can’t wait
They’re playing Sunday afternoon at Chicago’s Symphony Center—Beethoven, Shostakovich, Franck, Kurtág.
Johannes Brahms (1833-1897), Scherzo (from F-A-E Sonata); Christian Tetzlaff (1966-, violin), Lars Vogt (1970-, piano), live, Germany (Bremen), 2015
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lagniappe
random sights
yesterday, Oak Park, Ill.
sounds of New York
Jason Kao Hwang (1957-), If We Live in Forgetfulness, We Die in a Dream (2011); Momenta Quartet, live, New York, 2012
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lagniappe
random sights
yesterday, Chicago (Columbus Park)
*****
reading table
If you have some photos of yourself when you were four or eight or twelve or fifteen, hold them up against the mirror. Are you the four-year-old, the eight-year-old, the fifteen-year-old, the twenty-five-year-old, or the one who is looking into the mirror, or all of them? If you are all of them, then by now you must be thousands of different people.
—Ayya Khema (1923-1997), Being Nobody, Going Nowhere: Meditations on the Buddhist Path (1987)
lucid, adj. clear, transparent, luminous. E.g., Víkingur Ólafsson playing Bach.
Johann Sebastian Bach (1685-1750), Aria variata (alla maniera italiana) in A minor; Víkingur Ólafsson (piano), live, Berlin, 2018
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lagniappe
random sights
yesterday, Oak Park, Ill.
*****
reading table
[B]y the latest count, there are 70 million persons displaced from their homes worldwide.
—J. M. Coetzee, “Australia’s Shame” (review of No Friend But the Mountains: Writing from Manus Prison by Behrouz Boochani), New York Review of Books, 9/26/19
sounds of the 14th century
Guillaume de Machaut (c. 1300-1377), Messe de Notre Dame (begins at 6:15; preceded by Introit [polyphonic chant]); Ensemble Gilles Binchois, live, France (Le Thoronet Abbey, Provence), published 2011
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lagniappe
reading table
Identity is made
of select experiences.***
If you are genuinely sick,
the leaves recedeand the flickering holes between them
come forward—not angels, but
unnamed objects—Rae Armantrout (1947-), from “Vultures” (Poetry, 10/19)
more sounds of Ukraine
Valentin Silvestrov (1937-), Requiem for Larissa (1997-1998, written for the composer’s wife); National Symphony Orchestra of Ukraine, National Academic Choir of Ukraine, live, Kiev, 2000
In this world of too much, too fast, too loud, something slow and deliberate can seem subversive.
,
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lagniappe
random sights
yesterday, Chicago