passings
Pierre Boulez, composer, conductor, March 16, 1925-January 5, 2016
Dérive 2 (P. Boulez), Ensemble Intercontemporain (Pierre Boulez, cond.), live
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Pierre Boulez, who has died aged 90, was arguably the single dominant figure of the classical musical world through the second half of the 20th century and beyond.
—The Guardian obituary, 1/6/16
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Johann Sebastian Bach (1685-1750), Goldberg Variations
Andras Schiff (piano), live
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lagniappe
radio
WKCR‘s Bach Festival concludes at midnight.
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reading table
Nobody does letters to the editor like the Brits. Here, for instance, is how one begins in the December 17th issue of the London Review of Books:
I hesitate to disagree with my brother, David Matthews, about the order of the middle movements of Mahler’s Sixth Symphony, but we have long held opposing views, mine being that the scherzo should come third (Letters, 3 December). . . .
Colin Matthews
London SW 11
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random sights
yesterday, Chicago (Columbus Park)
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To all who’ve dropped by this year (from, I’m told, 120 countries): May you have a happy and peaceful new year.
Close your eyes . . .
John Luther Adams (1953-), . . . and bells remembered . . . (2005)
Callithumpian Consort, 2011
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lagniappe
reading table
aware of the sun
setting, the butterfly
flits away—Kobayashi Issa (1763-1827), translated from Japanese by David G. Lanoue
The only thing hard about listening to this is letting go of everything else.
John Luther Adams (1953-), Dream in White on White (1992); Virtuoso String Orchestra (Joaquin Valdepenas, cond.), Sanya Eng (harp), live, Toronto, 2014
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lagniappe
reading table
Barn’s burnt down—
now
I can see the moon.—Mizuta Masahide, 1657-1723 (translated from Japanese by Lucien Stryk and Takashi Ikemoto)
alone
Georg Friedrich Haas (1953-), Hommage a Steve Reich (1982)
Hans Ludemann (piano), live, Germany (Cologne), 2012
Each time I listen to this, it sounds different.
lucid, adj. translucent, pellucid, clear. E.g., Steve Reich’s Music for 18 Musicians.
Steve Reich (1936-), Music for 18 Musicians (1974-76)
Ensemble Intercontemporain with Synergy Vocals, live, Paris, 2014
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lagniappe
reading table
the door latch
rusting scarlet . . .
winter rain—Kobayashi Issa (1763-1827), translated from Japanese by David G. Lanoue
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random sights
this morning, Chicago (Columbus Park)
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Johann Sebastian Bach (1685-1750), The Art of Fugue (excerpts)
Glenn Gould (1932-1982), piano
Has anyone played Bach—or anything else—more searchingly?
Johann Sebastian Bach (1685-1750), Partita No. 4 in D major
Glenn Gould (1932-1982), piano
#1
#2
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lagniappe
reading table
Musicians wrestle everywhere –
—Emily Dickinson (1830-1886), #229 (Franklin)
This I turned to late yesterday afternoon, amidst darkness and rain and news of a neighbor’s terminal illness. I’ve been living with this piece for forty-some years, and it has never let me down—never failed, whatever the circumstances, to make life seem lighter, brighter, more porous, more spacious. Never.
Johann Sebastian Bach (1685-1750), Suite No. 1 in G major for Unaccompanied Cello; Mischa Maisky, cello
music clip of the day 