sounds of Paris and Moscow
Ensemble Intercontemporain (Dylan Corlay, direction), live, Moscow (Tchaikovsky Concert Hall), 11/19/20: Pierre Boulez (1925-2016), Dérive 1; Bruno Mantovani (1974-), Chamber Concerto No. 2
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lagniappe
random sights
yesterday, outside Chicago (Salt Creek Trail)

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reading table
Light was on its way
from nothing
to nowhere.***
How could speed take shape?
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God is encrypting his account.
—Rae Armantrout (1947-), from “Accounts”
Why not begin the week, in this battered world, with something beautiful?
John Luther Adams (1953-), Sila: The Breath of the World (2014); Oberlin Conservatory of Music (featuring students from the Brass and Percussion Departments; Timothy Weiss, cond.), live, Oberlin, Ohio, 9/11/20
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lagniappe
random sights
other day, Oak Park, Ill.

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reading table
A world of dew,
and within every dewdrop
a world of struggle—Kobayashi Issa (1763-1827), translated from the Japanese by Sam Hamill
never enough
Johann Sebastian Bach (1685-1750), Partita for Lute in C minor; Evangelina Mascardi (lute), live, Italy (Mondovi), 2/26/21
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lagniappe
random sights
other day, Oak Park, Ill.

*****
reading table
From every direction
cherry blossom petals blow
into Lake Biwa—Matsuo Basho (1644-1694), translated from the Japanese by Sam Hamill
sounds of Paris
Ensemble Intercontemporain (Pierre Bleuse, direction), live, Paris, 2/16/20: David Bastien, Urban Song (2019)
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lagniappe
random sights
other day, Chicago

*****
reading table
Insisting that change defined our world, Heraclitus concluded that we cannot step into the same river twice. Yet the novel coronavirus has taught us a newer truth: we cannot step into the same river even once.
—Robert Zaretsky, The Subervise Simone Weil: A Life in Five Ideas (2021), preface
more
Spektral Quartet (Clara Lyon [violin], Maeve Feinberg [violin], Doyle Armbrust [viola], Russell Rolen [cello]): Joseph Haydn, The Seven Last Words of Christ, recorded in Chicago (St. James Cathedral), 3/20/21 (performance begins at 4:00)
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lagniappe
random sights
this morning, Oak Park, Ill.

Suppose that, for the rest of your life, you could listen to only one piece of music. What would you choose? For me it might be this.
Morton Feldman (1926-1987; MCOTD Hall of Fame), Piano and String Quartet (1985); Kronos Quartet with Aki Takahashi (piano), 1993
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lagniappe
art beat: other day, Art Institute of Chicago
Jackson Pollock (1912-1956), Number 17A, 1948 (detail)