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Category: classical

Wednesday, April 28th

more

Erik Satie (1866-1925), from Sonneries de la Rose+Cross (No. 2); Reinbert de Leeuw (1938-2020, piano), live, Amsterdam

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lagniappe

random sights

yesterday, Oak Park, Ill.

Monday, April 26th

sounds of Paris and Moscow

Ensemble Intercontemporain (Dylan Corlay, direction), live, Moscow (Tchaikovsky Concert Hall), 11/19/20: Pierre Boulez (1925-2016), Dérive 1; Bruno Mantovani (1974-), Chamber Concerto No. 2

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lagniappe

random sights

yesterday, outside Chicago (Salt Creek Trail)

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reading table

Light was on its way
from nothing
to nowhere.

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How could speed take shape?

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God is encrypting his account.

—Rae Armantrout (1947-), from “Accounts”

Saturday, April 24th

alone

Erik Satie (1866-1925), Le Fils des Étoiles: II; Reinbert de Leeuw (1938-2020, piano), live, Amsterdam

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lagniappe

random sights

other day, Oak Park, Ill.

Monday, April 19th

Why not begin the week, in this battered world, with something beautiful?

John Luther Adams (1953-), Sila: The Breath of the World (2014); Oberlin Conservatory of Music (featuring students from the Brass and Percussion Departments; Timothy Weiss, cond.), live, Oberlin, Ohio, 9/11/20

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lagniappe

random sights

other day, Oak Park, Ill.

*****

reading table

A world of dew,
and within every dewdrop
a world of struggle

—Kobayashi Issa (1763-1827), translated from the Japanese by Sam Hamill

Thursday, April 15th

never enough

Johann Sebastian Bach (1685-1750), Partita for Lute in C minor; Evangelina Mascardi (lute), live, Italy (Mondovi), 2/26/21

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lagniappe

random sights

other day, Oak Park, Ill.

*****

reading table

From every direction
cherry blossom petals blow
into Lake Biwa

—Matsuo Basho (1644-1694), translated from the Japanese by Sam Hamill

Wednesday, April 14th

sounds of Paris

Ensemble Intercontemporain (Pierre Bleuse, direction), live, Paris, 2/16/20: David Bastien, Urban Song (2019)

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lagniappe

random sights

other day, Chicago

*****

reading table

Insisting that change defined our world, Heraclitus concluded that we cannot step into the same river twice. Yet the novel coronavirus has taught us a newer truth: we cannot step into the same river even once.

—Robert Zaretsky, The Subervise Simone Weil: A Life in Five Ideas (2021), preface

Tuesday, April 6th

more

Spektral Quartet (Clara Lyon [violin], Maeve Feinberg [violin], Doyle Armbrust [viola], Russell Rolen [cello]): Joseph Haydn, The Seven Last Words of Christ, recorded in Chicago (St. James Cathedral), 3/20/21 (performance begins at 4:00)

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lagniappe

random sights

this morning, Oak Park, Ill.

Thursday, April 1st

sounds of Chicago

Spektral Quartet (Clara Lyon [violin], Maeve Feinberg [violin], Doyle Armbrust [viola], Russell Rolen [cello]), live, Chicago (University of Chicago), 2018: Béla Bartók (1881-1945), String Quartet No. 1 in A minor (1909)

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lagniappe

random sights

yesterday, Oak Park, Ill.

Tuesday, March 16th

Another take on piano and strings.

Alfred Schnittke (1934-98), Piano Quintet (1972-76), live (Katya Apekisheva, piano; Boris Brovtsyn, Julia-Maria Kretz, violins; Amihai Grosz, viola; Torleif Thedéen, cello), Netherlands (Utrecht), 2010

 

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lagniappe

random sights

other day, Chicago

Monday, March 15th

Suppose that, for the rest of your life, you could listen to only one piece of music. What would you choose? For me it might be this.

Morton Feldman (1926-1987; MCOTD Hall of Fame), Piano and String Quartet (1985); Kronos Quartet with Aki Takahashi (piano), 1993

 

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lagniappe

art beat: other day, Art Institute of Chicago

Jackson Pollock (1912-1956), Number 17A, 1948 (detail)