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Category: drums

Wednesday, 4/4/12

Welcome to the maelstrom.

Miles Davis Group,* live, Berlin, 1973

Part 1: Turnaroundphrase

***

Part 2: Turnaroundphrase, cont.; Tune in 5

*MD, trumpet; David Liebman, saxophone; Pete Cosey, guitar, percussion; Reggie Lucas, guitar; Michael Henderson, bass; Al Foster, drums; Mtume, percussion.

**********

lagniappe

reading table

Last night as I was sleeping,
I dreamt—marvelous error!—
that a spring was breaking
out in my heart.
I said: Along which secret aqueduct,
Oh water, are you coming to me,
water of a new life
that I have never drunk?

Last night as I was sleeping,
I dreamt—marvelous error!—
that I had a beehive
here inside my heart.
And the golden bees
were making white combs
and sweet honey
from my old failures.

Last night as I was sleeping,
I dreamt—marvelous error!—
that a fiery sun was giving
light inside my heart.
It was fiery because I felt
warmth as from a hearth,
and sun because it gave light
and brought tears to my eyes.

Last night as I slept,
I dreamt—marvelous error!—
that it was God I had
here inside my heart.

—Antonio Mochado (1875-1939), “Last Night As I Was Sleeping” (translated from Spanish by Robert Bly)

Tuesday, 4/3/12

One singer’s garbage is another’s gold.

Nina Simone, “Ain’t Got No/I Got Life” (adapted from Hair)
Live, New York (Harlem Cultural Festival), 1969

More? Here. And here.

**********

lagniappe

yesterday

Listening to the radio, where they were talking about post-war modernist architecture, I learned a new term for people my age: “mid-century.”

Monday, 4/2/12

When we last saw Miles, playing in Germany in 1967, he was wearing a suit and tie. Here, two years later, his wardrobe is headed in a new direction. So is his music.

Miles Davis Quintet,* live, France (Antibes), 1969
“Milestones,” “Footprints,” “’Round Midnight”

*MD, trumpet; Wayne Shorter, tenor and soprano saxophones; Chick Corea, electric piano; Dave Holland, bass; Jack DeJohnette, drums.

Sunday, 4/1/12

Willie Neal Johnson & The Gospel Keynotes
“Just For Me,” live

“Well, all right?” Gospel singers often follow a song, immediately, with a question. This opens a performance up, welcoming anyone who wants to come in, believer or not.

Saturday, 3/31/12

 passings

Jerry McCain, singer, songwriter, harmonica player
June 18, 1930-March 28, 2012

These tracks were recorded, in the mid-1950s, as demos in Jerry’s living room in Gadsden, Alabama, using a single microphone and a one-track home tape recorder.

“Geronimo Rock ’n’ Roll”

***

“Rock ’n’ Roll Ball”

***

“A Cutie Named Judy”

***

“Bell In My Heart”

Friday, 3/30/12

only rock ’n’ roll

The Cramps, live
California State Mental Hospital (Napa), 1978

Wednesday, 3/21/12

career plans for the next life

If none of the other things I’ve mentioned pan out (tap dancer, rubboard player, reggae bassist), I might take a stab at playing guitar in a Malian band.

Salif Keita & Band, live, Germany (Leverkusener), 2010

Part 1

***

Part 2

***

Part 3

More? Here. And here.

**********

lagniappe

reading table

a glimpse of moon
over my home village . . .
then clouds

—Kobayashi Issa, 1807 (translated from Japanese by David G. Lanoue)

*****

taking a break

I’m going to take a little break—back soon.

Saturday, 3/17/12

Listening to this is like surfing: the trick is to catch a wave and ride it.

Charles Gayle Trio,* live, New York (Knitting Factory), 1996

Part 1

***

Part 2

***

Part 3

***

Part 4

More? Here.

*Charles Gayle (piano, tenor saxophone), Gerald Benson (bass), Gerald Cleaver (drums).

Friday, 3/16/12

only rock ’n’ roll

What’s old is new again.

Alabama Shakes, live
Pegasus Records, Florence, Alabama, 8/21/11

“I Found You”

***

“Hold On”

**********

lagniappe

Just Like Being There (2012)

Thursday, 3/15/12

Too much beauty in your life?

Well, I guess you can skip this.

Shivkumar Sharma, santoor
Hariprasad Chaurasia, bansuri (bamboo flute)
Raga Bhoopali, live, India (Mumbai), 1995 (music begins at 3:55)

More Pandit Sharma? Here.

More Pandit Chaurasia? Here.

**********

lagniappe

reading table

Sorrow everywhere. Slaughter everywhere. If babies
are not starving someplace, they are starving
somewhere else. With flies in their nostrils.
But we enjoy our lives because that’s what God wants.
Otherwise the mornings before summer dawn would not
be made so fine. The Bengal tiger would not
be fashioned so miraculously well. The poor women
at the fountain are laughing together between
the suffering they have known and the awfulness
in their future, smiling and laughing while somebody
in the village is very sick. There is laughter
every day in the terrible streets of Calcutta,
and the women laugh in the cages of Bombay.
If we deny our happiness, resist our satisfaction,
we lessen the importance of their deprivation.
We must risk delight. We can do without pleasure,
but not delight. Not enjoyment. We must have
the stubbornness to accept our gladness in the ruthless
furnace of this world. To make injustice the only
measure of our attention is to praise the Devil.
If the locomotive of the Lord runs us down,
we should give thanks that the end had magnitude.
We must admit there will be music despite everything.
We stand at the prow again of a small ship
anchored late at night in the tiny port
looking over to the sleeping island: the waterfront
is three shuttered cafés and one naked light burning.
To hear the faint sound of oars in the silence as a rowboat
comes slowly out and then goes back is truly worth
all the years of sorrow that are to come.

—Jack Gilbert, “A Brief for the Defense” (Collected Poems, 2012)