sounds of Paris
Toru Takemitsu (1930-1996), And then I knew ’twas Wind (1992); Ensemble Intercontemporain, live, Paris, 2017
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lagniappe
random sights
this morning, Oak Park, Ill.
*****
reading table
Like Rain it sounded till it curved
And then we knew “twas Wind –
It walked as wet as any Wave
But swept as dry as Sand –—Emily Dickinson (1830-1886), from 276 (Franklin)
Why not begin the week with one of the most beautiful—and moving—pieces I know?
Morton Feldman (1927-1986, MCOTD Hall of Fame), Rothko Chapel (1971); Markus Creed (cond.), SWR Vokalensemble (Vocal Ensemble), et al., live, Germany (Cathedral of Speyer, Schwetzinger), 2017
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lagniappe
art beat: yesterday, Art Institute of Chicago
Mark Rothko (1903-1970), No. 2 (Blue, Red and Green) (Yellow, Red, Blue on Blue), 1953 (detail)
sounds of Paris
Edgard Varèse (1883-1965), Ionisation (1931); Ensemble Intercontemporain (Susanna Mälkki, direction), live, Paris, 2012
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lagniappe
random sights
other day, Chicago
*****
reading table
In the mountain’s shadow
my grass hut’s
so cold
I’ll be up burning firewood
all night long—Ryokan (1758-1831), translated from Japanese by Burton Watson
never enough
Micro-review: !
Johann Sebastian Bach, Chaconne from Partita No. 2 in D minor, BWV 1004 (arr. Ferruccio Busoni); Hélène Grimaud (piano), live, Berlin, 2001
(Note: After posting this clip, I found that it cannot be viewed here; however, it can be at YouTube.)
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lagniappe
random sights
other day, Oak Park, Ill.
alone
Kim Kashkashian (viola), “In memoriam Blum Tamás” by György Kurtág (from Signs, Games, and Messages for solo viola [1998-2005]), live, Germany (Hamburg), 2020
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lagniappe
random sights
other day, Chicago (Columbus Park)
*****
reading table
The world? Moonlit
drops shaken
from the crane’s bill.—Dogen (1200-1253), translated from Japanese by Lucien Stryk with the assistance of Noboru Fujiwara