music clip of the day

jazz/blues/rock/classical/gospel/more

Category: bass

Saturday, April 22nd

Happy (101st) Birthday, Charles!

Charles Mingus Sextet (CM, 4/22/1922–1/5/1979, bass, compositions; Eric Dolphy, 1928-1964, alto saxophone; Clifford Jordan, 1931-1993, tenor saxophone; Johnny Coles, 1925-1987, trumpet; Jaki Byard, 1922-1999, piano; Dannie Richmond, 1931-1988, drums), live, Belgium,* Norway,** Sweden,*** 1964

**********

lagniappe

radio

All Mingus, all day: WKCR-FM (Columbia University).

*****

reading table

This poem is not addressed to you.
You may come into it briefly,
But no one will find you here, no one.
You will have changed before the poem will.

—Donald Justice (1925-2004), from “Poem”

*****

* “So Long Eric,” “Peggy’s Blue Skylight,” “Meditations on Integration”

** “So Long Eric,” “Orange Was the Color of Her Dress, Then Blue Silk,” “Parkeriana,” “Take The ‘A’ Train”

*** “So Long Eric” (performance and rehearsal), “Meditations on Integration” (performance and rehearsal)

Thursday, April 20th

this week in Chicago

They’re playing through Sunday at the Jazz Showcase.

Miguel Zenón (1976-, alto saxophone, composition) with Luis Perdomo (piano), Hans Glawischnig (bass), Henry Cole, (drums), “Taínos y Caribes” (M. Zenón), live (studio), 2022

**********

lagniappe

random sights

other day, Oak Park, Ill.

Tuesday, April 18th

passings

Ahmad Jamal, pianist, composer, July 2, 1930-April 18, 2023

With Israel Crosby (1919-1962, bass), Vernel Fournier (1928-2000, drums), live (TV show), 1959

“Darn That Dream” (J. Van Heusen, E. DeLange)

***

“Ahmad’s Blues” (A. Jamal)

*****

From the New York Times obituary (4/16/23):

Bebop pianists, following the lead of Bud Powell, became known for their virtuosic flurries of notes. Mr. Jamal chose a different path, which proved equally influential.

The critic Stanley Crouch wrote that bebop’s founding father, Charlie Parker, was the only musician “more important to the development of fresh form in jazz than Ahmad Jamal.”

***

In his early years, Mr. Jamal listened not just to jazz, which he preferred to call “American classical music,” but also to classical music of the non-American variety.

“We didn’t separate the two schools,” he told The New York Times in 2001. “We studied Bach and Ellington, Mozart and Art Tatum. When you start at 3, what you hear you play. I heard all these things.”

***

Probably the best-known musician to cite Mr. Jamal as an influence was not a pianist but a trumpeter and bandleader: Miles Davis, who became close friends with Mr. Jamal, recorded his compositions and arrangements and would bring his sidemen to see Mr. Jamal perform. He once said, “All my inspiration comes from Ahmad Jamal.”

Thursday, April 13th

How about something quiet, delicate, beautiful?

Jürg Frey (1953-), Extended Circular Music No. 8 (2014): Klaus Lang (organ); Ranjevš & Óbasz (Jakub Švejnar, percussion; Štefan Szabó, electric guitar); Prague Quiet Music Collective (Anna Paulová, clarinet, bass clarinet; Milan Jakeš, violin; Luan Gonçalves, bass; Ian Mikyska, string and wind instruments), live, Prague, 2022

**********

lagniappe

random sights

other day, Oak Park, Ill.

Thursday, March 30th

sounds of New York

Being and Becoming (Peter Evans, trumpet, compositions; Joel Ross, vibraphone; Nick Jozwiak, bass; Michael Ode, drums), live, New York (Roulette), 3/16/23

**********

lagniappe

other day, Oak Park, Ill.

Tuesday, March 21st

Complex? Yes. But its complexity is matched by its clarity. It breathes.

Milton Babbitt (1916-2011), Composition for Twelve Instruments (1948, rev. 1954): Ensemble conducted by Ralph Shapey (1921-2002), 1962

**********

lagniappe

random sights

other day, Oak Park, Ill.

Friday, March 17th

tonight in Chicago

They’re playing at Constellation.

Dave Douglas (trumpet) and Elan Mehler (piano) with Dominique Eade (vocals), John Gunther (reeds), et al: “If There Are Mountains” (D. Douglas with words by Santoka Taneda [1882-1950], translated from the Japanese by John Stevens: “If there are mountains, I look at the mountains; / On rainy days I listen to the rain. / Spring, summer, autumn, winter. / Tomorrow too will be good. / Tonight too will be good.”), studio, 2020

**********

lagniappe

random sights

other day, Oak Park, Ill.

Wednesday, March 8th

passings

Wayne Shorter, saxophonist, composer, August 25, 1933–March 2, 2023

With Art Blakey and the Jazz Messengers (AB, drums; WS, tenor saxophone; Lee Morgan, trumpet; Bobby Timmons, piano; Jymie Merritt, bass), “The Summit” (W. Shorter), live, Tokyo, 1961

***

With the Miles Davis Quintet (MD, trumpet; WS, tenor saxophone; Herbie Hancock, piano; Ron Carter, bass; Tony Williams, drums), “Footprints” (W. Shorter), live, Sweden, 1967

***

With his quartet (WS, tenor saxophone; Danilo Perez, piano; John Patitucci, bass; Brian Blade, drums), “Masqualero” (W. Shorter), live, Montreal, 2003

**********

lagniappe

random sights

other day, Oak Park, Ill.

Wednesday, February 22nd

sounds of New York

Marc Ribot’s Spiritual Unity (1954-, guitar), Roy Campbell (1952-2014, trumpet, flugelhorn), Henry Grimes (1935-2020, bass, violin), Chad Taylor (1973-, drums), live, New York, 2007

**********

lagniappe

random sights

yesterday, Chicago

Tuesday, February 14th

like nothing else

Mat Maneri (viola), Brandon Lopez (bass), live, New York (Fridman Gallery), 8/30/22

**********

lagniappe

random sights

yesterday, Oak Park, Ill.