Monday, November 16th
Sounds for a strange, scary, sad world.
Georg Friedrich Haas (1953-), String Quartet No. 8 (2014); JACK Quartet
Sounds for a strange, scary, sad world.
Georg Friedrich Haas (1953-), String Quartet No. 8 (2014); JACK Quartet
Claude Debussy (1862-1918), Preludes, Book 1, Nos. 1-7, 9-11; Sviatoslav Richter (1915-1997), piano, live
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I am not a complete idiot, but whether from weakness or laziness have no talent for thinking. I know only how to reflect: I am a mirror . . . Logic does not exist for me. I float on the waves of art and life and never really know how to distinguish what belongs to the one or the other or what is common to both. Life unfolds for me like a theatre presenting a sequence of somewhat unreal sentiments; while the things of art are real to me and go straight to my heart.
Why not begin the week with something beautiful?
Claude Debussy (1862-1918), Preludes, Book 1, No. 2 (“Voiles”); Arturo Benedetti Michelangeli (1920-1995), piano, live (studio performance)
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lagniappe
musical thoughts
When he plays something it sounds like he’ll never play it again.
—Miles Davis, speaking of Arturo Benedetti Michelangeli
(I’m taking a break—back in a while.)
3n
Gyorgy Ligeti (1923-2006), Trio for Violin, Horn, and Piano (1982); Tomas Major (violin), Zora Sloka (horn), Denes Varjon (piano), 2009
#1
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#2
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lagniappe
reading table
This World is not conclusion.
—Emily Dickinson (1830-1886), #373 (Franklin)
tonight in Chicago
These folks will be playing at Curtiss Hall.
Christopher Fisher-Lochhead (1984-), Dig Absolutely (2010); Spektral Quartet, live, Evanston, Ill., 2011
Some music you listen to—some you inhabit.
John Luther Adams (1953-), Red Arc/Blue Veil (2001); Kirsten Volness (piano), Nick Gleason (percussion), live (studio performance), New York, 2014
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lagniappe
random sights
yesterday, Oak Park, Ill.
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road to the World Series
[W]hen we’re playing these games that are very meaningful in September and October, I want them to go out there and play the game as though it were March 15, June 15, August 15 and then hopefully October 15. Don’t ever change the way you play the game.
Sometimes it’s enough—more than enough—to be beautiful.
Frederic Chopin (1810-1849), Nocturne in B-flat minor (Op. 9, No. 1); Artur Rubinstein (1887-1982), piano
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lagniappe
road to the World Series
Don’t ever let the pressure exceed the pleasure.
Once I enter this world, I never want to leave.
Morton Feldman (1926-1987), For Philip Guston (1984); Either/OR (Richard Carrick, piano/celesta; Margaret Lancaster, flutes; David Shively, percussion), live, Philadelphia, 2015