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Category: cello

Thursday, June 4th

MCOTD Hall of Fame

Henry Threadgill’s Zooid,* live, Washington, D.C., 2013


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lagniappe

reading table

Nothings’s a Gift
by Wislawa Szymborska (1923-2012; translated from Polish by Clare Cavanagh and Stanislaw Baranczak)

Nothing’s a gift, it’s all on loan.
I’m drowning in debts up to my ears.
I’ll have to pay for myself
with my self,
give up my life for my life.

Here’s how it’s arranged:
The heart can be repossessed,
the liver, too,
and each single finger and toe.

Too late to tear up the terms,
my debts will be repaid,
and I’ll be fleeced,
or, more precisely, flayed.

I move about the planet
in a crush of other debtors.
Some are saddled with the burden
of paying off their wings.
Others must, willy-nilly,
account for every leaf.

Every tissue in us lies
on the debit side.
Not a tentacle or tendril
is for keeps.

The inventory, infinitely detailed,
implies we’ll be left
not just empty-handed
but handless too.

I can’t remember
where, when, and why
I let someone open
this account in my name.

We call the protest against this
the soul.
And it’s the only item
not included on the list.

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the beat goes on

Two thousand posts—and counting.

*****

*HT (flute, alto saxophone), Liberty Ellman (guitar), Jose Davila (tuba, trombone), Christopher Hoffman (cello), Elliot Humberto Kavee (drums).

 

Thursday, May 14th

Whether you live for 50 years, 500 years, or 5,000 years, it makes no difference: always there are new things to hear.

Dieter Ammann (1962-), Violation (1999); Lemanic Modern Ensemble (William Blank, cond.) with Karolina Öhman, cello; live, Russia (St. Petersburg), 2014


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lagniappe

reading table

The old pond—
a frog jumps in,
sound of water.

—Matsuo Basho (1644-1694; translated from Japanese by Robert Hass)

Tuesday, May 12th

sounds of Amsterdam

More of the Instant Composers Pool (ICP) Orchestra.*

Live, Chicago (Elastic Arts), 5/3/15


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lagniappe

art beat

Bruce Davidson (1933-), Palisades, New Jersey, 1958

faf1e9a5717cd5181b78783e4399bfd8

***** 

*Ab Baars, tenor saxophone; Tobias Delius, tenor saxophone; Michael Moore, alto saxophone; Thomas Heberer, trumpet; Walter Wierbos, trombone; Tristan Honsiger, cello; Mary Oliver, violin; Ernst Glerum, bass; Han Bennink, drums; with guest Guus Janssen (piano).

Monday, May 4th

sounds of Amsterdam

It’s a wonderful life—sometimes, anyway. This weekend, in Chicago, I got to hear these folks twice: Saturday night all together (Constellation), Sunday in a series of (mostly) duos and trios (Elastic Arts).

Instant Composers Pool (ICP) Orchestra*

“Lavoro” (S. Bergin, borrowing from “Moten Swing”), live, Oakland, Ca., 2013


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“East of the Sun, West of the Moon” (Brooks Bowman), recording (East of the Sun), 2014


*****

*Ab Baars, tenor saxophone; Tobias Delius, tenor saxophone; Michael Moore, alto saxophone; Thomas Heberer, trumpet; Walter Wierbos, trombone; Tristan Honsiger, cello; Mary Oliver, violin; Ernst Glerum, bass; Han Bennink, drums.

Thursday, April 30th

tonight in Chicago

These folks—three reed players and a cellist from Chicago, along with a drummer from Norway—will be playing (and recording a live album) at a performing-arts center on the city’s northwest side (Elastic Arts).

Dave Rempis (saxophones), Keefe Jackson (reeds), Jason Stein (bass clarinet), Tomeka Reid (cello), Tollef Østvang (drums), live, Lafayette, Ind., 4/25/15

Saturday, April 18th

never enough

Johann Sebastian Bach (1685-1750), Suite No. 3 in C major for Unaccompanied Cello; Anner Bylsma, live, 2000


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lagniappe

art beat: Thursday at the Art Institute of Chicago

Paul Gauguin (1848-1903), Vase in the Form of an Exotic Plant, 1886/87

Style: "Japanese baskets"

 

Thursday, April 16th

astonishing

Lee Hyla (1952-2014), String Quartet No. 4 (1999); Spektral Quartet, live, Northwestern University (Evanston, Ill.), 2011

Monday, April 6th

Need a jolt?

Felipe Lara (1979-), Corde Vocale (2006)
Mivos Quartet, live (studio performance), New York, 2013

This I listened to for the first time yesterday. Then I listened again. And again.

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lagniappe

radio

Tuesday is the centennial of Billie Holiday’s birth and WKCR (Columbia University) is celebrating in the best possible way, featuring her music all day tomorrow and, because twenty-four hours just aren’t enough, the next day too.

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taking a break

I’m taking some time off—back in a while.

Thursday, March 19th

otherworldly

Turgut Ercetin (1983-), String Quartet No. 1 (“December”); The Jack Quartet, live, Stanford University, 2011


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lagniappe

reading table

Lacan said that there was surely something ironic about Christ’s injunction to love thy neighbour as thyself—because actually, of course, people hate themselves.

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We know almost nothing about ourselves because we judge ourselves before we have a chance to see ourselves.

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Self-criticism is an unforbidden pleasure: we seem to relish the way it makes us suffer.

—Adam Phillips, “Against Self-Criticism,” London Review of Books, 3/5/15

Thursday, March 12th

never enough

Johann Sebastian Bach (1685-1750), Suite No. 5 in C minor for Unaccompanied Cello; Anner Bylsma, live, 2000

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lagniappe

reading table

I haven’t got a kopeck, but as I see it, it’s not the person with a lot of money who is rich, but rather the one who has the wherewithal to be alive here and now in the lush, bountiful setting bestowed upon us by early spring.

—Anton Chekhov (1860-1904), letter to Lidia Avilova, April 29, 1892 (trans. from Russian by Cathy Popkin [Anton Chekhov’s Selected Stories, Cathy Popkin, ed.])