), “Listen Here” (with a nod at the end to “Freedom Jazz Dance”), live, Montreux, 6/20/1969

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With Roscoe Mitchell, soprano saxophone (Malachi Favors, bass, et al.), live, Chicago, 1984

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lagniappe

reading table

A dead beetle lies on the path through the field.
Three pairs of legs folded neatly on its belly.
Instead of death’s confusion, tidiness and order.
The horror of this sight is moderate,
its scope is strictly local, from the wheat grass to the mint.
The grief is quarantined.
The sky is blue.

To preserve our peace of mind, animals die
more shallowly: they aren’t deceased, they’re dead.
They leave behind, we’d like to think, less feeling and less world,
departing, we suppose, from a stage less tragic.
Their meek souls never haunt us in the dark,
they know their place,
they show respect.

And so the dead beetle on the path
lies unmourned and shining in the sun.
One glance at it will do for meditation—
clearly nothing much has happened to it.
Important matters are reserved for us,
for our life and our death, a death
that always claims the right of way.

—Wislawa Szymborska, “Seen From Above,” (translated from Polish by Stanislaw Baranczak and Clare Cavanagh)

Friday, 2/17/12

Blues is a big tent. Over here is Slim Harpo (“I’m A King Bee,” 2:18-). And over there are the Stooges (“I Wanna Be Your Dog,” 4:48-).

Alejandro Escovedo, live, Austin (Continental Club), 11/29/11
With guests Marc Ribot & David Hidalgo (guitars)

More Alejandro Escovedo? Here. And here.

Marc Ribot? Here. And here. And here. And here. And here.

David Hidalgo? Here.

Wednesday, 2/15/12

the ecstatic impulse

Pharoah Sanders, tenor saxophonist, composer, bandleader, 1940-

“You’ve Got To Have Freedom” (P. Sanders)

Take 1: Live (with William Henderson, piano; James Leary, bass; Kharon Harrison, drums), Los Angeles, 2011

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Take 2: Live (with John Hicks, piano; Walter Booker, bass; Idris Muhammad, drums), Los Angeles, 1981 (Live [Evidence])

More? Here.

Jazz, R&B, gospel—listening to him you’re reminded, again, that they all come from the same place.

Tuesday, 2/14/12

two takes

“La-La (Means I Love You)” (T. Bell & W. Hart)

Bill Frisell (guitar) with Tony Scherr (bass) & Kenny Wollesen (drums)
Live, Rochester (NY), 2007

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The Delfonics, 1968

(First clip originally posted 5/28/10.)

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lagniappe

reading table

And this disease which was Swann’s love had so proliferated, was so closely entangled with all his habits, with all his actions, with his thoughts, his health, his sleep, his life, even with what he wanted after his death, it was now so much a part of him, that it could not have been torn from him without destroying him almost entirely: as they say in surgery, his love was no longer operable.

—Marcel Proust, Swann’s Way (translated from French by Lydia Davis)

Monday, 2/13/12

There are all kinds of love songs.

Sonny Boy Williamson II (AKA Aleck [or Alex] “Rice” Miller), “Your Funeral and My Trial,” live, Europe, 1960s

More? Here.

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lagniappe

reading table

Moonlight in the kitchen is a sign of God.

—Anne Carson, “God’s Work” (excerpt)

Friday, 2/10/12

only rock ’n roll

Terry Malts (Phil Benson, vocals, bass; Corey Cunningham, guitar; Nathan Sweatt, drums), “Nauseous,” “Something About You,” 2012

Vodpod videos no longer available.